Helena de Tróia

As a big fan of mythology and the Iliad, I'm pretty surprised by how nitpicky people are being on the details. Having taken a "Mythology in Film" course, I can safely state the following:

1) It's not supposed to be "The Iliad," it's "Helen of Troy." 2) It's a film. Made 3,000 years later. Targeted at an entirely different audience. 3) Greek mythology tends to be greatly inconsistent anyway, depending on your source. 4) Patroklus is never mentioned to justify Achilles's rage against Hector. So what? If Achilles hadn't withdrawn from war, he would've killed Hector anyways. And having him withdrawing and re-entering into the war would only have distracted from the main story (Helen) without really adding anything.

There's a difference between myths and literature. One can stray from the literature of a story while staying true to the mythology of it. The Iliad itself was constantly being reinvented by generations of oral poets who changed the story every time they performed it. Back in ancient times, a person who merely recited the story verbatim would be considered an inferior, because he'd merely be a copycat rather than a storyteller.

When it comes to the spirit and tradition, "Helen" shines. For instance, in the Iliad, Achilles compares Agamemnon taking Brisius to Paris taking Helen. In the film, the comparison is made literal. Brilliant. Then you have themes and scenes taken from the Orestia. Three or four different ideas are brought together in the span of one.

"Helen" may be a bit loose with the details, but it shows a good understanding why those details took place, and stays true to capturing their motivations. Just because they don't follow the material exactly doesn't mean they don't know it really, really well. The same is true for a lot of other film productions, from "Desire Under the Elms" to "O Brother Where Art Thou" to "Medea" and even "Clash of the Titans."

All and all, a good flick, I was pleasantly surprised. My only real complaints was the casting of Achilles (I assume they were combining his character with Ajax/Diomedes) and the fact that Hector never gets to actually beat anyone in combat (That was disappointing, to say the least).

In connection with mythology, our class was given the opportunity to view the film, Helen of Troy, last July 26 to August 2, 2005. Helen of Troy, released during the year 2003, is a movie produced by Ted Kurdyla and directed by John Kent Harrison. It was based on Homer's "Iliad" and its primary focus is "The Trojan War", which is one of the greatest stories in Ancient Literature. The film involves the story of Helen, the most beautiful woman in the world, being married to Menelaus in a land called Sparta. When Prince Paris comes to seek peace with Sparta, Helen falls madly in love with him and follows him to Troy. Enraged, Menelaus calls upon the Greek army to fulfill the oath they once swore: to defy anyone who stole Helen. From thus, the battle for Helen's love was started, putting the lives of many great warriors at stake. Although, the story presented a different plot from the text, people who haven't read it would be able to grasp the main idea from the movie. I was disappointed by the way the writers portrayed the character of Achilles, especially his line: "I stand before High King Agamemnon". Achilles was not under anyone, not even the highest of Kings; he cared for his own skin and fought for his own glory. Making him faithful to Agamemnon and responsible for no one else was a mistake because it means to show there were no other people involved who concerned Achilles. I also did not like the reason the writers made for Achilles killing Hector. According to the text, Achilles kills Hector to avenge his best friend's death – not to save Agamemnon. Another significant difference was Helen begging for the body of Hector from Agamemnon, which was wrong; I believe it's important that Priam, Hector's father, was the one who asked for his son's body from Achilles because it shows that despite all the people Achilles has killed, there was still compassion left in the heart of even the most ruthless warrior. What worked particularly well for the film was the focus on Helen's royal family; it explained a lot about Helen's background, thus giving the audience more information than in the text.

I give this movie, a final rating of 4. The setting, effects and the cinematography was great. It made me feel as if it's the exact place where the battle happened. Helen of Troy is a movie that immediately captures its audience, engraving into their hearts the message it wishes to impart, which is: there will always be people who are ready to fight, whether it be for love of country, love of glory, or simply loving someone.

I can't believe that the writers of this miniseries read any of the myths or the Iliad itself. The inconsistencies were truly amazing. But I guess it didn't matter, as the plot seemed to revolve around fighting and nudity. First of all Cassandra could not have told her father to kill the infant Paris; she did not receive her powers until she was a young woman. Apollo wanted her; she said yes and received the gift of prophecy; then, when she refused him, he could not take it back but cursed her that no one would believe her. Helen was not kidnapped by Theseus! Clytemnestra had three children, and Orestes and Elektra helped her wreak her vengeance for the death of Iphigenia. The gods & goddesses took a much more active part in the war, with Aphrodite telling Paris where to shoot Achilles and Athena guiding Odysseus, her favorite. The arrow in the heel meant nothing without the explanation. Agamemnon took Cassandra as part of his spoils. Hector had a wife, Andromache, whom he adored. Where was she? Where was Ajax?This was just too far from canon. One thing I did like was the loving relationship between Clytemnestra and her daughter Iphigenia; it was very understandable why she would kill Agamemnon.

As for the actors, Helen was not that beautiful. It was good to see John Rhys-Davies, but he was too thin and did not look well. Maryam D'Abo was made to look too old--an older actress should have been cast. She's still a Bond girl to me! Achilles was overplayed, and there was no reason for him to be bald. I did like Odysseus, however.

I'm not really sorry I watched it, just a little ashamed of myself for sticking out the whole four hours.

Unlike the epic TROY, which spent much time and money recreating the spectacle of the Trojan War with CGI, the emphasis here is on the political ambitions and prophecies leading up to the start of the siege of Troy. Rufus Sewell as Agamemnon gives a performance (as the man who would conquer Troy) which eerily evokes Oliver Reed at his sinister best, as he makes it clear that the romance of Helen and Paris was merely a convenient excuse for the events that followed, and that the war came out of his own thirst for conquest. Sienna Guillory is attractive as Helen, but her role is rapidly reduced to that of a bystander in the great events that swirled around her. And the film makes clear its logic about this: how could a woman be responsible for a war in a time when even princesses were chattels of the royal houses to be auctioned off in marriage for political gain? As it deals more intimately with its characters and looks more closely at social power structures and gender roles of the period, this film is much more interesting as a human drama than the rather empty spectacle TROY.

There were several images that were important in the movie. Helen really stood out to be the most beautiful woman at that time but there were a lot of differences from the text. In the movie, what she showed the audience was a childish lady who suddenly turns into a flirt. Sometimes, it is also hard to grasp her true emotions probably because this flirt image has enveloped her identity in the movie. What I admired about Paris was not his cute face. It is true that he looks fit for the character of Paris but what's more to that is you could see in his face his passion for whatever he's doing and saying. The image of a "pretty boy" was really fit for him. I am very fascinated with how Agamemnon was able to internalize his character very well. He portrayed a king who was really greedy but also showed a soft side. His facial expressions were also stunning especially his eyes. His portrayal of Agamemnon's character was constant all throughout the movie. Menelaus' identity was hard to depict because his identity in the Iliad was not totally exposed. What was admirable in him in the movie was his being a nice man or prince. I saw in him the change from the beginning of the movie to the end. You could see in him his sincerity in changing. Although Hector only had a small part, he was able to show the audience a noble Trojan. His image in the movie was different from the original text. He was not the strongest Trojan and he was even overpowered by his brother, Paris. Achilles was a totally different character. He was just a war and bloodthirsty warrior in the movie. It's as if he's just a bully in Helen of Troy.

The technical aspects for me were not that good. The voices were hardly audible. Sometimes, it's as if the actors and actresses were just murmuring to each other although the background music was suitable for the movie. It made you imagine what it was like before and how it felt during that time. There were scenes that were too dark that the characters could not be seen anymore but the shade of colors used were suitable for the time being illustrated in the movie. There were angles wherein a character was blocking someone else and it made it so hard to feel and see what's really happening but there were also shots that were nice. This was particular with the wooden horse. The angle of the shot made the wooden horse look so majestic and the audience would really be at awe with how the Greeks were able to come up with that plan and how they were able to make that wooden horse.

Overall, Helen of Troy is something worthwhile to watch not only because of Paris' look but also because the movie gave explanations on how things came to be and it brought its audience closer to the "reality" of the Iliad.