Red Roses and Petrol

I love dysfunctional family dramas, but only when they're done well. Many are not, simply because I don't buy the fact that it's a real family and they never seem to have that natural family connection and it just never sells me. Maybe it's because I'm European myself, and can relate to this kinda family more, but I bought this hook, line and sinker. The acting was amazing, and the banter between siblings was so spot on, I was really impressed. It felt like the director really put care and love into this project. It's not a mind blowing piece of cinema, but it's definitely a heartfelt and actually pretty fun movie. It's definitely worth a watch, oh and it has a great soundtrack! Flogging Molly FTW!

I would just like to reply to the previous negative comment that was made about this film. I happen to love Malcolm McDowell and I think this film is one of his best works, not stiff and pretentious at all. I think it was a great adaptation to Joseph O'Conner's play, which I also happened to see a few years ago when I lived in Boston. I was able to relate to the plot a lot because I come from a family, although not Irish, that is dysfunctional in a way as well. I think others have a good opportunity to relate to this film too because it is full of genuine emotion. There was also a good number of Flogging Molly songs which was really enjoyable to hear especially in the dancing scene in the family's backyard.

I caught this film at a festival some time ago and was very impressed. Being a smaller budget movie I was surprised by how well done it was, both production and performance wise. visually the film has a dark appeal that really reflects the theme of a family coping with the loss of a loved one. Director Tamar Simon Hoffs accomplished the challenging task of turning a play into a film, and created a wonderful on screen dynamic while not compromising the integrity of the plays theme. Another aspect of the film that I enjoyed was it's ability to balance dark comedic elements while maintaining a strong message, something many movies fail to achieve. Although it may not have elaborate sets and an abundance of A list Hollywood actors, Red Roses and Petrol is a great film and shouldn't be missed.

Unbelievably poor screen adaption of Joseph O'Connor's play is a candidate for WORST FILM OF THE NEW MILLENNIUM.

Full of cliches, unbelievable situations, cardboard characters. AND SO TOTALLY BORING!!!!!!

Nothing about the situation, the characters, rings true.

In short, don't waste your time.

A MAJOR DISAPPOINTMENT!

I saw this film at the Westwood Film Festival in L.A. and I was blown away.

Red Roses is the kind of film that *should* be getting made these days: strong characters, seamless writing, great performances. Malcolm McDowell plays an admired but flawed Irish patriarch, whose three children and loving wife (elegantly played by Olivia Tracy, who is gorgeous) reunite at his wake and come to terms with their not-always-rosy relationships to him and each other. We come to know McDowell's character Enda Doyle only through videotapes he has left, which doesn't diminish his screen presence one bit – he is as riveting here as he was 35 years ago in A Clockwork Orange. As the alcohol flows, the family's dysfunction is gradually revealed until eventually we understand why none of Enda's university colleagues or local pub companions has chosen to join the family at his wake. The standout performance here is by Max Beesley as the prodigal son Johnny - with a presence reminiscent of a tougher Ewan MacGregor he could be MacDowell's real-life son. He nails the hard exterior formed by years of compensating for his father's tough love. Heather Juergensen (Kissing Jessica Stein) out-Irishes her real Irish counterparts (no distracting accents here), and Susan Lynch and Greg Ellis are both strong and convincing as the favorite first-born sister (though no angel, she) and her awkward boyfriend dancing as fast as he can to please everyone.

A central story point is the role of a mysterious beautiful girl known to have kept company at the university with Doyle (Catherine Farrell – yes, Colin's sister). Has the mother been unaware all these years of Enda's indiscretions, or has she chosen to live in denial just to survive? This subplot is expertly played out as the film unfolds.

Red Roses and Petrol is an engaging, if sometimes gut-wrenching, portrayal of a real family coming to terms with real issues. Go see it if you can.