Amor ou Consequência

This bittersweet comedy about love is in line with great recent French movies such as Amelie or L'Auberge Espagnole, But Jeux d'Enfants is not trying to copy any of the previous. In fact, it is one of the most original movies I've seen lately.

Directed in a superb way by the inventive Yann Samuell, this film can make you laugh out loud in a minute and shed some tears on the next due to the extreme complexity of the feelings the director and the actors share with you. Nothing in this film seems exaggerated; it's a fairy tale of our time with a great dose of realism.

The chemistry between Guillaume Canet and Marion Cotillard is simply perfect.

Whether you like it or not, it's difficult to be indifferent to this movie and this is one of the best compliments a director can receive.

I love this film. It's light, dreamy, and colorful. The movie does not ask you to take it seriously, but simply to watch as Julien and Sophie play with the elements of conventional life. I'm reminded of a character from Milan Kundera's Immortality, who played with the world in the same fervor and commitment.

We see Julien and Sophie's games becoming more and more elaborate as they grow up, affecting other lives even. And when they do, you understand at most levels that they do not mean to hurt other people. They just play as the game is supposed to be played.

It is fantasy in that it lets you suspend realism for a moment, and dwell on the things we take for granted many times- laughter, romance, and childlike innocence. This movie made me smile, and I have no need to question motivations etc. It would be absurd to questions things that are meant to be left alone in their wonder.

Yann Samuel and Antoine Roch the DOP have tried very hard to mimic Jeunet's 80s 90s style (green photography, digitally enhanced ultra-swift camera tracking etc...) which all came from the French TV advertising trendy aesthetics of the 80s. And achieved nothing but an irritating flick. Jeux d'Enfants contains nothing you have not seen before. You wish filmmakers had turned the page... No. The whole "stylish" shooting is so much in your face that it prevents you from following the ultra slim story line. The actors are good (Canet and Cotillard have proved elsewhere that they can act) so what's so wrong and phony about Jeux d'Enfants? You have to look towards the director, who must value photography and camera moves more than actor's direction. What about the script? As often these days, the concept is the whole thing (Open Water, Phone Booth etc...): short and easy to market. What about the spectator who's paid his ticket? Is there anything left for him? Like life, emotions, tears, joy, fear, laughter? Nope. He's been conned. The dialogs are not funny. They're actually incredibly sloppy and vulgar (an 8 year old girl saying "blow job" to her teacher is tasteless and not funny, if not completely unrealistic). The story is unbelievable, and the characters are heartless. No emotions, no depth, no fun. Sheer vulgarity. With color grading gone bad. A talentless caricature of wannabe trendy French cinema. Thank God there are films about youth like Billy Elliot who talk to one's heart, eyes, brains and soul...

This may be one of the best French films I have seen in a long, long time. In many ways it reminds me of Berliner's "Ma Vie en Rose" (and not just because this film also uses Zazie's brilliant rendition of the Piaf song). It has much of the same Pierre et Giles aesthetic that made the other film so memorable and the child actors also display a similarly remarkable complexity that is so rare when they are usually depicted in film.

Very rarely does a film have the capacity to surprise me this much - either with the usually predictable storyline or when trying to understand the character's motivations etc. But this film continually had me reeling when trying to get a grip on it and, in the end, just when I thought it was a predictable love story...!! For this reason alone I found it a most remarkable film and I would strongly recommend seeing it.

This film will not appeal to lovers of mainstream American cinema - it is too intelligent in the way it challenges our usual expectations. We usually expect to finish watching a film and have no questions - to have everything wrapped up nice and neatly so we can get on with our lives.

If you do not want to suddenly find yourself asking "Pour quoi?" a week later or waking up with the haunting refrains of the unique renditions of the Piaf song in your head, then I would suggest you rent a more predictable movie.

However, if you like being alternately surprised, delighted and haunted by a unique film and wonderful soundtrack - check this one out.

To understand "Love Me If You Dare", one must harken back to childhood when fondness translated to teasing. So it is with Julien and Sophie, the central characters of this film, who in childhood become fast friends because of a game they share (or visa versa) which involves one challenging the other to do something outrageous while passing a gayly decorated candy canister to them. Upon completion of the dare, the canisters is passed back and the dared person announces "Game!". And so it goes, back and forth, as the children grow to adolescents and then to adults with the brinksmanship and friendship becoming increasingly substantial and the ubiquitous canister the ever present reminder of their unspoken bond. Finely crafted though sometimes disjointed, this creative work is full of life and energy and passion and its ever escalating story is maddeningly captivating and unsatisfying as it waxes toward its inevitable and somewhat clumsy conclusion. A love it or hate it audience dividing flick, "Love Me..." can be appreciated on as many levels as it can be condemned. The only way you'll know if you like it is to watch it. (A-)