O Agente Teen 2: Missão Londres

Seeing this movie with three boys aged 4,6 and 7, left me in stitches, sure it's corny, it's rigged, and the acting is so-so, but it's a kids movie and a darned entertaining one at that.

My kids loved it, and the theatre was packed, the laughter was loud and in the end, the cheering was louder! So take the movie at it's face value, it's with kids, and for the kids, and it's entertaining for them, nothing more, nothing more intended by the producers either I would assume!

In my books, the sequel like almost all sequels is not as good as the original, but well crafted nonetheless.

I will admit, I was a fan of the first film. While I didn't think it was one of the greatest films created, I did think that it had quite a bit of potential coupled with ample originality. It was fun, exciting, and it seemed like everyone involved seemed to be enjoying themselves. I only with that I could say the same for the sequel, Agent Cody Banks: Destination London. From the opening sequence of this film you could sense an aura of dislike, repetitiveness, and simple futility. Nobody, not even Frankie Muniz himself, seemed like they were bringing the same level of excitement to this project. Also, the level of originality was completely below par for this sequel. If you, like myself, brought any excitement from the first film to this one, it will be completely destroyed. Nothing worked in this movie, from the jokes, to the "spy" story, it just seemed flat and disrespectful.

My first issue is with the cast. If this was a true sequel, I think the producers could have budgeted a bit more to see about getting the original characters back. I understand that perhaps Hillary Duff's paycheck had risen since the original film, but she did bring something (as embarrassing as it is to say) to Agent Cody Banks that kept the spark alive. As did everyone else involved, sadly, Anthony Anderson (one of the most overused comic actors of this decade) brought nothing to the table. His jokes seemed generic and, honestly, repetitive. He had no character, all I could witness was Anthony Anderson being Anthony Anderson. They attempted to bring sympathy to his character by giving him this sub-story about being the "black" sheep of the CIA, but in my eyes it just wasn't enough. Anderson was just trying to showcase his "talent" so that he can continue to live the lifestyle that he has built. It was sad, and really hurt this film. Second, was Muniz himself. The bond between him and Hannah Spearritt was poor. I am not sure who the casting agent was on this project, but there was no chemistry between these two actors. They continued to prove that by reading your lines and walking the steps, you could inherit a $5 million dollar paycheck. Nobody cared, nobody stopped, they just continued to make this cheapened sequel.

Next issue, where was the story? The first film carried with it some decent events that built a strong story which ultimately lead to a better than average film, but it seemed like in this sequel they aimed towards children and empty minds. In most film sequels, they use a similar plot structure to give the audience a sensation of relaxation, while simultaneously building different elements to keep our attention. Well, none of that was used in this film. Instead, we find ourselves with a cheapened story that results in dogs playing piano and a very unspooky villain. In fact, I couldn't even tell you who the true bad guy was of this film, and that is a perfect sign that your film is struggling. This story just felt as if it was unfinished, as if the original screenplay was not dumbened down for children, but instead built another strong adventure, but the studio wanted to capture the child audience, so the butchered the product, leaving frayed edges and unfinished segments, so that they could make room for Anthony Anderson's cheap laughs. Yet again, proving the pathetic nature of the film. I went into this story expecting to be completely surprised, yet somehow walked away without any recollection of what I just experienced. It was the perfect example of a how a sequel should not be structured or released.

Finally, I would like to say that if you have a film that seems to do somewhat well at the box office, there should be no need to rush right into a sequel, especially if you see a growing decrease in the excitement behind Malcolm in the Middle. Frankie Muniz is a decent actor, but when handed poor material, he will not fray from making it exceptionally poor. He is one of those actors that brings good things to great material, but will falter if handed unseasonable stuff. I do not see a bright future for Muniz due to his ability to stray from decency. This could have been a powerful sequel, but instead Hollywood yet again strayed towards the side of childish behavior instead of truthful storytelling.

Overall, this film lacked the fun of the first film. With unfamiliar characters, comedy that seemed forced and incoherent instead of funny, and a story that had that cheapened Velcro feel to it, Agent Cody Banks 2 proved that jumping to quickly into a sequel will place a black cloud on your entire series. While once I had considered this to be an interesting and highly original concept, I now have second thoughts. I am not sure that Muniz was prepared for such a cheap sequel, and therefore he signed too quickly. I do not recommend this film to anyone that enjoyed the first film, or at least was under the impression that the first film was decent. This was a horrible sequel that should have never seen the light of day. YUK!

Grade: * out of *****

Frankie Munaz is so awesome in his younger years and so is Anthony Anderson, their energy is great fun! Sure it's got ridiculous parts but void that out in your mind and you'll enjoy enough for a mediocre rating. Decent story, soundtrack, stunts, and comedy; I say appreciate that. Also the mentos thing is greatness!!

This is a fairly weak follow-up to the original. It lacks the newness and novelty found in first movies, which is to say it offered nothing really new or exciting.

In his movie we already know who he is and what he does. The gadgetry is nothing stunning or new. The special effects are fairly standard.

The biggest chance to go anywhere, and it was completely missed, was for him to at least get a little distracted by the cute flute player, or even the bassoon, woodwind buddy, girl. Granted we cannot let him go into full James Bond mode, but it was an opportunity to make a little something extra in the movie, and it was squandered.

All in all, I am not so wrapped up in or concerned with the stuff critics get off on. I don't need to say something special or controversial to get published. I don't need to rag on a film to feel superior to the great unwashed who pay to see it at the local cinema. I am concerned in being entertained and seeing my family equally entertained.

That said, we were mildly entertained. It will be a safe choice for family movie night from the video store. No one is going to be annoyed by it, but few will be thrilled either.

Save your theater movie, and wait to rent it.

I was lucky to get a free preview ticket for this ahead of its official U.K. release. Lucky in that I didn't have to pay to see this film. Because it sucks big time. We are talking hungry anteaters here, people. This film should have been called "Cody Banks Franchise: Destination Oblivion". And this is someone who thoroughly enjoyed the original film. But everything that that film got right, this one manages to get wrong. The great joke in the original film where a teenage secret agent has to get close to a professor's daughter but proves to be completely clueless around women has been junked here and all we are left with is the standard teenage secret agent story. That wouldn't matter so much if we had a great story and great characters but we don't.

Setting it in London would have been a great idea if they had bothered to look beyond the standard cliché English eccentric characters but they don't. This is lazy writing of the highest order (yes, Don Rhymer, I mean you) and throws away every opportunity the setting gives for the story. Why not some cultural misunderstanding between Cody and the English, for instance? Or their disbelief that he is a secret agent. I know this isn't supposed to be taken seriously but this could have been a lot funnier than it is. Instead we get the typical English eccentrics so beloved of Hollywood.

Still, I must confess that the revelation during the concert at Buckingham Palace at the film's finale that Tony Blair is under mind control from an evil mastermind did make me laugh, even though it takes the film dangerously close to realism, something that doesn't occur again throughout the rest of the film (the Blair look-a-like (and sound-a-like) is great though - give that man a medal. For a minute, I was thinking it was the real thing. After his appearance in "The Simpsons", I was beginning to think that maybe Blair was starting to line up a new career for himself for when he gets kicked out of Downing Street).

And if I say that the only person not to disgrace themselves in this film is Hannah Spearritt, then you may some clue about how bad the performances are. Paul Kaye (a.k.a. Dennis Pennis) gives a career-truncating performance as an eccentric Q-type character while Anna Chancellor gets stuck with another posh English woman role after her turn in "What a Girl Wants" (What has this poor woman done to upset her agent? That's what I want to know), Anthony Anderson manages to make his previous performance in "Kangaroo Jack" look a masterpiece of subtlety by comparison and David Kelly is embarrassing as an eccentric butler (a shame as he's usually quite good, as anyone who's seen "Waking Ned" will testify). As for Hannah Spearritt, she makes an appealing easy on-the-eye replacement for Hilary Duff and isn't half bad as the flautist/covert agent, especially given the paucity of the material she was to work with. Given a decent script, she might find herself a career outside of S-Club 7 but after this and the S-Club 7 movie "Seeing Double", like Anna Chancellor, she needs to get herself a new agent first (perhaps she shares the same one as Anna Chancellor). To think this travesty was directed by an Englishman (Kevin Allen) defies belief (what was he thinking of? The pay cheque?). Avoid (like the plague), I beg you!!!