My Best Friend's Birthday

Well I finally saw Quentin Tarantino's "film school", which is what's left of his 70 minutes long debut, never officially released (saw it on a bootleg DVD), film My Best Friend's Birthday (35 minutes). This worth watching stuff that is just for fans of Tarantino; for me QT delivers here, not quite because of his direction, not quite because of his cast but just because of his dialog and his participation as the main character, radio disc jokey rockabilly Clarence Pool (the birthday of the title is the one of Clarence's best friend). Basically Clarence Pool is the best thing of the 35 minutes, and Tarantino doesn't deliver a truly fantastic performance but his character has pretty much the best dialog, he is fun. The 35 minutes are very fragmented: we have first Clarence at work, we have stuff at the K-BILLY radio station and we have three other characters (two K-BILLY workers and the guest of Clarence's show). It's both very funny and not quite funny, for instance is hilarious when Clarence recalls certain reaction that he had when he was a 3 year old kid but is not quite all the stuff with the other two dudes, except when one gives cocaine to Clarence (and Clarence sniffs, not hesitating because of his guest)…it's poorly made but nevertheless fun! The other fragments mainly involves Clarence's best friend Mickey (played by Craig Hamann, who also wrote the film together with QT), the girl that supposedly will give Mickey a truly great birthday and that began doing her current job thanks to Nancy Allen in Brian De Palma's 1980 film Dressed to Kill (Misty is her name, played by Crystal Shaw) and Clarence's girl. Aside of a sort of funny fight with Misty's black pimp the scenes with Mickey are uninteresting just as the scenes involving Clarence's girl, even the very last fragment with Clarence and Misty is mostly not good (yet there are some cool lines and for QT fans may be interesting hearing from Clarence that he "has a food fetish"), well basically after the first fragment at the radio station the stuff I really liked comes from Tarantino's character: a really nice talk with a clerk about Elvis, Marlon Brando, Chaplin's swan song, The Beatles, Colonel Parker and stuff ("you see the same cake?", that was hilarious!). My Best Friend's Birthday is not a Tarantino thing that I would like to see a lot, basically once is good enough, funny bits, some memorable lines, let's re-watch True Romance

QT's "first" film is a glimpse of what was to come from a very talented writer/director; rich banter with an entertaining and skewed look at life. Shot in black and white, on a very small budget, the film has many shortcomings compared to the director's other films. However, it is still part of Tarantino's body of work.

In the mid 80's there were not many ways a filmmaker could get a film made - short of getting a film camera and making one with their buddies - and a quick look at the production credits for "My Best Friend's Birthday" suggest this to be the case.

I heard this film was unwatchable, but it is actually quite instructional for all hard-core Tarantino fans. Many have stated that this film was QT's film school; so be it. Cream rises because it is less dense than the milk it is found within and eventually makes its way to the top.

However, until someone takes a spoon and scoops the cream off the milk, it's stuck there. The Reservoir Dogs producer (Lawrence Bender) skimmed QT from the vat and we are the happy recipients of some rich delicious ice cream due to such.

We will never see this movie in it's full glory. The final reel of this movie was destroyed in a lab fire that broke out during editing and the only surviving parts were edited together to make this 34 minutes short movie. Still you never get the feeling that you're ever really missing any sequences while watching this movie.

This is a Tarantino movie alright. It has some absolutely amazing dialog. The story isn't really about much but the dialog makes sure that this movie is an interesting enough one to watch. The line 'Your ass is grass, and I'm the lawnmower.', right before two persons get into a fight, is an absolute classic in my book and now actually one of my favorite movie quotes. The movie is interestingly told and divided in several different parts, in the same style as "Pulp Function". This movie would latter also form the basis for Tarantino's script for "True Romance".

Real problem with this movie is that it lacks style. It's a very amateur like looking movie and it uses standard camera-positions and weak editing. Because of this not everything in the movie works very well, such as most of the comical moments and the weird kung-fu fight toward the ending. Tarantino's vision was obviously already present but he didn't had the right tools and persons around him to make the right movie he had in mind with it. Oh well, he eventually ended up alright with that!

Probably only truly recommendable to Tarantino fans though.

7/10

http://bobafett1138.blogspot.com/

It is Mickey's birthday, and his girlfriend has just left him, so his friend Clarence has a surprise for him.

'My Best Friend's Birthday' is an unknown Tarantino movie for the mainstream audience. There is a legend circling that most of the footage got destroyed by the lab fire. The cinematographer Roger Avery, on the other hand, has said, that the filming was never completed, and the surviving 36 minutes are all the 36 minutes the young filmmakers managed to complete before running out of steam. I guess the legends around this movie will never stop.

What can I say about this incomplete movie? The first thing, perhaps, would be about the obvious talent of Quentin Tarantino (and some other people from the crew) that is obvious. Although the film seems like random scenes edited together, thus giving it fragmented and disjointed feel, the story is still quite clear. At least it is possible to understand where the filmmakers wanted to reach with the story. There is no point of nitpicking about continuity errors, wooden acting or lack of style, as this was Tarantino's self-made film school, and for most of the people involved it was their first film project (including the famous auteur himself). Yet, somehow, the amateurish look and low production values doesn't seem to diminish the artistic and entertainment value of the movie. Its lack of style is almost stylish and feels intentional in the way of 'no-wave' cinema experiments from that era. Even the ridiculously out of place and amateurishly choreographed fight scene between our main hero Mickey and a pimp (who looks like Jules Winfield's dad). There are some other near brilliant moments in the movie, and the dialogue is interesting in most parts (especially for those who love to hear Quentin Tarantino talk about Elvis). It is quite possible that 'My Best Friend's Birthday' is Tarantino's most personal film.

It is very hard to give this film classical numeral rating thanks to its incompleteness, but here I have to say, 'My Best Friend's Birthday' is a must-see film not only for Tarantino fans/completionists but also for the admirer's of 'no-wave' and indie movies of likes Amos Poe or Jim Jarmusch. Besides, it is always interesting to see where the acclaimed filmmakers are coming from.

SPOILERS AHEAD

To those who wonder how I discovered My Best Friend's Birthday, I found this video on ebay, and it was definitely worth the money despite the deteriorated quality of the copy. This is filmmaker Quentin Tarantino's first independently funded film, and from what was assembled (the film wasn't completed and this can be seen since a couple of plot points are left un-answered at the end of 40 minutes) I can tell that it was one of those well-intentioned (if slight) signs-of-things-to-come.

Clarence Pool (Tarantino, with a full-on "Elvis Man" look) is a disc jockey at K-BILLY Radio (Reservoir Dogs' music conductor in a sense), and is planning to give his friend Micky Burnett (co-writer Craig Hamann) a call-girl for his birthday party (a story later re-used for True Romance). This is used as more of a signpost for the film to follow as the characters, in particular Clarence, go off on riffs of Dialog - the "I'd f*** Elvis" speech is in its first revelation - and it's often very funny. Even a kung-fu fight between Mickey and the call girl's pimp (Al Harrell) is executed with the similar sense of dark hilarity that has made Tarantino the pro he is now. Truth be told, the film isn't without its shortcomings for a budget of so little, and a couple of the scenes really don't work at all. Yet for what it's worth it's a small ruby of underground cinema.