O Sadismo de Shogun 2: A Tortura Infernal

Oxen Split Torture is apparently a follow up to the omnibus style torture flick Joy of Torture released in 1968. I have no idea if there are actually any links between the two films (other than content) and I'm thinking that this film is just trying to cash in on the popularity(?) of the earlier one. That sort of thing is often a recipe for a terrible film; but actually, for what it is, Oxen Split Torture is really rather good. The first film had three separate stories; this one only has two and it's a good deal shorter, but it's also much nastier. The plots of both of the stories focus on torture; I'm not going to get into the specifics of either because the plot lines are not important. What is important is the gore and while the film is not overly gory all the way through - when it does feature the red stuff, it features it heavily and some of the torture scenes really are quite shocking - a scene that sees a man have his foot literally battered away from his leg is a particular highlight in that respect. Director Yuuji Makiguchi really takes care to ensure that the gore scenes are as realistic and graphic as possible; and that is a huge positive for the film. If you want to see something cringe-worthy, don't miss this! I would even go as far as to say that Oxen Split Torture is superior to the original Joy of Torture - it might not be as classy, but it's much more violent and that's all anyone can ask for from a torture flick.

After a very long time, I finally tracked down a copy of this notorious flick. I had heard quite a bit about it and it's disturbing nature (I actively seek out the worst of the worst) and was rather apprehensive to say the least. Well, I definitely was not let down by this one! Holy wow, there was some incredibly sadistic torture methods and downright gut wrenching executions. I've been a hardened film viewer for some time and have seen it all, from the worst french extreme horror to the most underground Japanese flicks and this definitely ranks up with the most brutal of brutal.

Of course, this movie isn't absolutely vivid, due to the time it was released, but don't let that fool you. The violence and torture scenes are still very raw and brutal and even made me cringe a few times (and that's pretty hard to do). Everything from boiling a woman alive, roasting someone on a fire, ankle smashing and on and on. I thought I would get a cheesy 70's grindhouse flick, with all the cheese and over the top dialog expected of the usual fare, but this one smacked me right across the face from the first scene. No, this one doesn't have that silly edge to it, as many of the other flicks of this genre have. It's just downright sick and harsh from moment one. It's also a very well made movie with quite good acting and a great script. The super sadistic Shogun is VERY convincing as well as all of the victims which adds even more to the terrors that hold within. This is truly a shocker worthy of my collection and every other super gore hound's collection as well.

So, if you're seeking out another "sickest tortures on celluloid", then by all means this flick needs to be in your possession. Even if you're looking for a good period piece from the shogunate era, this will definitely suffice as well, but be warned, it is quite a ride through hell. It makes you wonder how people get away with such wanton hate and utter depravity throughout history. I give this a 9/10.. and definitely a 10 for the violence.

Not a whole lot to say about this one. I'm not even sure why I watched it. It's so unlike my usual viewing material that I thought I'd take a risk. It wasn't as repulsive or disturbing as I was worried it might be, and the production values are better than might be expected.

The movie features two "stories", but I didn't get much plot from either of them. They are apparently set two hundred years apart, but I couldn't tell that from the sets and costumes, which seem to stay the same.

The first story features a crazy, sadistic magistrate who eats live newts straight from a tank and whose bulging, crazy eyes make him look like an Asian version of the Western actor Jack Elam. This is probably the more violent story. The magistrate hates Christians, and a young girl is a Christian, so she gets tortured... but so do a bunch of other people. One guy gets his foot smashed with a hammer until it looks like mince meat with the bones left in it.

The second story was even harder to follow than the first. Something about a con-man who teams up with an escaped prostitute to scam people? Though how, I don't know. This at least had a memorable sequence in which a naked woman is tied up, painted with honey, and some adorable little puppies are let loose on her to lick it off. There's also a scene where people end up wallowing in diarrhoea for some reason.

I guess "Shogun's Sadism" is recommendable if you want to see scenes of torture. It's not interesting for any other purpose however.

Any film that opens with a naked woman being boiled alive is going to be harsh viewing, but there are very few films that are as wanton in their depiction of sadistic violence and sexual brutality as Shogun's Sadism (AKA The Joy of Torture 2: Oxen Split Torturing), a film that positively delights in trying to shock its audience in as many ways as possible; even by Japanese standards, this is one extremely repugnant piece of film-making, and therefore an absolute must-see for fans of extreme Asian cinema.

The film consists of two separate tales set in feudal Japan during the Edo period, taking place in the years 1645 and 1821; both are tragic love stories of sorts, but the doomed relationships that unfold exist purely as catalysts for an unrelenting onslaught of on-screen nastiness.

Part one sees samurai Sasaki Iori fall for lovely peasant girl Toyo, unaware that she is a Christian and therefore an 'enemy' of the Shogunate. Amongst the dubious delights unflinchingly captured on film by director Yuuji Makiguchi for this chapter: a man cut in half with a samurai sword; Toyo repeatedly raped by Sasaki's newt-munching boss; Toyo's twelve year old sister blinded with a red hot poker; a man's feet mashed to a bright red pulp by huge hammers; some poor sod roasted alive inside a man sized cooking pot; Toyo's parents stabbed with spears and set alight; and Toyo's legs torn off by oxen.

Story number two has beautiful whore Sato join con-artist Sutezo in a life of petty crime after her daring escape from a brothel; but when the pair unknowingly attempt to scam a detective working for the magistrate, they wind up in a worse situation than ever, subjected to a series of brutal tortures. This time around the catalogue of nastiness includes a stomach churning forced abortion by a wizened hag (who goes elbow-deep to perform her task!); ear slicing and penis removal with a blunt razor; a desperate escape through a toilet full of liquid feces; the gang rape of Sato by a group of beggars; assorted sadism, including toe-slicing, nipple crushing, and water torture; and Sutezo, trapped in a pillory, slowly decapitated by a passing drunkard. Also keep an eye out for the very strange moment where a naked woman is covered in a sticky substance (possibly honey) and licked all over by cute puppies!!!

As seems to be the case with much of Toei's exploitative output of the 70s, production values are high, giving this film a polished aesthetic that is missing from many Western exploitation movies of the same period; don't be fooled by the glossy look and feel of the film though, 'cos this is much grittier stuff than the majority of grainy grindhouse flicks from the US.

I found this to be more entertaining than I expected, which is probably due to the unexpectedly high production values. Very strange that an extreme film like this should have a decent budget. I should add that the first sequence is superior, since it is far more dramatically effective. The second segment is almost played for laughs, at times, which would almost seem unbelievable if you were unfamiliar with the extreme end of Japanese cinema. There is no end of gurning and pratfalling from the main protagonist (and others) in the latter part, as well as a few relatively comedic incidents - one involving a pit of human waste. You would almost expect this to be intended as light relief, to send the punters home somewhat less disturbed after the unremittingly bleak first story, and that is how this tale begins. The main man is punished for being unable to pay for his night of debauchery by being lightly humiliated and forced to work in the brothel. The previously mentioned dog-licking is up next, lulling the unprepared viewer into a false sense of security, as an extremely horrible abortion follows, involving a double whammy of stamping and kicking to the gut, followed by the archetypal old-crone-abortionist going in up to the elbow. This latter is accompanied by what sounds like the electronic equivalent of a swanee whistle on the soundtrack, but I don't think the similarity was intentional. Later on, this prostitute dies slowly, as a result, in a brilliantly effective sequence. She really does look pale and deathly, and the barbaric treatment and it's outcome are portrayed unflinchingly. This early death denies our cruel buddies some torture fun. This is not the case at all in the first half. The baddie of the piece is a nasty magistrate, played with OTT eye-bulging lunacy that veers wonderfully close to the edge of over acting. He gets to do all sorts of unspeakable acts to a succession of hapless christians, and the effect is bleak and cruel throughout. It is also quite tragic; well acted; and well filmed. Kudos also, to the soundtrack composer - there is some decent stuff on here, from the moog-out over the opening credits, to some very nice, more traditional soundtrack material later on. Not as gory as I expected, this is still fairly gruesome. The curious shouldn't be put off by the idea that there is unrelenting blood and guts churning away: it's the nastiness and cruelty that make this film exceptional, not the red stuff.