Augustus - O Primeiro Imperador

Yes, so many historians out there complaining the movie was not historical correct, but it never claimed to be. The movie was made for entertainment purposes and showed great battle scenes as like those in the days of yesteryear. It didn't claim to be a docudrama, for those who want the correct history i'm sure there's plenty of material out there for those. To me as long as it was close to the actual events of it's time, which it was, that's good enough for me. So many other movies like the latest version of "The Alamo" had a lot of correct history but also showed things that no one could really verify like Davey Crockett yelling at Santa Anna commenting how short he was and before they murdered him he warned them he was a screamer.Fact or Hollywood? Just take Augustus for what it is and enjoy this epic with great battle scenes and done in the same manner as past greats like "Ben Hur" and "Cleopatra". I think you'll enjoy it much better this way. You can always go to the library or get the actual facts later. Take it for what it is, an entertaining movie.

The above comments are too harsh, but the film is by no means great.

The bad parts first. The CGI - if thats what it is - is very poor for audiences raised on "Gladiator" and the rest of the sword-and-sandal epics, to say nothing of contemporary TV productions like Channel Four's "The Ancient Egyptians". All of the battle scenes suffer as a result, and this is worsened by some shots of legionaries being hit by arrows and pila that are utterly laughable - one soldier can be seen to pull the spear into his body, others are already grabbing the part the arrow hits before it hits. Moreover, the battles they represent are meaningless, as they neglect to show either Phillipi or Actium in any detail that could do them justice.

The script is a bizarre mishmash of historical accuracy and modern elements, the most obvious being the character of Maecenas, brought in for some reason to be both comic relief and "the only gay in the village". The continual harping on about Rome also grates somewhat, though this tends to die out towards the end; for that matter the original insistence that Octavian and Agrippa were "country boys" is incorrect - Octavian's father had been praetor.

The filming location - in Bizerte - is also very obviously not Italy, and since a recurring element of the film is the activity in and around the forum, this is noticeable more than it would have been if the activity was focused in the senate.

Despite all that, there is still an OK film lurking beneath the surface. Peter O'Toole does a good - if bored - turn as the elderly Augustus, Livia (who the historical sources believe was as manipulative as she is portrayed here Marcus - Caligula was to call her "Ulysses in petticoats") is played well by both actresses, with exactly the right amount of malice; Michele Bevilacqua's Tiberius is suitably reluctant to assume the burden of the Empire and Julia, as well as nagged by Livia (though he shunned Julia, and appealed against her banishment - so the rape scene was unjustified).

Despite what Marcus wrote above, the treatment of Julia in this film - aside from the rape - is justified by the extant evidence, she was banished for adultery, after a complaint by her father using a law he had brought about with Iullus.

Its also much more historically accurate than most films - it sticks closely to Suetonius's "Life of the Deified Augustus" (aside from the gripes mentioned above) and far better than more expensive films (King Arthur bow your head in shame), and is well worth watching for anyone who is prepared to accept some bizarre script moments in order to learn something of history.

Well I have not the faintest idea how accurate this mini-series is historically but it's not as bad as previous IMDb reviewers have suggested.

It is a talk-athon and some of the dubbed actors are really out of their depth. The young Augustus is played well, multi-layered and rather complex and unpredictable. Mark Anthony and Cleopatra are an aside, and performed in a bland obvious manner. Charlotte Rampling is frighteningly real.

But it is O'Toole's show all the way as the older Augustus.

After 30 years of "wafer thin ham" acting this and his performance in "Troy" show what an experienced actor can do with a good part. It is a grand part for an actor and makes the 3 hour journey quite moving at times. So the grand total as an entertainment experience is....6/10

AUGUSTUS (also known as IMPERIUM: AUGUSTUS) is a film made for television, which could explain how its three and one half hour length would be spread over at least three nights. This movie was made with an obvious plentiful budget, sponsored by the Italian government and US filmmakers, and the result is a complex and nicely detailed biographical study of the first Emperor of Rome, Augustus Caesar, the man whose reign spanned the BC/AD time frame with all the attendant changes in world geography and history and religious orders. It was a time of Rome's greatness and a time of Rome's disintegration.

Writer Eric Lerner and Director Roger Young wisely elected to tell this tale as a series of flashbacks as recalled by the aged, dying Augustus brilliantly portrayed by Peter O'Toole. His very presence gives the project credibility and dignity and helps the viewer forgive any of the many shortcomings that dot this epic. Augustus is attended by his wife Livia (again, a wise choice in casting the always superb Charlotte Rampling to bring this odd woman to life). With some adroit camera superimpositions of the old Augustus' face the story goes back in time to the death of Julius Caesar, the one who appointed the young Augustus (Benjamin Sadler) to be his successor. It is 42 BC and the young Augustus, together with his sidekicks Agrippa (Ken Duken) and Maecenas (Russell Barr in a foppish turn), struggle through the Senate, the noblemen, and the poor people of Rome who all have been ignored during Julius Caesar's infamous wars to expand the Empire. The complicated lineage to the 'throne' of Rome is manipulated by Julia (Vittoria Belvedere), Marc Antony (Massimo Ghini), Tiberius (Michele Bevilacqua) and Iullus (Juan Diego Botto), the son of Marc Antony, among many others.

Along the way we meet Cleopatra (Anne Valle) and Cicero (Gottfried John) and many of the other casually dropped names of Roman history. Though the names and the changes of who is ruling who at any one time can be confusing to even the most astute Roman historian, the writer and director do their best to make this story flow so that it all is of a piece. The acting is superb for the leads, adequate for the secondary roles, and the camera work manages to make the numerous battlefield sequences seem cogent.

In the end is the beginning: the death of Augustus. A casual mention is made that during his reign there was born in the land of Judea a child whose name was Jesus...and suddenly the whole lengthy film gathers more meaning. This is a fine overview of Roman history and civilization and thanks to the fine work by Peter O'Toole and Charlotte Rampling the result is very satisfying. Grady Harp

I disagree with other reviewers who were quite negative on this production. I quite enjoyed it and will recommend it for anyone interested in classical history. Admittedly, some of the acting was not first-rate, especially among the non native English speaking actors. I had the feeling their lines were dubbed in.

That aside, I liked the way it recounted the life of Augustus in the form of a long conversation with his daughter Julia with flashbacks. Yes, some of the historical details were a bit off. But it's tempting to compare it with other productions such as I Claudius and Cleopatra (the latter played even more loosely with historical fact). This production explored why Augustus, Julia, Livia, and others did what they did.

Others complained it was too long; on the contrary, I would like to have it longer and fill more detail in some of the years in Augustus's life that were not covered or glossed over.

The recreations of the Forum, the Curia, and other locations were the best I've seen. Unlike other productions such as Gladiator, the producers strives for accuracy rather than a Rome of the imagination and exaggeration.