Syriana - A Indústria do Petróleo

Do you like puzzles? I do. I work crosswords, encryptions and sudoku. I think that's one reason I liked Syriana. But this movie left me puzzled.

Do you like movies with convincing acting, and character development. I do. I think that's another reason I liked Syriana. But who all of the characters were, and what characters were not revealed in the movie left me puzzled.

Do you like movies with mysteries, and with a credible backdrop of events relevant to today's world? I do. That's another good reason to like Syriana.

I think you get the idea. Syriana is a very good movie, but with so many characters and inter-related plots that it is difficult to assemble all of the pieces. You definitely get the main idea though: oil is all-important, and whomever controls oil gets very rich and powerful.

George Clooney, Matt Damon, Christopher Carter, et al., are a terrific ensemble cast that portray their characters very convincingly. Their stories are told separately and coalesce at the end of the movie, much like in "Traffic" and many other contemporary movies. Who are the "good guys" in this movie one may ask. That's difficult to discern. Maybe there aren't any (and maybe there aren't any bad guys either; or, maybe they're all bad guys.) If you decide to attend this movie, pay attention right from the beginning of the movie. And, if you like mysteries and puzzles, try to solve the question of who has the ultimate power among the characters in this movie. As for me, I think I'll have to see the movie again.

Maddening and infuriating but also fascinating like most things we don't understand when we're told we should. I kept hearing people around me whispering - Who's that? - What are they talking about? - William Hurt!? I haven't shoosh people in a movie theater in years but I did throughout "Syriana". The most compelling aspect is that I felt let into something and hear things I shouldn't. They're all baddies one way or another but then, what else is new. Stephen Gaghan, the writer director, devices a devilish web for us to get lost into. I was mesmerized by his self assuredness and although I didn't have any kind of emotional connection with "Syriana" whoever she or it is, I couldn't dismiss the experience so, well done, cinema comes in all shapes and flavors.

This is a great, complex movie. Its only faults are in the clarity of character motivations. This is not a liberal or conservative film. It is an exploration into the existing system that evolved over many years.

At no point in the movie does it take any pot-shots at Bush, Republicans, or Democracts. In fact, non of those words are ever spoken. It is not a left/right - red/blue debate. At no point in time does it ever mention the political parties of those in charge.

The fact is, be it a Republican or Democrat, this world depends on oil. Our country while split on how to obtain it, will do anything to make sure the flow is not cut off.

This movie finds faults with the global economy. Faults with the US system that has been tweaked by both sides over the span of decades. Faults with the Middle East for squandering its earnings. Faults with emerging China and its impact on consumption.

Anyone claiming this movie is politically motivated is a troll looking for attention and should be ignored.

The interesting novel by Robert Baer seems to tell it all about "Syriana". It is a tale that is driven by the ambition of a few unscrupulous people who will stop at nothing to achieve their goal. In a way, Mr. Baer's novel as well as the film seems to be reaffirming Niccolo Machiavelli's "The ends justify the means"

Stephen Gaghan's first major directorial job presents the story in multiple settings running at the same time, which, for a great majority of the public will prove disorienting. Mr. Gaghan has adapted for the screen material like the one in "Syriana" before, so he wasn't a stranger working in that format.

What "Syriana" presents is a sort of rat race for the control of the oil in the Persian Golf, by whatever means necessary. Ultimately, the ones in control of that commodity will dominate the world. We are given about five different narratives in the film that interplay one another in the most unexpected ways. In fact, all these different subplots have a lot more in common than really meets the eye. One could almost recommend the viewing of the film a couple of times in order for all the different parts to come together in our minds and by doing so, the viewer will see the inner mechanisms of this intricate tale of corruption, greed and power.

The cast is enormous. There are a lot of different acting styles in the film. An almost unrecognizable George Clooney plays Bob Barnes, the CIA operative fallen from grace who is instrumental in set the story in motion and who reappears at the end at the climax of the action. Jeffrey Wright does a tremendous job as the lawyer who discovers the hidden mystery in a performance that is completely different from whatever he has done before in the screen. Matt Damon plays the ambitious young man who is at the top of his profession and can help Prince Nasir with his revolutionary views about changes in his country and the Arab world. Ultimately, Wasim, the poor Pakistani guest worker makes the case for the displaced youth of that world that is willing to go ahead and commit the ultimate sacrifice.

There are also good appearances by some seasoned actors that only appear shortly. Tim Blake Nelson, Chris Cooper, Jayne Atkinson, Akbar Kurtha, William Hurt, Christopher Plummer, Robert Foxworth and the rest are seen briefly.

Robert Elswit photographed the film in the different locations and makes it look better. The music score by Alexandre Desplat is heard in the background without interrupting the action. The editing by Tim Squires works well with the action. Stephen Gaghan shows he can do well working with Mr. Baer's material and made an interesting film that while it will irritate some viewers, on the whole he had the right idea in the way to tell this story.

Initially I wanted to compare it with Traffic, same style and interwoven story lines, but the film itself stopped me from doing so. Thank you. Comparing films can so difficult, you know, the old apples v. oranges thing. This film stands on its own without the comparison or the similarities to Traffic.

Just before I went to the movie theatre, I saw an interview with Steve Gaghan the director on the Charlie Rose Show, and probably this helped me to fit most of the pieces together. The scene where Bob (Clooney) is taken to visit Hezbollah leaders, is based on the exact experience the director had when researching the story. He said that most of the film was based on his or Bob's actual experiences.

So what do we have....Oil, big oil, oil executives, oil analysts, oil geography, oil politics, big time oil power brokers, CIA, Islamic terrorists, Middle East culture....It's all there. And Steve Gaghan does a very good job in bringing it all together. His directorial debut. Very good acting all round, maybe the oldest boy and his mother Amanda Peet stand out.

I walked out of the theatre in an emotional daze, if that's possible. I will see this film again.

My coda.... What a rotten, ugly barrel of oil.