Grimm
- 2003
- 1 h 43 min
Adicionar um enredo no seu idiomaOne winter's day Jacob and his sister Marie are left behind in the woods by their unemployed father. In his coat Jacob finds a note from his mother urging them to go to their uncle in Spain.... Ler tudoOne winter's day Jacob and his sister Marie are left behind in the woods by their unemployed father. In his coat Jacob finds a note from his mother urging them to go to their uncle in Spain. They arrive in Spain only to find that their uncle has died. Marie meets Diego, a rich su... Ler tudoOne winter's day Jacob and his sister Marie are left behind in the woods by their unemployed father. In his coat Jacob finds a note from his mother urging them to go to their uncle in Spain. They arrive in Spain only to find that their uncle has died. Marie meets Diego, a rich surgeon, and falls in love with him. Diego lives with his domineering sister Teresa. Marie m... Ler tudo
- Direção
- Roteiristas
- Artistas
- Prêmios
- 1 vitória e 3 indicações no total
- Mother
- (as Maria Teresa Berganza)
- Direção
- Roteiristas
- Elenco e equipe completos
- Produção, bilheteria e muito mais no IMDbPro
Avaliações em destaque
Probably this is supposed to be a modern Grimm tale, but including sex. There are no real human beings here, like in Grimm. Like Hansel and Gretl, the brother and sister are alone in the world, with no parents to lean on. They leave Holland and come to a strange dreamlike Spain, where they meet another brother and sister, evil and crazy.
There certainly are scenes here you will remember, but most of all you will remember the dark humour, which makes you laugh at totally wrong places.
Warmerdam has quite the ability to build a very surreal world, place unknowing (and sometimes unwilling) characters into the mix, and give us bleak references to pop-children's culture. He shows us this with Grimm. For those of you die hard fairy tale fanatics, you may not like this story. It is not one that the average film viewer will enjoy. Grimm takes some time getting used to. It takes some time developing the characters, and it takes quite a bit of time giving us its story. It is never rushed (though sometimes we wish it were quicker), and eventually completes with a message of family, strength, and sibling love. Warmerdam does a great job of giving us two great navigators through his story with Jacob and Maria. Two completely different characters by nature, but both still have one passion in their eyes, to keep their friendship and family dynamic together. These two are the quintessential "Hansel & Gretel" as they voyage through the world of Spain to discover, not only themselves, but also how cruel the real world can be. While their interweaving stories could/should have been developed deeper with stronger bonds between them and the other characters in this film, Warmerdam has done a superb job of giving us their sole stories and emotions. If you solely watch just Jacob and Maria throughout this film, you will see such a strong human element and the sporadic events that occur to them as they continue their perilous journey. I applaud Warmerdam for his work on these two characters because they lead us through the story. We feel for them, we grow with them, we rally behind them near the end, so in essence, we enjoy these characters. Alas, his lacking story structure is the only hurdle that is tough to cross.
Warmerdam interweaves so many different fairy tale-esquire moments throughout the story that you begin to loose focus of the central themes. It reminded me of a third-grade story in which the young child forgot to do his homework and begins his report on "Hansel & Gretel" and inadvertently brings in moments from "Peter Pan", "Little Red Riding Hood", and "Jack & the Beanstalk" unknowingly. As the class laughs, you cannot help but think of how interesting a story like that would be. I think Warmerdam did his homework, brought several different childish stories together, but somehow never quite completed them. He would throw in segments of several different childhood genres that we, the audience, never had the opportunity to enjoy the one we were on. This is where Warmerdam lost me. I wanted to enjoy the different stories. I wanted to see how our not-so-young heroines would react to the different situations, but we never had that opportunity. He would begin a story, but never finish or at least create a strong enough segway to the next moment. Warmerdam had a great concept with this film, but never was able to pull his ideas together. Coupled with a horrible choice of music selection, Warmerdam never quite built the darkness surrounding Grimm. That is what ultimately hurt this picture.
Overall, Warmerdam did a decent job with overall final product of this film. Grimm is not a film for everyone, but for those that enjoy moments of David Lynch coupled with themes of childhood fairy tales. It is a dark story that never quite makes you laugh but instead attempts to use shocking cinematography to bring you this surreal world that we never quite believe exists. Warmerdam has created this mythological world that could be right in your backyard, but spooky enough to believe it came from your imagination. His characters were strong, but his story lacked decent connection. I found myself, like Jacob and Maria, lost during several of the scenes only to reconnect later during the film. I guess I just needed more breadcrumbs to guide me back
Grade: **** out of *****
Grimm Rocks!
I think this movie is unconventional and offbeat. I really liked it. I have seen it twice so far. It is also displays how one can go through hardships, bad luck. And yet keep going without disappointment and frustration. Both the characters though inspired from Hansel and Gretel are quite original. Movie is scripted very well. It starts with a small village in Netherlands bringing them to various places changing their lives drastically. Moral of the story is : Face it and handle it without complains!
Grimm Rocks!
What's really neat about "Grimm" is how it plays with the audience. After they leave the Netherlands, you think that the movie's important part has already happened, but you're wrong. Dead wrong. That door in Diego's house gives me the feeling that along with "Hansel and Gretel", there's also a tinge of "Bluebeard" here. And I wonder if that town at the end is the one where they filmed the spaghetti westerns. All in all, this is black comedy at its neatest.
*Shrug Shoulders* Um yeah. Well, that's what I felt after this film had finished. It just has some type of spell over you, because what you are seeing on screen is outrageously awkward, highly unpredictable and a striking amount of imagination. The story loosely takes on the Hansel and Gretel fairytale, but goes for a more grownup approach, which is filled with dark humour, incredibly odd adventures and like the title implies a grim nature. Even with all this imagination that went into it, there's something about it that left me undecided what to feel. It's hardly bad, as it had a hypnotic trance on me, but at the end I wasn't hugely impressed, as it seems to run out of steam after the half way mark. Which is a shame, as it had potential with its surreal setup and strange surprises but it becomes ponderously slow and the bizarre nature of it seems to fall by the way side in the third act. The plot well, there really isn't one, because it's nothing but one comical episode after another and some don't make too much sense or add any real cohesion to proceedings. To make matters worse the characters, especially Jacob and Maria are glazed over and because of that they're hard to like or to connect with. But that doesn't take away from the overall performances, which I thought was generally good. Also other notables worked into the film is a lot of demented and deadpan humour, which either was an hit or a miss and also the sexual context was downright kinky. These generally bleak adventures the two encounter are highly out of the blue and hold a tremendous amount of impact, as the film bursts at the seams with a touch of fairytale magic. Other things that truly kept me glued were the slick cinematography that captured such ravishing scenery from woodlands, to desert terrains and an eerie ghost town. Backing up what we saw on screen was an impressive soundtrack that mixed a lot twang, from country, to rock and some indie. In all, weird just plain weird!
A promising idea that's hypnotically enchanting, but it never reached the great heights like I wished it did.
Você sabia?
- CuriosidadesDirector Alex van Warmerdam hated the original cut of the film that was edited by Stefan Kamp, and has since excluded it from every retrospective and DVD box-set of his collected works. As an experiment, he started to re-edit a few scenes on video with Job ter Burg, his regular editor since De laatste dagen van Emma Blank (2009). The result was so satisfying that they secured time and budget to re-edit the entire movie over a period of four years. The new version was released at the 2019 Dutch Film Festival, and received a new theatrical run. Van Warmerdam has been quoted as saying that viewers should throw the old cut of the film in the trashcan.
- Versões alternativas2019 Re-Edit
- ConexõesEdited into Grimm re-edit (2019)
Principais escolhas
- How long is Grimm?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Новые сказки братьев Гримм
- Locações de filme
- Empresa de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 3.700.000 (estimativa)
- Faturamento bruto mundial
- US$ 240.632
- Tempo de duração
- 1 h 43 min(103 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1