Uma Chamada Perdida

A high school student named Yumi Kamura finds with a group friends in a coffee bar,while her pal Yoko receives a cellular call with a rare tone which she had heard before.Into screen phone appears one missed call.The message is sent for her cellular and contains a horrible shout that sounds like her voice.Besides the call is from three days after.A time later young people receive the call are dead for terrible killing.A strange curse causes a criminal rampage among various adolescents.

The picture gets suspense,horror,shocks,grisly terror and several eerie scenes.The film displays hair-rising and horrifying images with a bit of blood and graphical gore.Mysterious and sinister atmosphere is well made by the photographer Yamamamoto. Takashi Mike(Ichi the killer) direction sometimes is actually creepy and frightening like proves the first entry ¨Dead or alive¨with the execution starring by a mobster and much more in ¨The audition¨.This horror film is inspired by ¨The ring¨with certain remembrance more even storyline coincidences.Like that and in fact happen in the most part of recently Japan horror cinema deals about an urban legend.It's the initial argument for introducing the terror in the ordinary life by means a phone.While the look is suitable spooky and eerie the plot spread to the breaking point and the final resolution results to be a little confused.The flick will like to Japan modern terror cinema enthusiastic.

A good Japanese-surprise.

Was looking for something different to watch in Americanized Netherlands, and found this movie. If you have never seen any of the recent Japanese fear movies, then this one is a good compilation of the others (Ring, Dark Water, Kairo...) : strange camera angles, blurry pictures, good sound effects and music and a nice-and-somewhat logical script. I was worried about the Miike's touch, but in fact it was a surprising plus for this kind of movie, where ghosts and gore combine well. Takashi shows he knows a lot about filming methods, and also gives us an overview of the Japanese craziness about mobile phones : I can assure you that you will never look again the same way at your phone after seeing such a movie.

For the ones who have seen other Japanese horror movies, I would advise it as well, as you enjoy seeing again the same old tricks in a different context...and it works again !

So if you have the chance to have this one in a nearby theater...just try it !!

First, I strongly disagree with some other posters at the board who weren't bothered by Chakushin ari facing a Hollywood remake. Why can't Hollywood keep their dirty fingers away when they fail in their own miserable creativity. Anyhow...

I've just started to dig deeper into the works of Takashi Miike and I have no problems admitting that his movies are awesome. Chakushin ari is another ghost tale but it gets a bit special when Miike-san is in charge of things. What you get in Chakushin ari is, besides the beautiful surroundings and awesome camera work, tension, thrills and a plot which does quite good for being in this genre. It has its moments of originality and compared to the works of Hideo Nakata, I'd say Miike here accomplish a heavier load of tension throughout the whole movie, while Nakata's movies have tension coming in waves, sort of.

I have really nothing to whine about here or rant at. The actors are doing a good job and the piece kept me interested throughout the entire playtime. Thumbs up.

It is hard to do something new in the world of horror these days. Even Japanese horrors which were deemed fresh in the late 90's got more and more repetitive, and we can say that after Kairo, there is nothing really fresh coming out of the horror department of Japanese films. The quiet atmosphere and the fear towards darkness within colorless world possessed by vicious female ghosts is no longer new to both Japan and the rest of the world. Ju-ons (all of them except the part 2 of the one made only for video which sucked badly) are scary; the series break the silent rule of Japanese horrors, its director even say that he tried to go the opposite way Nakata and Kurosawa went, he will scare the audience by showing the ghosts and gore as much as possible. And Ju-ons worked, to some extent; the director is successful in creating the world of nightmare that co-exist with the ordinary world that people live in. He use a normal house/apartment as his stage of fear and bring out all the every possible scare out of every corner of that place. But one can also say that Ju-ons are good only in parts; its strength is just the sum of a few very scary scenes that the director successfully created and not the overall atmosphere or the story of the films. Now it's time for the ever creative Miike who once scared the hell out of the audience, not by using ghosts, but using a sadistic but innocent-looking girl, to put some new blood into Japanese horrors. As a big fan of J-horror and Miike, I was so looking forward to the film and that I was afraid my high expectation will kill it, but the result was beyond my expectation, I enjoyed this thrill ride so much I wish it would never end.

In terms of story, Chakushin Ari is nothing new. It's the Ring plus mobile phone plus Miike trademark's world of weirdness. However, it's execution is a very good blend of Nakata's the silent and dark world and Simizu's bang bang ghost is coming style, and the result, IMHO, is very fresh and satisfying. Miike has toned down his weird and over-the-top scenes to suit the taste of wider audiences, but this film is still full of creative and scary scenes (the scene at the TV station which I deem so good it's classic, and the scene at the hospital which is so weird and spooky that I wish it could last longer) with quite satisfying story and (many may argue) acceptable open ending. Although his ingredients are nonetheless recycle of old tricks (everything from dark corners, female ghosts, old apartments, old hospitals, scary-as-hell sound effects, and right out of the screen gore and ghosts), they are orchestrated in such a stylish and enjoyable way that I can't help jumping and flinching while at the same time enjoying the ever rushing adrenalin in my vein. Repetitive, may be, but fresh ideas are still everywhere; Miike stood very good balance between Nakata's atmospheric scare/strong story and Shimizu illogically outrageous and bizarre world. In sum, a very very entertaining grade A pure horror (not psychological thriller in disguise) which is both repetitive and fresh at the same time. This film should satisfied both hardcore horror fans and those who want satisfying entertainment.

While in a bar with her friends, the teenager Yoko Okazaki (Anna Nagata) receives a call in her cellular with a voice mail from the future telling the date and time when she would die. On the next day, Yumi overhears a group of students talking about the urban legend that people connected in the address book of cellular are mysteriously receiving phone calls with date and time of their death in the near future. In the precise informed hour, Yoko is attacked by a supernatural force in a train station while talking to her friend Yumi Nakamura (Kou Shibasaki) by phone and dies with severed arm and leg. Yumi seeks out Kioto's boyfriend Kenji Kawai (Atsushi Ida), who also received a call, and witnesses his death in an elevator shaft. When her roommate Natsumi Konishi (Kazue Fukiishi) receives a call, Yoko befriends Hiroshi Yamashita (Shin'ichi Tsutsumi), who tells her that his sister Ritsuko (Azusa) that worked in the Child Guidance Center with abused children was the first victim of the phone call. While in the hospital, Yumi hears an asthma pump and recalls that she heard the same noise when Kenji died. They decide to investigate victims of asthma in the hospital and find the name of Marie Mizunuma and her daughters Mimiko and Nanako. They search the family together trying to save Natsumi from her fate.

"Chakushin Ari" is scary like most of the Asian horror movies, and has a promising beginning supported by a great acting and a good plot. However, the last quarter of the movie is confused, not clear, needing interpretation; therefore, the screenplay writer Minako Daira or the cult director Takashi Miike or both failed since they were not able to transmit a clear conclusion of the story to the audience. I glanced in IMDb the most different interpretations for the end of the story to ratify my opinion. My vote is six.

Title (Brazil): "Ligação Perdida" ("Missed Call")