Após a morte de seus pais durante a Segunda Guerra Mundial, o jovem Hannibal Lecter se muda com sua tia e começa a planejar vingança contra os bárbaros responsáveis pela morte de sua irmã.Após a morte de seus pais durante a Segunda Guerra Mundial, o jovem Hannibal Lecter se muda com sua tia e começa a planejar vingança contra os bárbaros responsáveis pela morte de sua irmã.Após a morte de seus pais durante a Segunda Guerra Mundial, o jovem Hannibal Lecter se muda com sua tia e começa a planejar vingança contra os bárbaros responsáveis pela morte de sua irmã.
- Prêmios
- 2 indicações no total
Michelle Wade
- Nanny
- (as Michele Wade)
Avaliações em destaque
Like come on, sure it's not silence of the lambs, but nominated for worst sequel/horror movie, that's just dumb. Snobby reviewers who can't judge a movie on its own merits, only a comparison to one of the greatest thrillers ever made. Of course any other Hannibal stories won't compare, doesn't mean they are aweful. This is an interesting tale of revenge that setups the character. Worth the watch if you enjoy the Hannibal movies.
I avoided this movie for years. After seeing "Hannibal" I had no interest in seeing how he became the monster he was. Alas, an Amazon Prime membership and down time at work drove me to "Hannibal Rising." I learned that I have a far greater affinity for young Hannibal than old Hannibal. Young Hannibal grew up in WW2 Europe. He went from affluence to fighting for his life due to the war. One particularly tragic event forever changed him.
The actor chosen for Hannibal (Gaspard Ulliel) was excellent. He even had a sinister looking face the way the corners of his mouth curve upward in a Joker-esque manner made him able to sneer with ease. His acting left a little to be desired as his accent (or simply his manner of speaking) seemed forced. Also there was the dialog between him and Lady Murasaki (Li Gong). They constantly spoke in hushed romantic tones as if every word they exchanged was secretive or passionate. It came off as pretentious and grandiose as though they were the two most important or two most passionate people in the world.
If we were to boil it all down, "Hannibal Rising" was a revenge story. Some people are fueled by love, some by hate, others by both. Hannibal was definitely fueled by both and it was his inability or unwillingness to not cross the line that made him Hannibal the cannibal.
The actor chosen for Hannibal (Gaspard Ulliel) was excellent. He even had a sinister looking face the way the corners of his mouth curve upward in a Joker-esque manner made him able to sneer with ease. His acting left a little to be desired as his accent (or simply his manner of speaking) seemed forced. Also there was the dialog between him and Lady Murasaki (Li Gong). They constantly spoke in hushed romantic tones as if every word they exchanged was secretive or passionate. It came off as pretentious and grandiose as though they were the two most important or two most passionate people in the world.
If we were to boil it all down, "Hannibal Rising" was a revenge story. Some people are fueled by love, some by hate, others by both. Hannibal was definitely fueled by both and it was his inability or unwillingness to not cross the line that made him Hannibal the cannibal.
Designed as a prequel to SILENCE OF THE LAMBS (and MANHUNTER before it), this is a film that aims to show how Hannibal Lecter ended up as the human cannibal that we all know and fear. Many people criticised this film, arguing that familiarity breeds contempt and the more we learn about a killer's background and origin, the less frightening he becomes. They have a point, but they're also missing something: HANNIBAL RISING is a very well made and entertaining movie in its own right. My advice is to forget all about the connections with the later films and just enjoy this film on its own merits.
It's a distinctly European film with a European sensibility and a young, French, unknown lead actor. It has a level of classiness that's not present in many an American film; a sheen of quality that sets it apart from the rest. The opening sequence, set in the latter days of World War 2 and detailing horrific events in Lithuania, is very well handled, full of foreboding, great effects, and sinister actions. It ably sets up the rest of the film, which turns out to be a revenge flick with the added intrigue of having the main character becoming more and more sick and twisted as the movie progresses.
One thing that stands out is the quality of the cast. The unknown Gaspard Ulliel is weird and brilliant as the young killer, and you quite believe he's a sociopath. There's a romantic sub-plot that goes nowhere involving the lovely Gong Li (CURSE OF THE GOLDEN FLOWER) but it does serve to humanise the monster a bit. The ever-reliable Dominic West is also very good as the policeman investigating Hannibal's crimes, although his role is completely extraneous to the thrust of the film. The bad guys, too, are very well cast and all of them thoroughly despicable chaps: Kevin McKidd, Richard Brake, and in particular a cast-against-type Rhys Ifans all make an impact here.
The violence that plays out is entertaining because the villains all deserve it: from the butcher slashed apart with a samurai sword to the guy strangled and eaten, these men are repulsive and their deaths well earned. Another highlight is that the film doesn't focus on the gore, either, not in a repulsive way like HANNIBAL; there's nothing stomach churning here. The cannibalism ends up as a sub-plot, really, not involved with the main film, but that didn't bother me too much. I enjoyed the pacing, the acting and the direction, and found all three of those elements assured and designed to entertain.
It's a distinctly European film with a European sensibility and a young, French, unknown lead actor. It has a level of classiness that's not present in many an American film; a sheen of quality that sets it apart from the rest. The opening sequence, set in the latter days of World War 2 and detailing horrific events in Lithuania, is very well handled, full of foreboding, great effects, and sinister actions. It ably sets up the rest of the film, which turns out to be a revenge flick with the added intrigue of having the main character becoming more and more sick and twisted as the movie progresses.
One thing that stands out is the quality of the cast. The unknown Gaspard Ulliel is weird and brilliant as the young killer, and you quite believe he's a sociopath. There's a romantic sub-plot that goes nowhere involving the lovely Gong Li (CURSE OF THE GOLDEN FLOWER) but it does serve to humanise the monster a bit. The ever-reliable Dominic West is also very good as the policeman investigating Hannibal's crimes, although his role is completely extraneous to the thrust of the film. The bad guys, too, are very well cast and all of them thoroughly despicable chaps: Kevin McKidd, Richard Brake, and in particular a cast-against-type Rhys Ifans all make an impact here.
The violence that plays out is entertaining because the villains all deserve it: from the butcher slashed apart with a samurai sword to the guy strangled and eaten, these men are repulsive and their deaths well earned. Another highlight is that the film doesn't focus on the gore, either, not in a repulsive way like HANNIBAL; there's nothing stomach churning here. The cannibalism ends up as a sub-plot, really, not involved with the main film, but that didn't bother me too much. I enjoyed the pacing, the acting and the direction, and found all three of those elements assured and designed to entertain.
Truly disturbing and succeeds in making you understand why Hannibal Lecter turned out to be the person he became. Not justified, but understandable. Don't leave this out when revisiting the other movies.
I went to a free screening of this movie tonight, Thursday December 12, 2006 at the mall cause they gave out free passes at my work across the street.
I wont give really much away...but the movie itself was great. Great locations, great acting--especially by Gaspard Ulliel as Hannibal. I swear his acting was so good that it was scary and near perfect as the demented Hannibal Lechter.
The story about how he came to be was great also starting with his youth during WW2 in 1944. And 8 years later, the main plot line unfolds showing him becoming a medical school student in France where he begins to learn of the many body parts that make a human work.
All in All this movie is a delectable revenge type movie with scary, dark bad guys and many gruesome deaths.
*two thumbs up*
I wont give really much away...but the movie itself was great. Great locations, great acting--especially by Gaspard Ulliel as Hannibal. I swear his acting was so good that it was scary and near perfect as the demented Hannibal Lechter.
The story about how he came to be was great also starting with his youth during WW2 in 1944. And 8 years later, the main plot line unfolds showing him becoming a medical school student in France where he begins to learn of the many body parts that make a human work.
All in All this movie is a delectable revenge type movie with scary, dark bad guys and many gruesome deaths.
*two thumbs up*
Você sabia?
- Curiosidades"Lady Murasaki" (Shikibu Murasaki) is actually the name of an 11th-century Japanese novelist. Her "The Tale of the Genji" is regarded as a masterpiece of Japanese literature. In the book on which this film is based, Lady Murasaki is indeed a descendant of the 11th-century novelist. She and Hannibal even quote "The Tale of the Genji".
- Erros de gravaçãoWorld War II German "dogtags" didn't have the name of the soldier on them. Instead they listed the unit that they were in when the tag was issued, and a serial number.
- Citações
Hannibal Lecter: Rudeness is an epidemic.
- Versões alternativasFor the German retail market a cut version was created (based on the theatrical version) which misses ca. 13 minutes. This version is rated "Not under 16". Theatrical and US-Unrated version are also available with a "Not under 18" rating but have some sales restrictions.
- ConexõesFeatured in HypaSpace: Episode #6.25 (2007)
- Trilhas sonorasPesnya o Staline
Written by Aleksandr Aleksandrov (as A. Alexandrov) and Sergey Alymov (as S. Alymov)
Public Domain
(misspelled as "Pensya o Staline")
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Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Hannibal, el origen del mal
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 75.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 27.670.986
- Fim de semana de estreia nos EUA e Canadá
- US$ 13.051.650
- 11 de fev. de 2007
- Faturamento bruto mundial
- US$ 82.169.884
- Tempo de duração
- 2 h 1 min(121 min)
- Cor
- Mixagem de som
- Proporção
- 2.35 : 1
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