Doze é Demais

Tom (Steve Martin) and Kate Baker (Bonnie Hunt) had big career dreams and big family dreams. The family wins out and they leave the big city. The kids don't stop coming until number 12. The oldest being played by Piper Perabo, Tom Welling, and Hilary Duff. There are also twins, lookalike girls, sad little boy, other girl, cute boy, chunkier boy, and smaller cute boy. Tom is a high school football coach who gets a chance at a bigger job. The family is forced to move to the city for his job where Nora (Piper Perabo) lives with her boyfriend Hank (Ashton Kutcher). With less time with the big job, Tom has to deal with everything else after Kate gets a book tour to NYC.

Let's be obvious. There are too many kids. It becomes chaos not just in the house but in the story. It's just a series of wacky slapstick. It's general harmless family fun. If you don't have enough fun, the characters will keep smashing things up until you laugh. It's a lot pratfall fluff and not a lot of seriousness. There are some good silly fun pushing Kutcher around. Steve Martin and Bonnie Hunt are definitely game for all the craziness.

Steve Martin, the former "wild and crazy guy," stars in yet another remake of a classic comedy. This was exactly why the movie didn't do as well in the theaters, and that's a shame. There are movies that should not be remade, and yet are remade anyway. You would think that an old family movie which inspired "The Brady Bunch" nearly 20 years later would be one of them. Surprisingly this is a superior remake, unlike the 1999 version of "The Out-of-Towners."

Bonnie Hunt; No matter how good she is in anything, everything she touches turns to rust. Would somebody please give me a reason why? The whole movie seems to revolve around the success of Tom & Kate Baker(Martin and Hunt), as Kate finishes writing her book about that huge family of theirs and Tom is offered a job to coach football at his alma mater, the latter of which means they need to move out. Just as the original did, the remake works because of the antics of the kids. And here they are:

Piper Perabo, as the oldest daughter Nora, who doesn't have to suffer from the overcrowding of her family, but does have to suffer with Hank a vain actor boyfriend, played by Ashton Kutcher.

Hilary Duff tries to break her typecasting as "Lizzie McGuire," but it's going to be quite difficult. Still it should be noted that Lorraine is far more vain than Lizzie, although not as bitchy as Ashlie Brillault's Kate.

Tom Welling as the oldest son Charlie hates his father as much as he hates being in a big family, and being moved to a new school where all the snot-nosed kids insult and harass him & Lorraine make things much worse.

Forrest Landis is Mark(aka "FedEx"), the nerdy outcast of the family who when the family moves is left to sleep in his own room...and it's a COOL room. I was happy when I got my own bedroom at five years old, but with a secret escape and/or disposal hatch like that, who wouldn't be jealous?

Alyson Stoner. I MUST repeat that name --- ALYSON STONER! If you liked her in Missy Elliot's music video's, you'll lover her as Sarah Baker. Whether it's plotting against babysitters, dipping Hank's underwear in meat or defending her siblings from bullies, this girl is the coolest of the 12 Baker kids. Not even Mara Wilson compares to this girl, and she was one hell of a child actress.

An unfortunately deleted scene featuring Eileen Brennan as an ailing nanny who boasts "12 years with the FBI." It was actually good enough that they should've left it in. And how about the closing theme "What Christmas Should Be," by Miss Duff? A decent message, even if totally impossible.

All in all, it's still worth seeing despite the family sappiness and lack of an original storyline. Don't be ashamed to give it a try.

I did like this movie in general. There are some funny moments and the performances are spirited from the entire cast. Unfortunately, although as a remake it is acceptable it does have its weak spots. I didn't feel as though it had the charm of the original, by that I mean that doesn't quite have the irreverence and likability that made the original so endearing. There are some pacing problems and major discrepancies in the screenplay, plus the direction wasn't as strong as it could have been. On the whole though, it is not too bad. There is some nice scenery and camera work. The performances from the cast are fun; Steve Martin does very well in the title role, and the ensemble of children have strong chemistry. And despite the weak script, there are some funny moments, like the mince-in-the-trousers part. And there are some heart-warming parts like the ending. Overall, flawed but acceptable. 6/10 Bethany Cox

While the CHEAPER BY THE DOZEN opening titles credit the authors of the best-selling book the original 1950 film was based on (Frank B. Gilbreth Jr. and Ernestine Gilbreth Carey), don't expect to see a remake of the charming, early-20th century comedy about two efficiency experts (Clifton Webb and Myrna Loy) running a complex but happy family...and this is not a BAD thing!

While the 1950 production is a minor classic, the thrust of the earlier film was with the parents, and oldest daughter (the late Jeanne Crain). Clifton Webb was a gifted, acerbic actor, best known, previously, as 'child hating' author Lynn Belvedere, who proved he was as adept at raising children as he was at EVERYTHING he attempted, in the 1948 hit, SITTING PRETTY. The film was such a success that two sequels were made, and Webb would do several more 'family' comedies before his death in 1966. Playing Frank Bunker Gilbreth, the father of twelve, was a 'natural' for the actor, and the 61-year old Webb 'stole' the film with his self-effacing, 'scientific' approach to child rearing. As his wife, Lillian, Myrna Loy, who had graduated from being 'Nora Charles' in the "Thin Man" series, to being Hollywood's favorite wife/mom, shared Bonnie Hunt's sweetness, sense of organization, and dry humor, but lacked a sexual chemistry with Webb that would have actually produced twelve children (perhaps because of the less 'permissive' time the film was made, or perhaps because of Webb's screen persona). Jeanne Crain, one of 20th Century Fox's favorite ingénues for over six years, had a large fan base, which the studio capitalized on (She was actually second-billed in the film, behind Webb). Her scene at a 1920's prom, with Webb as her 'date', is a film highlight. While the eleven other children were given 'moments' in the film, they barely registered, individually.

Would 2003 audiences have gone to see Martin in a period comedy set eighty years earlier? I doubt it. And had the original story had been simply 'updated', would it have been truly faithful to the source, even in spirit? Unlikely, as so much has changed over the years. Ultimately, the film makers erred, I believe, in using the title of the earlier film, but not in the approach of making a 'family-friendly' comedy about a household of massive proportions.

With Steve Martin, who has become Hollywood's quintessential 'Dad', as a loving, unconventional father/football coach given an opportunity to head his alma mater's team, he displays the same kind of sensitivity that made PARENTHOOD such a wonderful film. Bonnie Hunt, as his wife, is completely believable as a successful author who could handle her large family and still-frisky husband equally well. She is, as always, a treasure!

The children are really the stars of the film, though, and each is special, and individual, from the eldest daughter (Piper Perabo), who, at 22, wants the family to accept the guy she's living with (Ashton Kutcher, in a funny, brief role), to the youngest pair of twins (Brent and Shane Kinsman), who make an art out of wreaking havoc. Tom Welling is quite likable, and proves that he is more than just 'Clark Kent' (For you trivia fans, Kutcher almost got the part of 'Superman' in an upcoming film, which would have put two 'Men of Steel' in the cast). The only discordant note is Hillary Duff's annoyingly brittle second daughter; she may be a 'teen idol', but she is more grating than endearing.

Director Shawn Levy's previous film, JUST MARRIED, was a loud, unpleasant, clichéd bore; in CHEAPER BY THE DOZEN, he redeems himself with a more enjoyable, richer film.

While the movie will never earn the 'classic' status the earlier film achieved, it stands very well on it's own merits!

As a child, I read and loved the book, "Cheaper by the dozen", so I rented the movie expecting an on-screen adaptation of the book. I think the only similarities are the title, and the fact that they have 12 kids. The movie does the book a huge injustice.

Expectations aside, the movie had some plot holes, but I would have appreciated this kind of film if I was a parent looking for a family film. It reminded me of the old Disney classics my family rented when I was growing up. I'm sure that kids would love the mess and destruction that seemed to be the focal point of the movie. They tried to cram too many sub-plots into it when they could have focused strictly on the family dynamics and had a great movie.

I'm just glad I rented it and didn't spend $$ at the theater.