Maldito Coração

This a film about child abuse where the real victim is the viewer.

I'm writing this review simply to prevent others from wasting their time. The film's trailer is much more satisfying than the film itself. Watch it, and move on with your life.

This film is a great example of a bad adaptation. It has no character arc and no pay off. The cause and effect relationship is weak. Parts of the film don't even make sense. It's basically a group of disturbing scenes thrown together randomly. It's also pretentious and repetitive. My masochistic tendencies forced me to finish the film. But I spent more than half of it praying for it to end. And I'm an Atheist!

Don't waste your time.

Downright depressing. I watch films to escape or to see the joyousness of life - basically this is about child abuse. We all know what that is - and the adults who do it are downright ILL. For that reason, this film is brilliant and depicts the mental illness in adults very well - and their inability to connect with their own compassion and understanding. Makes you realise that just because a person can have a child, doesn't mean they are a parent. Throws up the whole notion of family and how damaging it is for some people.

If anything this film could be used to force EVERYONE to take a parenting course and to be observed and examined in the action of parenting.

It was realistic - but sad, depressing and well, if you are in the mood of getting depressed, watch this one.

I was really wanting to see what the kid turned into as an adult. Just another junkie?? It leaves you dissatisfied completely in that respect.

The dysfunctional twenty-three years old Sarah (Asia Argento) takes her six years old natural son Jeremiah from the home of his beloved foster parents with the support of the social service to live with her. Along the years, the boy shares her insane and lowlife style and is introduced to booze and drugs and mentally, physically and sexually abused by Sarah, her lovers and her religiously fanatic family.

"The Heart Is Deceitful Above All Things" has one of the most sad, depressive, cruel and unpleasant story that I have ever seen in a movie. It is realistic and dramatic, showing a North America of losers and perverts, and not the usual land of dreams of most Hollywood movies. Asia Argento is amazing directing, writing the screenplay and acting, in the role of the vulgar and cheap Sarah, honoring the blood and names of her father Dario Argento and her mother Daria Nicolodi. The boys Jimmy Bennett, Dylan and Cole Sprouse have also magnificent interpretations in the role of the suffered Jeremiah. Unfortunately there are users that confuse an unpleasant story with a bad film, writing bad reviews because they did not like the movie. My vote is eight.

Title (Brazil): "Maldito Coração" ("Damned Heart")

The competition for who had the worst childhood is now definitely over. "The Heart Is Deceitful, Above All Things" is based on the childhood experiences of author JT Leroy, whose childhood basically seems to have been an unending marathon of all the imaginable kinds of child abuse, with a few types of abuse no sane person can contemplate thrown in.

To me, this film is mainly a testament for the ability of children to adapt to just about any kind of circumstances, no matter how horrific of even inhuman they may be. As a former abused child (although the abuse I experienced as a child was nowhere near as horrific as the torment Jeremiah experiences in this film) I can definitely identify with his character. Kids can adapt to any situation, although the scars never fully heal later in life, even if you manage to escape into a better life.

Asia Argento's acting and direction both leave a lot to be desired, but all in all the end result is in definitely on the positive side. I'll look forward to her next film.

I can't say I "liked" this film, yet I can say it was better than I expected. Actress/Director Asia Argento is both the best and worst thing about this film. As director, she presented a story that had flow and made sense, and made a couple of very good choices as to when to use surrealistic and stunt casting tricks in service of the story. She also got excellent performances out of the cast generally. Except...

as an actress, she kept taking me out of the scene. If your reaction is the same as mine, just tune her acting out and let the story unfold.

I would also say that JT Leroy, writer of the prose on which this film is based, was involved in the production. Via letter, he introduced the film at various film festivals. The claim that this is a true story, that this is "my life" that Leroy makes, tends to inoculate the film from a lot of criticism. How can anybody say "the ending wasn't much of an ending" or "the mom was really over-the-top" if the person who lived the story says the movie is "true". In other words, a movie has to have its own truth, whether the story it tells is true or not. And I guess I think this is "7" because for all it's flaws (Argento's acting, skips in time that leave characters undeveloped, and a general lack of roundness to the characters that really could have been fixed), the movie did seem to find it's own truth.

For that I credit director Argento, young actors Jimmy Bennett, Dylan Sprouse and Cole Sprouse (who knew the Sprouse twins could act? Very well done), sharp (if stereotypical) cameo turns by Peter Fonda, Winona Ryder, & Ornella Muti (whom I took to be Lena Olin). Also props to John Robinson, who played Jeremiah's teenaged uncle -- an underused character in the film. Except I can't say that because this movie is a "true story". See? That's frustrating.

Oh, the content is strong, this is not for kids, and a LOT of adults will need to quit watching at some point. But it is overall worth the effort, if you have a strong stomach and can control your rage at the awfulness of the life depicted.