A Cidade Perdida

Watching this film, I am so reminded of Casablanca. Like Rick, Fico Fellove (Andy Garcia) is seemingly oblivious to the oppression and evil that surrounds him, only concerned with running his nightclub. Unlike Rick, Fico never changes and only connects with the enemy to save his brother or his friend.

The movie is just too darn pretty. It presents a Cuba that may be familiar to the upper class and the rich American tourists, and neglects to mention the Cuba that demanded a revolution. This Cuba, one of poor, uneducated peasants that were in virtual slavery on sugar and tobacco plantations and women who sold themselves to tourists, is seen only in Mikhail Kalatozov's Soy Cuba, which will be released in a deluxe edition this month.

The movie worth watching for Garcia's performance and the performances of Dustin Hoffman, Bill Murray, and Elizabeth Peña, as well as some great Afro-Cuban music.

It probably did great box office in Miami.

Born in 1962, in the mist of the turmoil, I left Cuba in 1967 thanks to the "Freedom Flights" at the age of 4. It was about time a film like this was done. I commend Andy Garcia and all involved for its historical accuracy. I am grateful for the "Ficos" of the time, like my parents. What courage and resolve. If history is not to be repeated, we must embrace it, learn from it, and not wash it from our memories. Incredible acting, music, scenery (thank you Dominican Republic). We need to remember "where we've been" so as to know "where we're going" - bring plenty of tissues; one box is just not enough. The only reason I gave it a 9, as opposed to a 10, is because I would have really liked to have seen some time dedicated to the family, specifically, the brothers, in their youth. The important relationship of the Cuban family would have been better understood if we had seen it from early on. The significance of the family nucleus, born of the parents' rearing, is crucial in the story of the Cubans. The relationship between the uncle and his nephews was synonymous with that but could have been further developed.

As an American of Cuban parents, I had always heard the political rhetoric about Cuba as I was growing up. All the while I longed to see this beautiful island which my parents sadly left behind. Though Andy Carcia's film was not filmed in Cuba (it was filmed in the Dominican Republic) it gave me a chance to see a "Cuba" I had only heard about. As for the film itself, the conflicts of family, politics and love in the film is beautifully portrayed to reflect what has been a painful truth to a great number of Cubans. I definitely recommend this to all, Cubans and non-Cubans alike. I hope Mr. Garcia gets due recognition for this beautiful body of work. By the way... Is there an accompanying soundtrack album? The music was phenomenal!

The music is great, of course, it is Cuba. The costumes are beautiful; so are the women and the men. Worth a look though for it's style and feel of the glamor that was Havana, the physical warmth and affection that lives in Cuban families and it's interesting anti-Castro portrayal of events. It even challenges the hero status of Che Guevara.

But Andy Garcia's tale of a wealthy family coming apart like this lovely island during the Cuban revolution suffers from the self-indulgence that so often weakens the work of writer/director/producer combos. Who is going to say, "Andy, enough of those close-ups of you looking longingly at your lost loves? After about an hour and a half, we sure wish someone would! It leaves me wondering why, with all Cuba has gone through, our government continues to punish Cubans with economic sanctions that do no harm to Castro, but keep the Cubans from thriving from their hard hard work and record breaking high literacy rates.

Critics all over have trashed this movie on account on its politics, angry at the way García has depicted Che Guevara as the real murderer he was, at the way he has portrayed the profound injustices and oppression of Fidel Castro's regime, at the way it does not conform to the sympathetic view Hollywood has always had about the Cuban Revolution. The movie suffers sometimes from the inexperienced hand of a first-time director, the lack of the epic budget it needed, and the poor acting of Inés Sastre but it is not a bad movie, not at all. It's an extremely entertaining film that uses its modest resources with great care to give us a dignified, sincere, notably balanced and very emotional document of the terrible experience of the Cuban people. Don't believe the extremely biased reviews of The New York Times, The New Yorker, and other media. Go and see it. Music lovers will enjoy a splendid mix of popular and classical Cuban music, and a great original score which will make a nice CD.