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IMDbPro

Caterina va in città

  • 2003
  • Unrated
  • 1 h 47 min
AVALIAÇÃO DA IMDb
6,8/10
3,2 mil
SUA AVALIAÇÃO
Caterina va in città (2003)
ComedyDrama

Adicionar um enredo no seu idiomaCaterina, forced to leave her small town at the age of thirteen, faces the complications of living in the big metropoly of Rome.Caterina, forced to leave her small town at the age of thirteen, faces the complications of living in the big metropoly of Rome.Caterina, forced to leave her small town at the age of thirteen, faces the complications of living in the big metropoly of Rome.

  • Direção
    • Paolo Virzì
  • Roteiristas
    • Francesco Bruni
    • Paolo Virzì
  • Artistas
    • Alice Teghil
    • Sergio Castellitto
    • Margherita Buy
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,8/10
    3,2 mil
    SUA AVALIAÇÃO
    • Direção
      • Paolo Virzì
    • Roteiristas
      • Francesco Bruni
      • Paolo Virzì
    • Artistas
      • Alice Teghil
      • Sergio Castellitto
      • Margherita Buy
    • 19Avaliações de usuários
    • 25Avaliações da crítica
    • 63Metascore
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 7 vitórias e 9 indicações no total

    Fotos5

    Ver pôster
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    Elenco principal69

    Editar
    Alice Teghil
    • Caterina Iacovoni
    Sergio Castellitto
    Sergio Castellitto
    • Giancarlo Iacovoni
    Margherita Buy
    Margherita Buy
    • Agata Iacovoni
    Antonio Carnevale
    • Cesarino
    Silvio Vannucci
    • Fabietto Cruciani
    Federica Sbrenna
    • Daniela Germano
    Carolina Iaquaniello
    • Margherita Rossi Chaillet
    Zach Wallen
    • Edward
    • (as Zach -James Smith- Wallen)
    Martino Reviglio
    • Gianfilippo
    Claudio Amendola
    Claudio Amendola
    • Manlio Germano
    Flavio Bucci
    Flavio Bucci
    • Lorenzo Rossi Chaillet
    Paola Tiziana Cruciani
    • Zia Marisa
    Luigi Grilli
    • Zio Alfredo
    Tereza Paula Da Rosa
    • Teresa
    Renata Orso
    • Zia Adelina
    Margerita Mazzola
    • Martina
    • (as Margherita Mazzola)
    Martina Tasquetta
    • Alessia
    • (as Martina Taschetta)
    Giulia Gorietti
    Giulia Gorietti
    • Giada
    • (as Giulia Elettra Gorietti)
    • Direção
      • Paolo Virzì
    • Roteiristas
      • Francesco Bruni
      • Paolo Virzì
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários19

    6,83.2K
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    Avaliações em destaque

    8F Gwynplaine MacIntyre

    That 1940s bomber crew are back...

    I saw 'Caterina va in Città' in Sydney, where the audience had mixed reactions to the schoolboy who speaks Italian with what's apparently meant to be a Sydneysider accent. In general, I was impressed by the ensemble acting, but I felt that the best performance was given by Margherita Buy as the heroine's mother Agata. I was disappointed that Agata has so little to do with the main plot of the film.

    The symbolism is just a trifle heavy-handed in this movie. Remember those Hollywood war movies from World War Two, in which the bomber crew conveniently had one member of every (white) ethnic group? (And there was usually one rich guy and one guy from the slums.) Well, director/co-scriptwriter Paolo Virzi has got that gimmick here, Italian style. When 15-year-old Caterina's parents move house from a Tuscan seaside town to Rome and enrol her in a big-city school, the student body conveniently includes the full spectrum of Italy's national archetypes. For example, Daniela is wealthy, beautiful and popular, the daughter of an official in the right-wing government. Margherita is a left-wing 'revolutionary', the daughter of a famous intellectual. Of course, the film implies that Margherita is somehow better and more 'authentic' than Daniela.

    Because I found the political subplots of this movie to be deeply clichéd -- especially since Italy is in no position to lecture any other nation on the subject of politics -- I was pleased that the film's political content stays firmly secondary. The main story of this movie is, rightly, Caterina's uneasy and awkward progress through adolescence and into adulthood. It's no surprise to discover that being a teenage girl in modern Italy is difficult, but surely every adolescent -- male, female, rich, poor, in any century or culture -- has found adolescence to be a difficult time of transition. Except for some of its political comments, I found this to be a very honest and intelligent film, with characters I really cared about. I'll rate 'Caterina va in Città' 8 out of 10, and I look forward to more films from Paolo Virzi. Brava, Caterina!
    8valis1949

    Big Rock Candy Mountain

    CATERINA IN THE BIG CITY offers a novel and original approach to The Teen Genre. A timeless 'Coming of Age' tale is portrayed with truth and style, although the specifics of contemporary Italian politics lose a bit in translation, even a viewer who is ignorant of European politics is not left in the dark. Caterina (played by Alice Teghil) is a junior high school aged student who relocates to Rome with her family. Her father is a frustrated teacher who feels that his career has been sidetracked in the sleepy, coastal town of Monalto, and looks forward to the possibility of social and intellectual advancement in the big city. Soon, he runs up against the stratified nature of Italian society, and Caterina encounters the same setup, but within her school system. From her first day in class, she meets classmates who toss around political jeremiads which they don't really comprehend, but are very emotionally attached. Although, by the end of the school year, Caterina is moved and changed by her experiences, she seems to understand that these emotionally charged names and categories never tell the whole story, and really amount to passionate clichés. Paolo Virzì, the director, is known in Italy for his ability to examine the entrenched nature of Italian politics with humor and insight. CATERINA IN THE BIG CITY an intelligent look at what it is like to live in a stratified society, and to strive to locate your unique and proper place.
    10nolanjwerner

    This should have been a great film

    I wish I could say that this was a great film because there really were a lot of things that one could like about it.

    As it turns out, however, it is a good, but flawed film. I will give this film a recommendation, I think it is worth seeing.

    The film made a number of incredible social statements. It really cuts to the quick about the nature of society, the people who can manipulate the system on both sides are in collusion with each other to keep their privilege. The people who are on the outside find themselves on the outside, looking in. They can be taken under someone's wing but they are never really more then a pet, the Jimmy Olsen to someone's Superman.

    The film had spectacular acting, particularly from the lead.

    So what then keeps the film from being great? One of the biggest problems comes from the episodic and picaresque structure of the film. It has the kind of structure that is more interesting because of its discontinuity then because of its continuity. And while it makes for a lot of interesting discussions, this could turn a lot of people off, probably even more then the subtitles.

    Honestly, the problem is that it begins with Caterina being pulled in many directions and it allows us to see facets of her through these different social lenses. The trouble is that we never get a baseline reading on her in the beginning before she moves to Rome. This is done very well but we never get the impression of her as anything more then a tablet that the ideologies of others are being written on, even at the end of the film when she supposedly finds herself. I won't give a spoiler as to how but the ending that someone else commented was her in her element is really just another case of this.

    You know what, I've changed my mind. This is a wonderful film to watch. Its a spectacular way to look at what life is really like when you are outside the powerful and privileged circles of society and you can only be influenced by the ideologies of others but you really lack any voice of your own.

    Watch this along with Welcome to the Dollhouse and see what life was like for the rest of us. Let this film show you the social cliques, collusion and ideology and let Solondz show you the sheer cruelty of a society that, as J. G. Ballard said, normalized psychopathy. And see it for what it really is, not some sugarcoated network television version (I think you guys know what very popular television series I'm talking about).
    9resikane

    >>>!!!*~~~I loved the film~~~*!!!<<<

    I am a student in Australia, in year 9, 15 years old, studying Italian at LaSalle Catholic College Bankstown. I viewed this film as an excursion 3 days ago, and I loved it. I feel for Caterina because I guess I am a little naive in a way. She didn't realize that people were using her, she didn't realize that Margherita liked her in a different, more romantic way, she didn't know about a lot that went on in Rome. It was a very nice, dramatic and funny storyline, and i suppose it appeals to a large audience. I rated it 9/10. I took off 1 mark because I feel not enough was shown of Edward, the guy she loved, the guy from "down under", the guy who most Australians can identify with. He played a prime role in my eyes because he brought her life back on track when she had run away. A little more could have also been shown of Fabietto and Agata's relationship. This film was an excellent representation of the comparison between the posh side of Italy and the grateful and appreciative side of Italy
    10Andy-296

    Disarming Italian comedy (with political undertones)

    This excellent Italian comedy is very similar in plot to Mean Girls (who came out in about the same time). The difference is that this is a much more politicized film. Caterina is a shy teenager from a small town in Italy, who moves to Rome with her long-suffering mother and her teacher father, when he is assigned to a new job there. In her new school, she has to choose to what clique to belong: the children of the progressive intellectuals or the children of the rich industrialists. The left or the right. What this film says is that these people are not terribly different between themselves. They both hold a degree of fame and power in Italian society, and look down upon those who don't. The outstanding performance in the movie is that of Caterina's father, the teacher Giancarlo (Sergio Castellito), a hothead angry that others have gotten all the breaks in life, who rants against the rich and privileged but who would sell his soul in a second in order to join the establishment. He is a familiar type of malcontent in real life but one who is seldom shown in the movies. There is a silly subplot of Caterina falling in love with an Australian boy (What they did that for? To reach an international market?), but all in all, this is one of the best Italian movies of the last years.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Sara Pallini's debut.
    • Erros de gravação
      The story begins in 2003, but the dates do not match up with the days of the week for that year.
    • Conexões
      References Os Irmãos Cara de Pau (1980)
    • Trilhas sonoras
      Inno ufficiale dei giovani fascisti
      Music by Giuseppe Blanc and lyrics by Vittorio E. Bravetta

      Sung at the wedding reception

    Principais escolhas

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    Perguntas frequentes17

    • How long is Caterina in the Big City?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 24 de outubro de 2003 (Itália)
    • País de origem
      • Itália
    • Idioma
      • Italiano
    • Também conhecido como
      • Caterina in the Big City
    • Locações de filme
      • Roma, Lazio, Itália
    • Empresas de produção
      • Cattleya
      • Rai Cinema
      • Sky Cinema
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 296.464
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 9.352
      • 5 de jun. de 2005
    • Faturamento bruto mundial
      • US$ 4.407.426
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      1 hora 47 minutos
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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