Uma crônica da vida da lenda da música country Johnny Cash, desde seus primeiros dias em uma fazenda de algodão em Arkansas até sua fama com a Sun Records em Memphis, onde gravou ao lado de ... Ler tudoUma crônica da vida da lenda da música country Johnny Cash, desde seus primeiros dias em uma fazenda de algodão em Arkansas até sua fama com a Sun Records em Memphis, onde gravou ao lado de Elvis Presley, Jerry Lee Lewis e Carl Perkins.Uma crônica da vida da lenda da música country Johnny Cash, desde seus primeiros dias em uma fazenda de algodão em Arkansas até sua fama com a Sun Records em Memphis, onde gravou ao lado de Elvis Presley, Jerry Lee Lewis e Carl Perkins.
- Direção
- Roteiristas
- Artistas
- Ganhou 1 Oscar
- 45 vitórias e 48 indicações no total
- Jerry Lee Lewis
- (as Waylon Malloy Payne)
- Carl Perkins
- (as Johnny Holiday)
Avaliações em destaque
But they're right for once.
Joaquin Phoenix wears Johnny Cash like a suit. He isn't doing a Rich Little impersonation, you don't rub your eyes in disbelief, but he channels a man so distinct in appearance and voice to a level that is beyond admirable. One of the traits that made Johnny Cash a legend was that nobody sounded or looked like him. Short of a computer generated Cash walking around in his own bio-pic like one of those John Wayne beer commercials this is the definitive representation.
And yet Phoenix may not give the best performance in the film.
Reese Witherspoon more than holds up her end in a role that easily could have been reduced to a clichéd bumpkin. Witherspoon portrays the on-stage June in the way June portrayed her own "character", the stage persona that people adored, while giving her the resolve and inner strength to be the woman who tamed a hell-bent, grizzly bear of a man like John.
The chemistry of Phoenix and Witherspoon together in any scene, but their on-stage duets in particular, are truthful in a way that resonates long after the credits. I know that unless you have been living in a cave for the past week you have likely been bombarded with the word that the actors sing themselves without use of lip syncing. I have never been a fan of musicals, or even musical performances in a film. They generally seem forced and uncomfortable to me, the moment when I stop experiencing the story and feel reminded that I am watching a movie. I never felt that in this film. I never felt that their singing took the focus of the film, but the performances work with the story like no other music bio I have ever seen. I never felt as if I was being led through the catalog, the songs felt as organic and natural as any spoken dialog in a great narrative.
This film far exceeded my expectations and afforded me the first trip home from a theater with a true feeling of satisfaction in a very, very long time. Highly recommended.
Covering 20 years of his life, including Cash's rise into fame and delve into near-self-destruction, James Mangold concentrates on the key things in his life his music, the drugs, and his all-consuming, untameable love for the very special June Carter Cash. It is as a romance that Walk the Line truly shines. In real life, Johnny and June didn't get together until 20 years since their first meeting, and that they could wait that long for each other, is quite poignant.
Holding the film together are the Oscar-nominated and Oscar-winning figures of Joaquin Phoenix and Reese Witherspoon, and their chemistry pretty much carries the film. When they're together, they both dazzle, gelling perfectly, whether it's a bout of verbal jesting, they're doing a duet, or just chatting. Phoenix captures the tortured soul of Cash eloquently in one of his finest performances, and one that exudes that dangerous yet enthralling edge of danger present in Cash. His singing voice resembles that of Cash's, yet he never resorts to downright imitation, which only adds to the viewing pleasure.
But the shining star of the film is Reese Witherspoon, as June Carter Cash. She plays the singer-songwriter-country music star that grabbed the attentions of Johnny Cash, but proved a hard win, forcing him to quit his narcotic dependence and violent self-destruction before she'd consider him. Although many have disliked Witherspoon's work her, I simply adore it. She makes June a truly memorable, Crouchesque, person. For the audience, she can be goofy and lovable, but alone, with Johnny, she displays a vulnerable side. Witherspoon here radiates a strong, feminist, yet effortlessly lovable vibe, and every scene she appears in, she steals.
The look and feel of Johnny's time are captured well in the set design and T-Bone Burnett guitar-led score, and the costumes are nothing short of sublime. The dressing of Cash is inspired, but it is June's clothes floral print, pink, domestic, or snazzy, that, again, steal the show. Each of Reese's costumes captures the mood of her characters.
There's also great fun to be had in the musical numbers. Ring of Fire and Jukebox Blues allow the audience to get their toes tapping, but my favourite number is the performance of Jackson, where their unmatched chemistry is showcased in one of my favourite songs of all-time. Like the film, this song is entertaining, sweet, and more intelligent than frequently given credit for.
Here is a BIOPIC focused on a real life cultural icon who rose to fame at least a generation before most of You Dear Readers were even BORN!
In L. A., California, in the 50s and 60s, my daily habit of listening to TOP 40 Radio exposed me to just about every kind of music genre, pretty much all of the time! Interestingly enough, I acquired, eventually, a taste for just about all of them, to one degree or another! Well, pretty much everything...JAZZ, not so much, really, and definitely NOT at all: COUNTRY music!
The ONLY Country album I EVER bought in my ENTIRE life (Well, at least before turning 50!) was "Johnny Cash: His Greatest Hits"! Upon realizing that they had released a movie about his life, it immediately went to the top of my "MUST SEE" List!
Here is the central question for ALL of You to ponder BEFORE... DURING ...and AFTER watching: Precisely what was it about his music that gave it such widespread appeal? Exactly what ELEMENTS made Johnny Cash and his Music so very, very special?
It would be nice to be able to provide a simple, straightforward answer to both questions, but in the film, WALK the LINE, it is all too clear, that in real life, when it comes to a human being, things sure can get extremely complicated!
As a result, here, we end up with a movie that mirrors the life of its lead character: very interesting, entertaining, multifaceted, but at the same time, often dark, brooding and conflicted!
I most certainly MUST emphasize ...WALK is a film I can wholeheartedly recommend no matter how you feel about Johnny Cash and/or his music.
Quite frankly, for the role of Johnny Cash, Joaquin Phoenix (GLADIATOR) is not someone who would have made my short list, or even my long list, for that matter! WOW!, What a surprise! This actor, who was born in Puerto Rico, demonstrates tremendous versatility, both as an actor as well as a singer... (Yes, that is Joaquin Phoenix's own voice in the movie!) However, I do think that, at times, Mr. Phoenix comes up just a little bit short when it comes to his ability to project his voice firmly, but his performance, in general, was so masterful, that this point is quite easily overlooked.
What really drives WALK? What gives it its soul and keeps it focused and centered is the repressed romance between Cash and the love of his life, June Carter (Reese Witherspoon / Legally Blonde, Cruel Intentions) Joaquin Phoenix, despite shining in the title role, is overshadowed by Witherspoon's overwhelming screen presence in the scenes where they appear together.
Previously, WITHERSPOON had never really flagged my attention that much, perhaps other than her notable characterization of Tracey Flick in ELECTION. In most of her roles she seemed to be type cast as the syrupy sweet, but at the same time, rather annoying girl next door! WALK is well worth any time and money you invest to see Reese demonstrate her considerable acting talents ... And how clearly she demonstrates just how stunning those abilities are!
Surely, WALK the LINE, for a myriad of reasons, invites comparison with another film about the life of another famous musician, RAY. Perhaps, there are many common elements in the life of famous musicians: A tragic childhood, years struggling in anonymity, problems with alcohol and drugs, a great deal of conflict and tension in their affective relationships and great difficulty accepting and managing fame and money. But after all, each story is real and each contains many elements that distinguishes it from others!
8******** ENJOY! / DISFRUTELA!
Any comments, questions or observations, in English o en Español, are most welcome!
And Joaquin! We've been waiting for him to deliver a really spectacular performance for some time, and this is finally it. I, for one, resisted the idea that ANYONE could portray the man in black, but he does a pretty fine job. Not just an impersonation, but actually a performance worth watching. Really fine.
Watch for the Jackson duet. Really awesome.
Você sabia?
- CuriosidadesWhen Johnny Cash wakes up on the tour bus, just after the Folsom Prison performance, he walks past guitarist Luther Perkins, who is passed out with a lit cigarette in his mouth, and puts the cigarette out. Perkins died a few months after the "At Folsom Prison" recording and performance. He fell asleep in his Tennessee house with a lit cigarette in his mouth, and died from injuries sustained in the resulting fire.
- Erros de gravaçãoJohnny is shown touring with Elvis, Jerry Lee, and June for Sun Records early in the movie. In fact this could not have happened. By the time Jerry Lee Lewis was signed to Sun Records. Elvis Presley was already recording for RCA, and touring on his own.
- Citações
[after record producer Sam Phillips stops Cash's band a couple of verses into their audition]
Sam Phillips: You know exactly what I'm telling you. We've already heard that song a hundred times. Just like that. Just... like... how... you... sing it.
Johnny Cash: Well you didn't let us bring it home.
Sam Phillips: Bring... bring it home? All right, let's bring it home. If you was hit by a truck and you was lying out there in that gutter dying, and you had time to sing *one* song. Huh? One song that people would remember before you're dirt. One song that would let God know how you felt about your time here on Earth. One song that would sum you up. You tellin' me that's the song you'd sing? That same Jimmy Davis tune we hear on the radio all day, about your peace within, and how it's real, and how you're gonna shout it? Or... would you sing somethin' different. Somethin' real. Somethin' *you* felt. Cause I'm telling you right now, that's the kind of song people want to hear. That's the kind of song that truly saves people. It ain't got nothin to do with believin' in God, Mr. Cash. It has to do with believin' in yourself.
Johnny Cash: [after a pause] I got a couple of songs I wrote in the Air Force. You got anything against the Air Force?
Sam Phillips: No.
Johnny Cash: I do.
- Cenas durante ou pós-créditosIn the opening credits, Robert Patrick's name appears to pass through the prison bars, like his T-1000 character did in Terminator 2: Judgment Day.
- Versões alternativasOriginally released on DVD in its theatrical incarnation. An extended cut, adding about 16 minutes worth of additional footage into the movie, was released later on. The French Blu-Ray version contains the extended cut, while the American version contains the theatrical version.
- ConexõesFeatured in Today: Episode dated 3 August 2005 (2005)
- Trilhas sonorasCocaine Blues
aka "Transfusion Blues"
Written by Red Arnall (as T.J. Arnall)
Performed by Joaquin Phoenix
Principais escolhas
- How long is Walk the Line?Fornecido pela Alexa
- What are the differences between the theatrical version and the Extended Cut of Walk the Line?
Detalhes
- Data de lançamento
- Países de origem
- Central de atendimento oficial
- Idiomas
- Também conhecido como
- Johnny & June: Pasión y locura
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 28.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 119.519.402
- Fim de semana de estreia nos EUA e Canadá
- US$ 22.347.341
- 20 de nov. de 2005
- Faturamento bruto mundial
- US$ 186.797.986
- Tempo de duração2 horas 16 minutos
- Cor
- Mixagem de som
- Proporção
- 2.39 : 1