Memórias de um Assassino

After two women are found dead in a rural community, a detective arrives from the big city to help out. Things quickly mushroom with the discovery of more bodies, more suspects and no end in sight.

Whether you like police films or not you should see this movie about the real hunt for Korea's first known serial killer simply because its a great movie. This is a movie that alters your expectations and changes your view of things. Its impossible to guess whats going to happen simply because the twists and turns are so unexpected. At times this is a funny funny movie, especially if you like shows like Law and Order or CSI since what we take for granted in those shows is stood on its head. At other times this is a very taut thriller and you become as desperate as the police in needing to put an end to the madness.

On top of all of this is a picture of Korea in 1986, a place with political unrest and civil defense drills that for me at least makes it seem like something out of the 1950's.

This is brilliant brilliant film-making.

I've given the film an 8 out of 10, even though it probably deserves to be higher, simply because some 12 hours after seeing the film, I'm still pondering what I thought of it, how good is it? At least an 8. I'm sure a second and third and fourth viewings will change my mind.

Yea its that good

I'm one of those people who tend to think that South Korean movies are perhaps a bit too slow-paced for my taste. Memories of Murder isn't a fast-paced film, by any means, but this time the slow pace made this movie about an investigation of serial killings so much better than 95% of its American counterparts.

Essentially, Memories of Murder is a drama first with thriller and comedy elements (yes, in the first hour or so the movie is actually quite funny). Kang-ho Song and Sang-kyung Kim are brilliant as the two cops who have drastically different views on how to solve a crime. The character development is fascinating and believable thanks to a great script.

Highly recommended.

This movie is in the tradition of hard-boiled detective stories. A rag-tag bunch of largely incompetent police detectives are on the hunt for a serial killer and blunder their way through a thick-headed investigation. Although it's based on real events, it never falls into the trap of treating its characters as accurately portrayed historical figures and instead goes full-on with digging around in the dirt of the story.

The recreation of 80s Korea is amazing. Everything is portrayed as cramped, squalid and thoroughly grimey. The cinematography is great all the way to the end, as is the music, costume, set design and acting. There is a good dose of comedy in many scenes, which I didn't expect in this sort of story. It works well.

It's a rock-solid piece of cinema with characters that never fall into good guy / bad guy stereotypes. It's much more thoughtful than it initially lets on, hiding a complex theme behind a seemingly straightforward cop thriller. Will watch again.

I have long since heard of the excellence of this korean movie on koreanfilm.org, but it was only after reading the review in detail and realizing that the score was written by Taro Ishiwaro ( a well known Japanese musician who also wrote scores for Shohei Imamura and Japanese TV serials, including The Inanimate World ), and that the DOP was Kim Hyung-gu (who also shot Musa, One Fine Spring Day and Chen Kaige's Together) that it stumped on me I was indeed missing a masterpiece.

And a masterpiece it is, one deeply haunting and disturbing asian crime thriller. The mood invoked during the last few minutes of the film is something you would probably never forget.

Watch this film not only for its cinematic brilliance, but also because of the mezmerising score written by Taro Ishiwaro, track no 29 on the OST the favourite on my list.

Beginning in the fall of 1986 and continuing for the next four years South Korea was haunted by the nation's first recorded serial killer. Preying upon women in a remote rural community the killer was both vicious and meticulous, strangling his victims with their own undergarments and leaving nothing of any use to the police investigating the crimes. The killer was never caught.

I do not envy any director trying to make a true crime film, particularly not one so high profile and so recent that the crimes still live on in the public consciousness. Stray too far in one direction and you devolve into saccharine sentimentality, go the other direction and you risk crass exploitation. Director Bong Joon-Ho avoided both of these traps by charting an altogether different route: he has made a film that is not about the killer or the crimes or the victims but one that is purely about the police officers charged with the case and the devastating emotional toll it took on their lives. In charting his unusual route Bong has created a bleak masterpiece, one that took home a stack of film awards in its native land but which has been largely neglected on these shores until now.

The film begins with the first body discovered, a woman strangled with her own stockings, raped, tightly bound, and hidden in a drainage culvert. The detective in charge of the case is Park Du-Man (Song Kang-Ho) and it is immediately clear that he is out of his depth, that the entire local police force, in fact, are out of their depth. The crime scene is chaos, crowded by reporters and locals trampling over potentially vital evidence. Park himself is not what you'd call a systematic investigator, scoffing at the scientific approach and trusting in his supposedly unerring eye at picking out criminals just by looking at them. He relies on swagger and bravado and the brute force of his uneducated assisting officer Jo Yong-Gu.

Serving as a foil to Park and Jo is Seo Tae-Yun (Kim Sang-Kyung) a detective from Seoul who has volunteered to assist with the investigation. Seo is the polar opposite of Park - methodical and rational - and it takes mere moments for the two to clash, clashes that lead to the two of them overlooking some key pieces of evidence.

As the film progresses and the body count continues to rise you can feel a sense of desperation slowly settle over the department. Under educated, under manned and woefully under equipped the local force is simply not up to the task. As the realisation that they will not find the evidence they so badly need begins to set in Park and Jo resort to planting evidence to bring in suspects Park picks out with his 'keen eye', suspects they then set out to extract coached confessions from. The process inevitably leads to public humiliation. Soon even Seo begins to lose his faith in reason and just as things bottom out they finally catch a break and settle on a prime suspect, one who truly appears likely to be their man. But can they make it stick? What sets Memories of Murder apart from the crowd are the rich performances from its leads and the sure hand of Bong Joon-Ho. Bong knows exactly what he wants to do with this film and he steers the ship with a firm hand. He has a keen eye for imagery but he consistently avoids the cheap resolve, the quick hit, in favour of a slowly building mood and the film is all the stronger because of it. Song and Kim are both stellar in their roles, giving their characters much needed depth. You can feel their frustration and helplessness continually growing and when the final crushing blow is delivered you can feel their utter despair at being abandoned by a system that they have given their lives to. Bong isn't just asking how this could happen, how someone could be as evil as this killer, but how could a government allow this to happen? How could the police not be given the tools and manpower they so obviously needed to protect the people? The DVD release has been given the standard Palm treatment. The transfer is strong and presented in anamorphic widescreen. The film is presented with both the original Korean language track in 2.0 stereo and an English dub in both 2.0 and 5.1. The English subtitles are solid, clearly translated and easy to read. The disc also includes a reel of cast and crew interviews discussing their characters and the creation of the film as well as an extensive reel of deleted scenes.

Memories of Murder is a minor masterpiece, a film that moved Bong immediately onto Korea's A-list of directing talent. It is richly detailed, beautifully performed and disturbing in precisely the way that people need to be disturbed in from time to time. Don't miss it.