AVALIAÇÃO DA IMDb
5,1/10
14 mil
SUA AVALIAÇÃO
Uma mulher de meia-idade e reprimida se torna uma viciada em sexo após receber um golpe na cabeça e depois cai em uma subcultura subterrânea de viciados em sexo nos subúrbios de Baltimore.Uma mulher de meia-idade e reprimida se torna uma viciada em sexo após receber um golpe na cabeça e depois cai em uma subcultura subterrânea de viciados em sexo nos subúrbios de Baltimore.Uma mulher de meia-idade e reprimida se torna uma viciada em sexo após receber um golpe na cabeça e depois cai em uma subcultura subterrânea de viciados em sexo nos subúrbios de Baltimore.
- Direção
- Roteirista
- Artistas
- Prêmios
- 1 vitória no total
Nick Noble
- Weird Paperboy
- (as Nicholas E.I. Noble)
David Moretti
- Papa Bear
- (as Dave Moretti)
Susan Allenback
- Betty Doggett
- (as Susan Allenbach)
Avaliações em destaque
I can't say I've seen many of John Waters' films, but I've seen enough to get an idea of what he's about; and A Dirty Shame would appear to be a typical John Waters film. All of the jokes in the film come from sexual perversions, and it's not hard to see why a number of people don't like it - as if you thought Serial Mom was a difficult film to get along with, wait until you see this one! To be honest, I'm not completely sure of whether I liked it or not; on the one hand, I respect the director for daring to go further than many directors would dare...but on the other hand, it's amazingly silly and the central ideas behind the plot don't hold much weight. There are some really good one-liners in the film, however, and the surreal nature of the way the plot plays out is a delight. The story follows a prudish housewife named Silvia who hates sex, and the fact that her daughter is a sex symbol named 'Ursula Udders'. However, after hitting her head one day; she comes into contact with a man named Ray Ray, a 'sexual healer', and it's not long before she discovers that she is, in fact, a sex-addict.
I'm sure that the main reason why John Waters has so many fans is because of his willingness to take risks. This film is full of risks; some of which work. The cast list isn't typical, with popular American comedienne Tracey Ullman taking the lead role and performing well in the more lurid scenes. Selma Blair stars alongside an enormous pair of fake breasts, while there are support roles for the likes of Chris Isaak and Suzanna Shepherd. The biggest risk where the cast is concerned is undoubtedly Jackass' Johnny Knoxville, who is a lot better than you would think. Waters has seen fit to have a lot of scenes play out to music, and this works well some of the time. The way that certain words (such as 'Whore') pan out across the screen is good, but personally I didn't like the use of CGI. The film gets off to a really good start, and I laughed more in the first half hour than in any film I've seen recently; but it takes a bit of a downturn in the middle, and never fully recovers. The film is good because you never really know where Waters is going with it, and the full on orgy of the last twenty minutes is bound to divide audiences. Overall, this film is in extreme bad taste; but it's also a great laugh. However, if you haven't liked whatever Waters' films you've seen so far - I wouldn't recommend seeing this one.
I'm sure that the main reason why John Waters has so many fans is because of his willingness to take risks. This film is full of risks; some of which work. The cast list isn't typical, with popular American comedienne Tracey Ullman taking the lead role and performing well in the more lurid scenes. Selma Blair stars alongside an enormous pair of fake breasts, while there are support roles for the likes of Chris Isaak and Suzanna Shepherd. The biggest risk where the cast is concerned is undoubtedly Jackass' Johnny Knoxville, who is a lot better than you would think. Waters has seen fit to have a lot of scenes play out to music, and this works well some of the time. The way that certain words (such as 'Whore') pan out across the screen is good, but personally I didn't like the use of CGI. The film gets off to a really good start, and I laughed more in the first half hour than in any film I've seen recently; but it takes a bit of a downturn in the middle, and never fully recovers. The film is good because you never really know where Waters is going with it, and the full on orgy of the last twenty minutes is bound to divide audiences. Overall, this film is in extreme bad taste; but it's also a great laugh. However, if you haven't liked whatever Waters' films you've seen so far - I wouldn't recommend seeing this one.
I had fun watching this movie, but, it went on about the same thing forever. Never in my dedicated history of watching John Waters movies was I ever bored. (Incidentally, I haven't seen Cecil B. or Pecker) I could barely watch the last 1/2 hour of this. I kept wondering when it would finally be over.
I applaud this film maker for tackling taboo subjects. Ullman was good+ but, not performing her own material (where I believe she would have excelled).
It was fun and I'm thankful for something other than mindless dreck, but, it left me pining for "desperate living" and "female trouble" which had so much more to offer in the way of outlandish entertainment and featured no big stars (alright, several of them were reaaaally big)!
I miss cuddles.
I applaud this film maker for tackling taboo subjects. Ullman was good+ but, not performing her own material (where I believe she would have excelled).
It was fun and I'm thankful for something other than mindless dreck, but, it left me pining for "desperate living" and "female trouble" which had so much more to offer in the way of outlandish entertainment and featured no big stars (alright, several of them were reaaaally big)!
I miss cuddles.
Depressed puritanical housewife Sylvia Stickles (Tracey Ullman) with a nice but horny husband (Chris Isaak) and a HUGE breasted kid (Selma Blair) is hit on the head one day. It immediately turns her into a raving sex addict and she finds there's a whole group of people like her led by Ray Ray Perkins (Johnny Knoxville).
First off I should mention I saw the 84 minute R rated cut and not the 89 minute NC-17 one. Some of the cuts were obvious as were the voice overdubs but I don't think it changed the movie a lot. What I saw was a typically strange John Waters film with plenty of good moments but it didn't totally work. The main problem is the script is all over the place! The first half of the movie is coherent but the film totally derails during the second half. Complications come on fast and furious and it all ends up not making a lot of sense. The movie is chockful of dialogue discussing frank sexual acts and some incredibly unsubtle imagery. Some of it works but, more often than not, it just doesn't hit its mark. A cameo by David Hasselhoff particularly makes no sense and isn't funny at all. Also the pacing here is atrocious--but that's not uncommon in a Water film. Acting really helps this one. Ullman is fearless here considering some of her very sexually explicit lines and costumes. Blair deserves a lot of credit for wearing these HUGE breasts and making the character sympathetic and believable. Isaak is given little to do but he's good. Best of all is Knoxville who has a real difficult role to play--and pulls it off. So, it has its moments but not enough of them. I can only give this a 5.
First off I should mention I saw the 84 minute R rated cut and not the 89 minute NC-17 one. Some of the cuts were obvious as were the voice overdubs but I don't think it changed the movie a lot. What I saw was a typically strange John Waters film with plenty of good moments but it didn't totally work. The main problem is the script is all over the place! The first half of the movie is coherent but the film totally derails during the second half. Complications come on fast and furious and it all ends up not making a lot of sense. The movie is chockful of dialogue discussing frank sexual acts and some incredibly unsubtle imagery. Some of it works but, more often than not, it just doesn't hit its mark. A cameo by David Hasselhoff particularly makes no sense and isn't funny at all. Also the pacing here is atrocious--but that's not uncommon in a Water film. Acting really helps this one. Ullman is fearless here considering some of her very sexually explicit lines and costumes. Blair deserves a lot of credit for wearing these HUGE breasts and making the character sympathetic and believable. Isaak is given little to do but he's good. Best of all is Knoxville who has a real difficult role to play--and pulls it off. So, it has its moments but not enough of them. I can only give this a 5.
I picked this one up from the new releases section of the local DVD rental joint as a bit of a laugh, thanks in large part (excuse the pun) to the hideously large fake breasts that Selma Blair was wearing on the front cover. Johnny Knoxville is also usually a safe bet that you'll get some hilarity. If there was a plot behind the film, it wasn't very clear, however there was plenty of sexual innuendo, straight out sex jokes and plenty of twisted, retarded stuff to get anyone with a decent sense of humour laughing; even if it is because you can't believe they bothered. Some of the acting from the support cast is as you'd expect from a straight to DVD (AUST) movie, but the toilet humour is enough to see it through.
Waters does a great job at expressing how absurd our government and social efforts to repress sex have become. In a zombie type world where the zombies are the "crazy" people who actually enjoy sex and the "normal" people are the prudes who think all sex is dirty, Waters offers his typically absurd social commentary. I loved it and laughed at times more than I have in months. If you are a prude, conservative, or don't get satire, do yourself and other movie fans a favor and stay home. No in fact, go support the film so Waters can make more of the same. DISCLAIMER: Disregard the above if you don't want the opinion of an open minded, non bible beater.
Você sabia?
- CuriosidadesSuzanne Shepherd first read the script while on a train to Baltimore. After discovering the film's content, she became quite upset and did not want to do the film. It was only after meeting John Waters that she agreed to play Big Ethel.
- Erros de gravaçãoBefore running out of gas, the car is turned off and in park but is still driving.
- Citações
Paige: Admit to God... you are a whore.
Sylvia Stickles: I'm a whore.
Paige: Good. Now, make a list of all the people you've fucked and apologize to their parents.
- Versões alternativasThe Theratrical Release Of The film was the original NC-17 version.For the VHS/DVD releases John Waters said that it will be released in the original NC-17 rated version and a cut R Rated Version.
- ConexõesEdited from Go Down, Death! (1945)
- Trilhas sonorasSylvia
Performed by David Raksin Orchestra
Written by David Raksin and Paul Francis Webster
Courtesy of The Island Def Jam Music Group
Under license from Universal Music Enterprises
Principais escolhas
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Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Adicta al sexo
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 15.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 1.339.668
- Fim de semana de estreia nos EUA e Canadá
- US$ 29.384
- 19 de set. de 2004
- Faturamento bruto mundial
- US$ 1.914.166
- Tempo de duração
- 1 h 29 min(89 min)
- Cor
- Mixagem de som
- Proporção
- 1.85 : 1
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