Um Presente para Helen

"Raising Helen" is a formulaic romantic comedy that makes you wonder when Kate Hudson will again find a role that will actually allow her to stretch herself as an actress, fulfilling the promise she made half a decade ago in "Almost Famous." Since then it's been mostly downhill for Hudson, and the ironically titled "Raising Helen" does nothing to help arrest or reverse that slide.

Hudson plays Helen Harris, a young woman whose budding career in the fashion industry is suddenly cut short when her sister and brother-in-law are killed in a car accident, leaving Helen to raise their three children. Things go from bad to worse, as the once carefree Helen struggles with the trials and tribulations and life-changing vicissitudes of unplanned motherhood.

This is a typical Garry Marshall film in that, even when it tries to deal with "real world" issues such as death, loss, grief, sibling rivalry, teenage angst etc., it does so in only the most superficial, glossy and unconvincing of terms. Heck, there's even a hunky, hockey-playing Lutheran minister on hand - the kind one can only find in movies - to provide spiritual as well as romantic comfort for those times when the going gets to be just a bit too tough for the harried guardian.

The performances are uniformly uninteresting, but I choose to blame the shallow writing rather than the actors in this case. It's particularly painful to see actresses of the caliber of Felicity Huffman and Joan Cusack cast adrift in this sea of "chick flick" platitudes and feel-good movie clichés - but everyone in this film suffers a similar fate.

New Yorkers that happen not to live in the island of Manhattan are seen as "Bridge and tunnel", a derisive term used by residents of the island to indicate their superiority to their less sophisticated, or perhaps less affluent neighbors. Never mind that most Manhattanites are transplants from other places themselves!

Imagine Helen Harris' reaction when she is given custody of her three nephews and has to give up her Village apartment because it's too small and has to relocate to Astoria! Garry Marshall, a director with a lot of films under him, is at the helm of this comedy that follows the adventures of a woman trying to cope with what destiny had in store for her, even though she never set out to be in the position she has to face. The screen play is by Jack Amiel and Michael Begler, two men that has dealt in cuteness in previous works.

Helen, who works for a modeling agency in Manhattan, finds herself in a predicament when her sister Lindsay and her husband die tragically. She has been picked to raise two girls and a boy and she is ill prepared to deal with the situation. Instead of naming the more domestic sister, Jenny, as the guardian, Lindsay knew something that the other two siblings didn't know in trusting her three children to Helen.

"Raising Helen" deals with the trials and tribulations of Helen as she comes to terms with her new situation. She must give up her fabulous job, with all its perks, and seek employment in a "previously owned" car lot where she is able to prove her worth. At the same time, she has to deal with her new family in ways she didn't expect. She also finds a good man in the Lutheran pastor who falls in love with her from the moment she enrolls the kids in his school.

Kate Hudson is a beautiful woman with an angelic face that keeps the viewer recalling her mother, Goldie Hawn. She is as good a comedienne, as her mother was in her prime. The best thing in the film, or in any other film where she is cast, is Joan Cusack. She steals the film with her Jenny, a well meaning person who feels bypassed for a role she was meant to play all along. Ms. Cusack is a treasure in this movie. John Corbett, is the hunky Lutheran pastor who falls in love with Helen. Helen Mirren and Felicity Huffman has small roles as Helen's boss Dominique and her sister Lindsay.

"Raising Helen" while predictable was targeted for a certain viewer who loves this type of comedy. Under the sure hand of Garry Marshall it makes for a pleasant time at the movies.

This is an atrocious piece of formulaic Hollywood cinema that insults the intelligence and sophistication of everyone.

There are no laughs in it whatsoever and nothing believable about the story, characters, etc.

You don't care about the characters at all..no development at all..in fact I still can't remember who actually was supposed to have died after the embarrassing 'Devo dance / bonding scene' that's supposed to endear you to the character who is dead 5 minutes later. I kept asking myself "Who died?"

I got up and left this turkey about an hour into it.

I haven't seen a Kate Hudson movie in a while so I decided to give 'Raising Helen' a chance. I wasn't expecting much as it pretty much seems like a story that has already been told over and over again. And, that is what 'Raising Helen' is. I was pleasantly surprised to see many other talented actresses like Felicity Huffman, Helen Mirren (both these great actresses are grossly wasted) and Joan Cusack (a sheer delight). Sakina Jaffrey plays the funny Indian neighbour quite well. John Corbett plays the male 'lead' but he doesn't have much to do. The child actors are okay (and sometimes annoying, especially the teenager). Kate Hudson does well but I am quite tired of seeing her in the same type of movies. Since an excellent breakthrough performance in 'Almost Famous', she's mostly done these romantic comedy drama type films that seem to belong to the same factory (with the exception of 'Skeleton Key', an awful horror movie). In spite of the done to death formula of the storyline, 'Raising Helen' does have its bright moments especially those between Cusack and Hudson. Clearly, this movie was built for a target audience and while I'm not exactly among that particular target, those who watch it knowing what to expect, might enjoy it. As for me, it wasn't a bad experience as I was multitasking while watching and I managed to enjoy the best moments.

Three sisters, played by two real actresses and one Hollywood daughter. One dies, one is overly stuffy and the third — who inherits the children — has the Devil-in-Prada life. Its the third sister the movie focuses on, but its Joan Cusack that steals this. She's the "unfun" sister.

Joan acts with her face to an extent that with anyone else, Jim Carey for instance, would only be comical. But she makes it real, as if she is a real character with someone inside pulling strings violently. But she shows us on the side that she (the actress) really does have this all under control. We don't have many actresses that can underdo overdoing it and make it work without having the whole project be invented around her.

She's really wonderful. I'm trying to find the film she wrote: "The Cabinet of Dr. Ramirez."

As for the movie: brand name fast food.

Ted's Evaluation -- 1 of 3: You can find something better to do with this part of your life.