Conta a história de James Braddock, um boxeador supostamente acabado que voltou para se tornar um campeão e inspiração nos anos 30.Conta a história de James Braddock, um boxeador supostamente acabado que voltou para se tornar um campeão e inspiração nos anos 30.Conta a história de James Braddock, um boxeador supostamente acabado que voltou para se tornar um campeão e inspiração nos anos 30.
- Direção
- Roteiristas
- Artistas
- Indicado a 3 Oscars
- 16 vitórias e 45 indicações no total
Avaliações em destaque
Oh, I forgot to mention one thing. This movie is about the best 140 minute I've spent in a movie theater since . . . . since . . . ., Oh, well, you get the picture. Better yet, instead of getting the picture, go see it.
Russell Crowe owns the character of James Braddock, the unlikely hero who makes the most of his second chance. He's a good fighter turned hack. Injury, bad luck and this thing called the Depression sends him down the drain.
His wife, Mae, played by Renee Zelleweger, wants to be his biggest fan, but the kids need a dad, the rent has to get paid and the money from boxing dried up along time ago. Her husband's courage is undoubted, but his nerve is killing her.
And then there's Joe Gould, played by Paul Giamatti.
A boxer by the name of George Cochan once told me his manager was the bravest man he ever knew, he was willing to pit his man (Cochan) against anyone. As a result, Cochan had his head handed to him multiple times by the likes of Jake LaMotta and other class middle weights of the Forties and Fifties. Gould, is that brave manager, if not literally, in spirit. He pits Braddock, out of shape and with one day notice, against the number two heavy weight contender. Regardless of the risk, it's a pay day needed by both Gould and Braddock.
The story, while familiar, is executed brilliantly. The camera work is both subtle and, in turn, spectacular. Craig Bierko, Paddy Considine, Bruce McGill and the rest of the cast give flawless performances.
Yes, been there, done that! And I'm ready to do it again for anyone who wants to go with me.
As for the NON-Baer parts of the film, they are great. The look of the 1930s is exceptional--much more realistic than you often see in films. Also, the acting is terrific, the film VERY engaging and the story of Braddock very compelling. Without the misrepresentation of Baer's in the story, I would have given this one a 10. Really....it's that compelling and they did a great job. The acting, direction, designs...everything but the writing was perfect.
By the way, this isn't so much a complaint as an observation. In this movie, like practically EVERY other boxing movie, there is hardly any defense (such as blocked shots) in the boxing matches--punch after punch that lands on the opponent. If fights REALLY were like this, they'd rarely go beyond the first round!
The story of a family in the midst of the Great Depression was as compelling as the boxing story. The solid family man played by Russell gives us a much needed role model. The historical and socio-economic background was powerfully shown and greatly added to the audience's involvement and is particularly relevant to today. This is a classic film.
Você sabia?
- CuriosidadesTo film the final fight, the seats were filled with 15,000 blow-up dummies with masks and hats.
- Erros de gravaçãoThe receipt that Jimmy Braddock gives at the welfare office is about $50 off from the actual amount that Braddock had borrowed. Russell Crowe pointed this out to the director who decided to 'leave it in to prove that it's just a movie'.
- Citações
Jim Braddock: You think you're telling me something? Like, what, boxing is dangerous, something like that? You don't think working triple shifts and at night on a scaffold isn't just as likely to get a man killed? What about all those guys who died last week living in cardboard shacks to save on rent money just to feed their family, 'cause guys like you have not quite figured out a way yet to make money off of watching that guy die? But in my profession - and it is my profession - I'm a little more fortunate.
- Cenas durante ou pós-créditosBefore the title appears the following: "In all the history of the boxing game, you'll find no human interest story to compare with the life narrative of James J. Braddock." - Damon Runyon (1936)
- ConexõesFeatured in HBO First Look: Cinderella Man (2005)
- Trilhas sonorasShim-Me-Sha-Wabble
Written by Spencer Williams
Performed by Miff Mole and His Molers
Courtesy of Columbia Records
By arrangement with Sony BMG Music Licensing
Principais escolhas
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- El luchador
- Locações de filme
- Maple Leaf Gardens, Toronto, Ontário, Canadá(boxing scenes)
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 88.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 61.649.911
- Fim de semana de estreia nos EUA e Canadá
- US$ 18.320.205
- 5 de jun. de 2005
- Faturamento bruto mundial
- US$ 108.539.911
- Tempo de duração
- 2 h 24 min(144 min)
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1