Adicionar um enredo no seu idiomaAt 17 LeighAnne Williams has a six month old baby to look after, with only the help of three teenage squatters who flog stolen gear to make ends meet. A neighbour (actually from Turkey) acro... Ler tudoAt 17 LeighAnne Williams has a six month old baby to look after, with only the help of three teenage squatters who flog stolen gear to make ends meet. A neighbour (actually from Turkey) across the street becomes target to her growing paranoia that Social Services are going to tak... Ler tudoAt 17 LeighAnne Williams has a six month old baby to look after, with only the help of three teenage squatters who flog stolen gear to make ends meet. A neighbour (actually from Turkey) across the street becomes target to her growing paranoia that Social Services are going to take her daughter, Rebecca, away from her. Her behavior becoming increasingly desperate as he... Ler tudo
- Ganhou 1 prêmio BAFTA
- 10 vitórias e 4 indicações no total
- Terry Williams
- (as Nick McGaughey)
Avaliações em destaque
Whilst the main characters certainly have many unsavoury characteristics the film does allow time to explore what made them what they are. Many factors are highlighted, lack of stable partnerships, low self-esteem, lack of commitment, lack of parenting skills, drugs, unstable violent backgrounds, unemployment, discrimination and lack of opportunities.
My main criticism of the film is not that it isn't well researched. The problem is in the production. The direction is so leaden and obvious. The characters have no space to develop and the director rams their points into your face. You could almost imagine that this was produced as a course material for a school sociology program.
The camera-work and sound tract only reinforce this. The angles and shots are all so daytime TV, zooming into faces for close ups in those confrontation moments, giving the obligatory 2 second scenic scene setting shots at all the appropriate moments. Need I say that the soundtrack is hardly subtly or seamlessly enmeshed.
All in all whilst this film has good intentions, good material and some good acting the whole thing feels poorly put together and ends up loosing a lot of its impact between the cracks in the production.
That said, it's become a fairly familiar story, and this reminded me of a lot of other films.
Also, as good as the performances often were, I kept being naggingly aware I was watching actors doing a very good job 'acting like' poor, uneducated people. Especially with the young lead, -- I felt just the slightest hint she was playing 'down' to her character.
I did appreciate the lack of softening the edges of these characters to make them 'likable'.
I'll still take this kind of socially aware, intense film over 99% of what's out there, even with any flaws.
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- Trilhas sonorasFrom Here You Can Almost See The Sea
Guitar/Vocals: David Gray
Bass: Rob Malone
Piano: Tim Bradshaw
Percussion: Clune
Programming: Iestyn Polson
Produced by Gray/McClune/Polson
P.C. 2004 iht Records Ltd.
Written by David Gray
Published by Chrysalis Music Ltd.
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idioma
- Também conhecido como
- Un modo de vida
- Locações de filme
- Cardiff, Gales, Reino Unido(on location)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
- Tempo de duração
- 1 h 31 min(91 min)
- Cor