Campo de Estrelas

Does Stephen Trask (HEDWIG AND THE ANGRY INCH) ever write a note of bad music?

This is a wonderful movie. Admittedly, the pace is not perfection. But the music is great, the jokes are funny and most importantly it portrays a specific milieu. And movies that bring the audience into a milieu they might not know exists are almost always interesting. I've seen this movie once and I'll see it again.

Ignore the critics who want to tell you what the movie isn't and what it should be. They'll only keep you from enjoying a good movie. Todd Graff has something to say. This is his movie and it works. One magazine reviewer noted that the kids in this movie emerge as full-blown professionals. Well -- they are! Most of these kids have never done anything before. That's part of what is being said here. There's all this talent that no one has ever seen. There are kids who are this good. Todd Graff found them.

Camp is based on a real camp in the Catskills, NY. I have worked there for the past few years and had the slightly strange experience of attending the national premiere with the whole of the camp in addition to Todd Graf and the cast who then came back to the camp to sit in on rehearsals for the evening. For this among other reasons, I found it quite difficult to view the film objectively. The whole film was shot on location at the camp, apart from a couple of shots which were shot nearby, and so the majority of film was spent with the kids cheering whenever a new location was shown, or for a number of the cast who had really attended the camp in the past few years. For the sake of the film you have to accept that this is a camp with no counsellors, dorms that opposite sexes can go into at will among other things. However the depiction of the characters were strong. As a theatre kid said to me this summer, `I come here because everyone else is just as weird as I am!' And that is kind-a the motto of the movie. I do wish they'd showed more of the sports counsellor (who again does exist at a theatre camp in the same way that most sports camps put on a play). I know they shot more footage and had to edit it out. The songs are overdubbed as a previous reviewer wrote, but it is the kids singing them, they were just recorded in a studio. All in all I enjoyed the film, and am interested in hearing other peoples opinions who are not involved with the camp the film is based on. Yes kids like these do exist, and yes they are the guys you will see on Broadway and in the movies in a few years.

After a string of musical flops, the career of Bert Hanley is at rock bottom, which leads him to take up a position with a musical summer camp. When he arrives to teach he finds a diverse group of boys and girls who have come together to put on one musical every two weeks, leading up to one final show at the end of the camp. He is angry at the children's naïve ease of acceptance of the musical lifestyle and their apparent comfort with who they are, feeling that they are not helping themselves for when they go out into the real world. However will their energy for the music win him over or just frustrate him?

I can understand why this film didn't make a massive splash when it hit UK cinemas – basically I saw a trailer for it then the next time I saw it, it was on DVD! It is very different from your average teen movie as well as being different from many musicals (not always a massive genre in themselves). I will be the first to admit that this film has weaknesses but I enjoyed it from the opening song, through to the final show – there was barely a moment where I was bored or uninterested. The basic plot is a mix of minor story lines around an array of characters – various romances happen, lessons are learned, eyes are opened and friendships made. It all sounds rather ordinary and, in a way, I suppose that it does do just what you expect it to. However, pretty much every other aspect of the film comes together to lift the film to be better than the script suggested it would be.

Primarily, if you hate musicals, then avoid this for it is a big part and, for me, it served as a superb foundation. The overall soundtrack is really good and is an enjoyable mix of music but it is the actual musical numbers that really lift the film. They are really enjoyable – both the well known ones and the new songs; they fit in well with the narrative and act as good bits of punctuation. The narrative could have been stronger but the musical numbers mean that even if the narrative causes a slight dip, then the songs are there to provide a lift.

The characters are very well drawn, even if they don't use them that well. The fact that we have so many diverse teenagers who seem at ease with who they are is perhaps rather difficult to swallow but it certainly helps make the film feel a bit different from the usual. At first I was a bit put off by how the gay characters all seemed to be of the 'flaming' variety, but as the film went on I got over this and got to know their characters and not just their characteristics. More impressively, the whole cast (mainly teenagers) are really good – they cope with the demands of the narrative (and the limitations as well) but they are very impressive when it comes to the musical numbers. One time tutor at one of these camps himself, writer/director Graff does a really good job with the direction here – it never feels as low budget as I imagine it must have been and he frames many shots in involving ways.

Overall this is a standard teenage movie with all the hurts, lessons, romances and friendships that you would expect from the genre but it manages to rise above many of the genre by having different (if unrealistic) characters, roundly good performances and frequent musical numbers that never let the fun level of the film dip for too long.

I join those that gave this charming film a high rating. I don't know where the UNEMPLOYED CRITIC is coming from and I guess from his/her review, we know why they're unemployed. He/she totally missed the boat with this one. Place that review amongst the garbage bin of stupidity.

I thought the concept, story and direction by Todd Graff was a labor of love to the young talented stars of the film. They all gave their all. You could feel the support they brought to Graff and his ideas. Michelle Lynch and Jerry Mitchell brought simple yet effective dancing to the film. Re-creating the TURKY LURKY number from "Promises, Promises" originated by Michael Bennett.

I'm not quite sure who gets the credit for Musical Direction, but it was wonderful to see these young people of today bringing their talents to the Broadway oldies of yesterday. How wonderful for them to know the music of the time.

I give special praise to Daniel Letterle, who seems to be getting most of the bad raps here. I thought he played his role with simplicity and great depth. For such a young actor, he managed to touch your heart with his work. Thank you, Daniel. And Robin de Jesus, too, gave a simple approach to his role. It could have been over the wall acting, but he kept the lid on and made the part his own. Everyone else did very well. They brought good acting, and of course those gorgeous voices.

Congratulations, Mr. Graff, and please give Mr. Sondheim my best.

This movie has an amateurish air to it, with more than its share of sloppy edits, plot dead-ends, and those little acting moments that take the viewer out of the story. The story and setting are so entertaining, however, that it manages to overcome its shortcomings and remain a memorable experience. The characters are realistic and fun, and the song choices are consistently good (especially "Turkey Lurkey Time" which is otherwise unavailable on film, far as I know). The original songs (from the people who brought you "Fame") are also good--occasionally terrific.

It's interesting to me that among a cast of newcomers and unknowns, the worst performances are from the adults--especially Don Dixon (Bert). The kids fare much better in general, and their musical performances are their real strengths (unsurprisingly). A surer hand on the direction and script could have tightened Camp up considerably, but even as messy as it is, it's still well worth seeing.