Luzes, Câmera, Ação

From 2004, "The Last Shot" is one crazy movie, with comedy ranging from stupid to silly to hilarious. The movie stars Alec Baldwin, Matthew Broderick, Calista Flockhart, Tony Shaloub, Toni Collete, Ray Liotta, and Joan Cusack. Baldwin is Joe Devine, an FBI agent who thinks the way to capture a big mob boss is to deal with the Teamsters by pretending to be producing a film in Rhode Island. The script he gets from a fledgling writer Steven Schats (Broderick) is called Arizona and is based on the tragic death of his sister Charlotte. Of course, he first has to get Schatz to change the location and a few other things.

Before you know it, the fake filmmaking becomes real as Devine gets into producing and convinces the FBI that they can capture even more mobsters by actually doing the film. Soon the FBI offers him a three-picture deal.

Some of the dialogue is the funniest stuff you'll ever hear, and some of the situations are hilarious. Everyone is excellent, but Toni Collette as insane movie star Emily French is a standout, as is Cusack as a Hollywood agent and Tony Shalhoub as the badly scarred mobster they're after, who says, "My wife set fire to me while I was asleep. Six months later, our marriage fell apart." Parts of this film were laugh out loud funny, a highlight being Collette's audition as well as the opening scene of the film, an FBI sting, and Cusack's talk to the people who are going to work on the film.

Some people will not like "The Last Shot" at all, but it's really worth seeing for the fun it pokes at the film business, for the performances, and some great quotes.

THE LAST SHOT is best viewed with a bit of info to let the patient viewer understand what is coming. The opening titles are clever, dealing with movie paraphernalia that serve as matrices for the stars and production staff names and should give a sense of what is to come. But it isn't until the first 20 or so minutes into the film that the significance of the movie can be appreciated.

Based on an apparently true news article, THE LAST SHOT takes a pot shot at not only Hollywood, but also organized crime, production magnates, the FBI, and little people with big dreams lost in the elusive utopia of fame.The plot is well outlined on these pages. Suffice it to say that the FBI sends Joe Devine (Alec Baldwin) to Hollywood to pose as a producer to lure the underground crime lord Tommy Sanz (Tony Shalhoub) to surface and be caught. Devine needs a script as he discovers from the gross Fanny Nash (Joan Cusack at her hilarious best) and gradually encounters Steven Schats (Matthew Broderick) who with his pathetic brother Marshall Paris (Tim Blake Nelson) has written an unmarketable, non-salable script called 'Arizona'. Devine grabs on to the project, making Schats the director (his dream come true) and casts the film with has-been actress with box office draw Emily French (Toni Collette who looks terrific and adds yet another priceless cameo to her brilliant repertoire) and Valerie Weston (Calista Flockhart) who just happens to be Schats' squeeze.

The process of film-making and the infectious delirium of Hollywood affects everyone in this film - even the FBI and especially Devine who softens into a man who wants to provide the 'littleman' Schats with his dream. The humor is broad, WAY over the top, crude, and slapstick and in so many ways this movie mimics all of the intangible oddities that make Hollywood what it is. The performances by Baldwin, Broderick, Cusack, Flockhart - and, well, all of the inserted cameos - are excellent. Once you get the premise of this film it moves from being inane to being a really terrific parody with some sensitive metaphors. Grady Harp

Some satires about the process of making movies point out to the craziness that process creates among the people involved, which is the idea behind "The Last Shot". It also depicts how most projects go through transformations the people that wrote them, as different people that know nothing about movies get involved.

Jeff Nathanson, the director and screen play writer of this funny movie has clear ideas about the concept that too many cooks spoil the broth. He has combined two different elements in his conception of the film. On the one level, there is the FBI investigation on racketeers and on the other, he brings a man who yearns to direct movies into the picture by offering him a phony deal in which supposedly a film is going to be produced, but only as a cover up to trap a mafioso in Rhode Island.

The idea of recruiting Steven Schats, an employee of the Graunman's Chinese Theater in Hollywood to direct his film "Arizona", is something that Joe Devine, an FBI man, dreams to get the results he wants. The film, which makes no sense at all, undergoes a change when Joe tells Steven the production will be shot in Providence, in order to take advantage of a deal with that state's cooperation with the movie industry. The young director gets horrified when he discovers how dissimilar the new location is in comparison with the real Arizona.

The plot gets complicated as Tommy Sanz, the mafioso who decides to cooperate in letting the movie company use the trucks he controls, to the production company in exchange of an executive producer credit in the movie. The arrival of Emily French, an actress of obscure talent, but with great physical attributes, contribute to create more confusion in the preparation of the movie. Also, Steven's girlfriend, Valerie, and his brother, Marshal, show up to make matters worse.

Alec Baldwin plays Joe Devine, the producer with great charm. Matthew Broderick also has an opportunity to shine in the movie. The wonderful Toni Collette appears as the sexy Emily French in great form. Tony Shalhoub is seen as Tommy Sanz, the racketeer. Calista Flockhart, Tim Blake Nelson, Buck Henry, James Rebhorn, do good work in the film. Joan Cusack makes the most of her character and a cameo by Ray Liotta round up the familiar faces in the movie.

"The Last Shot" is a delightful movie to watch as it's clear the director, Jeff Nathanson, clearly understands what make these people tick.

I've worked "in the biz" for 16 years and thoroughly enjoyed this wacky film. It might seem exaggerated but I've seen a lot of crazy things done by people in the biz and by wannabes. Joan Cusack was a standout. You could see just how much fun the actors had in making this film. These behind-the-scenes types of films work because everyone wants to be in the movies and lots of funny stories get generated. An excellent and respected cast of people who seem more interested in the acting craft than doing flattering ego-driven superstar roles. My hat is off to the whole cast and crew. I would have loved to have worked on this one. Other films that I enjoyed in this genre are LIVING IN OBLIVION and STATE AND MAIN.

This is a brilliant small budget movie that deserves much more buzz and play that it has received. It is similar in plot structure to Joseph Heller's Catch 22.

Both start out with an odd but "realistic" beginning. Each progresses in small steps to more and more outlandish and unbelievable situations with a blurred line between possible and "this can't really be happening."

In Catch 22, the story begins with an odd but possible situation in the European theater in World War II. At the end of the story Milo Minderbinder, an American officer, is contracting with both the Germany and the Allies to bomb the other's military installations.

In the Last Shot, the story begins Baldwin, an FBI agent trying to make a name for himself, voluntarily allowing the bad guys to cut of one of his fingers so that he can charge the bad guys with more serious crimes.

The plot progresses with Baldwin setting up a façade of making a movie to trap other Mafia types. Obviously, no one expects that the movie will ever be made. It then progresses to a point where Baldwin and his superiors at the FBI are making what appears to be a real deal for a "three picture deal" and negotiating over marketing rights.

That progression, together with some wonderful side trips,cameos by Joan Cusack and Buck Henry, caused something that is rarely heard in multiplex theaters with relatively small audiences-outright loud laughter and even a bit of applause as the movie ended.

This movie is not Gone with the Wind or Citizen Kane. It is just good fun with laughs enhanced by the progression of not likely but possible to outright absurdity. The kicker is that the movie, according to the producers was based on a true story. If so truth may really be stranger than fiction.