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IMDbPro

Caterina va in città

  • 2003
  • Unrated
  • 1 h 47 min
AVALIAÇÃO DA IMDb
6,8/10
3,3 mil
SUA AVALIAÇÃO
Caterina va in città (2003)
ComédiaDrama

Adicionar um enredo no seu idiomaCaterina, forced to leave her small town at the age of thirteen, faces the complications of living in the big metropoly of Rome.Caterina, forced to leave her small town at the age of thirteen, faces the complications of living in the big metropoly of Rome.Caterina, forced to leave her small town at the age of thirteen, faces the complications of living in the big metropoly of Rome.

  • Direção
    • Paolo Virzì
  • Roteiristas
    • Francesco Bruni
    • Paolo Virzì
  • Artistas
    • Alice Teghil
    • Sergio Castellitto
    • Margherita Buy
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    3,3 mil
    SUA AVALIAÇÃO
    • Direção
      • Paolo Virzì
    • Roteiristas
      • Francesco Bruni
      • Paolo Virzì
    • Artistas
      • Alice Teghil
      • Sergio Castellitto
      • Margherita Buy
    • 19Avaliações de usuários
    • 25Avaliações da crítica
    • 63Metascore
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 7 vitórias e 9 indicações no total

    Fotos5

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    Elenco principal69

    Editar
    Alice Teghil
    • Caterina Iacovoni
    Sergio Castellitto
    Sergio Castellitto
    • Giancarlo Iacovoni
    Margherita Buy
    Margherita Buy
    • Agata Iacovoni
    Antonio Carnevale
    • Cesarino
    Silvio Vannucci
    • Fabietto Cruciani
    Federica Sbrenna
    • Daniela Germano
    Carolina Iaquaniello
    • Margherita Rossi Chaillet
    Zach Wallen
    • Edward
    • (as Zach -James Smith- Wallen)
    Martino Reviglio
    • Gianfilippo
    Claudio Amendola
    Claudio Amendola
    • Manlio Germano
    Flavio Bucci
    Flavio Bucci
    • Lorenzo Rossi Chaillet
    Paola Tiziana Cruciani
    • Zia Marisa
    Luigi Grilli
    • Zio Alfredo
    Tereza Paula Da Rosa
    • Teresa
    Renata Orso
    • Zia Adelina
    Margerita Mazzola
    • Martina
    • (as Margherita Mazzola)
    Martina Tasquetta
    • Alessia
    • (as Martina Taschetta)
    Giulia Gorietti
    Giulia Gorietti
    • Giada
    • (as Giulia Elettra Gorietti)
    • Direção
      • Paolo Virzì
    • Roteiristas
      • Francesco Bruni
      • Paolo Virzì
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários19

    6,83.2K
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    Avaliações em destaque

    8gradyharp

    A Film Filed to Overflowing with Stories and Information

    'Caterina va in citta' ('Caterina in the Big City') is an Italian film that takes as its storyline the coming of age of a young teenager transported by her family from the quiet Tuscany seaside village of Montaldo Di Castro to the challenging realities of Big City Rome, but that is only the means to an end of exploring Italian politico-social life and its effects on the youth of today. It comes very close to drowning in its own excesses, but at the root of the film is a sensitive tale of a young girl's struggles with growing into an adulthood that puzzles, frightens and challenges her.

    Caterina (Alice Teghil) finds her greatest moments of happiness in her home town singing mezzo soprano in the choir: simple pleasures in a simple setting surrounded by country folk content to live life day to day. Her father Giancarlo (Sergio Castellitto) is a teacher who can't hold a job, partially because he is so outspoken and partially because he is a raving truly obnoxious person. Her mother Agata (Margherita Buy) is subservient, a woman with few coping mechanisms who allows her odious husband to run an abusive household. Giancarlo's aunt is ill in Rome and with the idea of finding a job where his talents are respected, Giancarlo uproots his little family and moves to the big city. There the social castes are evident and Caterina is judged a country hick until she is befriended by first a rebel who bonds with Caterina, introduces her to tattoos and liquor, and causes a schism between her important mother (Giancarlo hoped to have is novel published by the woman), the daughter and his family. Caterina then is absorbed into the rich and spoiled rank and file of the wealthy, not fitting in until the girls do a make over. That situation is again disrupted by Giancarlo's blindly inappropriate behavior. The true Caterina is somehow lost, still dreaming of becoming a fine mezzo soprano, but tagging along with the crowd du jour. Ultimately Giancarlo's multiple and consistent failures drive him away from the family, he rides off to oblivion on his restored motorbike, and Agata and Caterina both bloom.

    The noise level of this film is such that it is difficult to watch: the young girls means of communication is a mixture of screaming, loud talking, and fighting and otherwise making us uncomfortable. Yet underneath all of the political and social expose and brandishing is a truly wonderful young Caterina whose life as a soap opera is watched tenderly by an Australian boy who plays the guitar and observes her family from a window across the way from Caterina's Rome home. The moments toward the end of the film when the playback comes justifies the fuss of getting there.

    This is not a film this viewer would sit through again, but reflecting on the story after all the commotion is over, hearing Mozart's 'Ave Verum Corpus' and Verdi's 'Nabucco" etc as the inspiration behind Caterina's honest dreams, makes is a more memorable experience. In Italian with English subtitles. Grady Harp
    7andrabem

    Caterina and her parents

    "Caterina va in città" seems like your typical teen film. It somehow reminds me of "Thirteen", but it goes a little deeper than the average American teen film.

    In American teen films the parents are normally reduced to simple shadows that serve more as a background for their sons and daughters' lives - they are either of the preaching-repressive sort, or the tolerant, ever-forgiving parents, that eventually through love will help their children to the way of redemption.

    Not so, "Caterina va in città". In this film, not just Caterina ( Alice Teghil) but her parents as well are portrayed as three-dimensional human beings and this makes the film more interesting.

    Caterina and her parents move from a small Italian town to Rome. And there Caterina's life will be shaken. She goes to high school and meets new friends - many new things happen in her life. She feels uprooted from her old self, and doesn't know anymore who she really is.

    One can say that "Caterina va in città" is a coming of age film - it portrays her search for her place in the world - many American teen films tell the same story. But what differentiates this film from its American counterparts is the attention it gives to the parents. The father Giancarlo (Sergio Castellito) is a deeply disturbed personality. He thinks the world revolves around him and there's a conspiracy of important segments of society whose main aim is preventing him from succeeding in life. He is an egoist that treats his wife as a dumb servant and his daughter as a beautiful puppy. But no, he's not a "bad" man - in his own distorted way he loves his wife and his daughter. Sergio Castellito gives us a stellar interpretation as the problematic father, underlining his pathetic and quixotic traits. Agata (Margherita Buy), is his ever-enduring wife - she has a deeper layer than it may appear at first glance. And there's Caterina living with them, seeing them with her innocent eyes.

    The other characters in the film are what one could call walking clichés. Nothing that has not been shown before in American teen movies. Politics shows its colors in the film, but in a very superficial way. It's not really essential for the film's story - left and right could have been easily substituted for rival football teams.

    The ending (difficult to imagine in American films) will come as a surprise and have a liberating effect on the viewer. All in all, "Caterina va in città" is a good teen film thats stands a bit above the usual film of the genre.
    8F Gwynplaine MacIntyre

    That 1940s bomber crew are back...

    I saw 'Caterina va in Città' in Sydney, where the audience had mixed reactions to the schoolboy who speaks Italian with what's apparently meant to be a Sydneysider accent. In general, I was impressed by the ensemble acting, but I felt that the best performance was given by Margherita Buy as the heroine's mother Agata. I was disappointed that Agata has so little to do with the main plot of the film.

    The symbolism is just a trifle heavy-handed in this movie. Remember those Hollywood war movies from World War Two, in which the bomber crew conveniently had one member of every (white) ethnic group? (And there was usually one rich guy and one guy from the slums.) Well, director/co-scriptwriter Paolo Virzi has got that gimmick here, Italian style. When 15-year-old Caterina's parents move house from a Tuscan seaside town to Rome and enrol her in a big-city school, the student body conveniently includes the full spectrum of Italy's national archetypes. For example, Daniela is wealthy, beautiful and popular, the daughter of an official in the right-wing government. Margherita is a left-wing 'revolutionary', the daughter of a famous intellectual. Of course, the film implies that Margherita is somehow better and more 'authentic' than Daniela.

    Because I found the political subplots of this movie to be deeply clichéd -- especially since Italy is in no position to lecture any other nation on the subject of politics -- I was pleased that the film's political content stays firmly secondary. The main story of this movie is, rightly, Caterina's uneasy and awkward progress through adolescence and into adulthood. It's no surprise to discover that being a teenage girl in modern Italy is difficult, but surely every adolescent -- male, female, rich, poor, in any century or culture -- has found adolescence to be a difficult time of transition. Except for some of its political comments, I found this to be a very honest and intelligent film, with characters I really cared about. I'll rate 'Caterina va in Città' 8 out of 10, and I look forward to more films from Paolo Virzi. Brava, Caterina!
    8dmeltz

    Funny, Sad, Touching. Worth your time

    Caterina gives us an opportunity to feel and a chance to hope. A young girl both naive and somehow mature, she is unsure of what she wants in life. Her task is learning to navigate the waters of a high school in Rome where she is the new girl from the sticks when her father is transfered from a small town on the coast. He fulfills his dream of returning to the cultural mecca of the capital where he hopes to take his "rightful" place among the intelligentsia. But the film turns on just this point–"rightful place". There are no simple answers, though we do have an opportunity to see how complex it is to find one's place, rightful or not, in the world. Caterina is something of a metaphor for the Italian populace at large, I would think. But she is more than this. There is something about her story that touched me, several decades and half a world away from the world she inhabits, a world stratified by cliques and patronage, prejudice and injustice...a world very much like the one I live in and the one I imagine most of us live in. Caterina–as the film that bears her name–does not take the easy way out in running away or self-repression or living a life of quiet desperation, even when her sheltered provincial upbringing and less-than-ideal family situation do not give her any clues on how to deal with her new life and classmates from prominent families. She tries to adjust to the fast-pace and superficiality of life in the Italian capital, and much of the fun of the movie is seeing her in the various situations she encounters along the way. Her father is great as the frustrated writer with no talent and a loud voice, a self-important boor. My heart goes out to all the Caterinas of the world, who go forward with optimism and pure heart even when they know the odds are against them.
    10canulendmeafewbux

    Wonderful film, a great Italian bittersweet comedy!

    One of the best movie I've seen recently. An exciting coming of age, an exhilarating comedy, a deep and painful portrait of our society at the present moment."Caterina Va in Città" has outrageously funny scenes — starting with Giancarlo's biting farewell to his despised small-town students. But it's a very dark sense of humor. The film is really about personalities, especially his. Imagine a standard coming-of- age movie about a smart, unusual kid learning that it's okay to be an individual, different from the rest. Giancarlo is that kid, only he's 40-something and he hasn't had that final scene where everything turns out okay. Angry that others have gotten all the breaks in life, he righteously criticizes the establishment, big money, the old boys' network, and yet envies them at the same time. Back in Rome, he has a chance to mingle with exactly the class of people he inwardly resents, and every chance he gets to make a mark among them turns to embarrassment.

    Played with great flair by Sergio Castellitto (the insouciant chef from "Mostly Martha"), Giancarlo is an enormously sympathetic but uncomfortable character, and his contradictions have a ripple effect on everyone in his orbit. His wife Agata (Margherita Buy) lives in a shell rather than get in the way of her grandiose husband. Caterina (Alice Teghil) is thrust uneasily into a social scene she's thoroughly unprepared for, made even more out of place by her dad's instructions. She doesn't seem to have inherited his low self-esteem, but this new life flies way over her head most of the time. It's a complex portrait of a family's struggle, set amid the tumult of big-city society and class consciousness. "Caterina" is a very rewarding movie.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Sara Pallini's debut.
    • Erros de gravação
      The story begins in 2003, but the dates do not match up with the days of the week for that year.
    • Conexões
      References Os Irmãos Cara de Pau (1980)
    • Trilhas sonoras
      Inno ufficiale dei giovani fascisti
      Music by Giuseppe Blanc and lyrics by Vittorio E. Bravetta

      Sung at the wedding reception

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    Perguntas frequentes17

    • How long is Caterina in the Big City?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 24 de outubro de 2003 (Itália)
    • País de origem
      • Itália
    • Idioma
      • Italiano
    • Também conhecido como
      • Caterina in the Big City
    • Locações de filme
      • Roma, Lazio, Itália
    • Empresas de produção
      • Cattleya
      • Rai Cinema
      • Sky Cinema
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 296.464
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 9.352
      • 5 de jun. de 2005
    • Faturamento bruto mundial
      • US$ 4.407.426
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 47 min(107 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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