Jiminy Glick in Lalawood

You certainly have to be a huge fan of Martin Short's ridiculous character Glick -if not a Hollywood-philic moviegoer instead- to really appreciate this hangin' around-at-the-Toronto Film Festival, full-of-cameos, Hollywood-inner-joke comedy.

And of course forget the plot, cause it doesn't matter at all when you dig this kind of film. In fact, because of its chaotic structure, "Jiminy Glick on La La Wood" doesn't make it as a cool movie.

But it's loaded with self-deprecating glimpses, movie industry sarcasms and art-house parody (specially the David Lynch one), which makes it fairly enjoyable by film junkies.

6.5 out of 10 if with a couple of beers.

...and get ready to laugh you Glick off! This movie is an instant comedy classic! "Jiminy Glick Goes to La-La Wood" is one of those underrated nuggets that deserves cult status. 'KEIFER! KEIFER! KEIFER! KEIFER!" I had never been a Martin Short fan ("Clifford" anyone?) but I always found Jiminy Glick painfully funny. Fire one up and get ready to roll off the couch in convulsive laughter as Martin Short brings his greatest character of all time to the big screen. Jan Hooks has some of the best lines in the movie (The "purse" line will bring tears to your eyes), and naming his kids "Matthew" and "Modine" is simply genius. Don't rent this movie, BUY IT - and file it between "Dumb and Dumber" and "The Man With Two Brains". This movie is funny! Be sure to watch the deleted scenes as well - the interviews with Steve Martin and Kurt Russell are hysterical, and the scenes in the car with Jan Hooks are gut-busting. Ad this one to your collection today!

Martin Short combining his original, quirky, humor using a David Lynch backdrop really hit the spot for me, as I am a huge fan of both personalities. I was pleasantly surprised by the seamless transition from T.V. Glick to Cinema Glick, and witnessing Glick's family come to life. I think I'll have to watch the film again to fully appreciate the lines and subtleties of the "Euro-trash" character. His improvisation was totally random but somehow made comedic sense in its absurdities. I would speculate that if a person hasn't already seen 'Primetime Glick' and laughed at Glick in his original form, one might not "get" the humor, and understand why Short would conceive such a seemingly absurd plot.

Oh, and I love that Christine Willes appeared in the first sequence - where did she come from??!!

I like Martin Short. I like everything about him. I think he's a great singer and entertainer, he's smart, he's lovable, and he's apparently very funny because he's always cracking up the cast and behind camera crew. He and his style appeal to me, and I just like him.

But this movie just isn't funny. And Glick isn't funny. Short tries to carry Glick with the same funny speech patterns that carried Ed Grimley...(in low voice) "I'm as doomed as doomed could be, ya' know." Grimley and Glick use similar speech patterns. But that's not enough to carry this character or this movie.

Short says in the DVD commentary that they improvised most scenes with no or very little script, though his commentary partner calls him on that and disagrees with him and insists there was a script. Now that's funny. But anyway, as the Beatles learned when filming "Magical Mystery Tour," hoping that people will be naturally funny and interesting doesn't work. You have to put some hard work and long hours into a polished script to get anything worth shooting. This movie (if there really was no script) again affirms that truth.

This movie features a lot of vulgar material and I think that was a big mistake. The larger plot and story and comedy style would have appealed to young people and families and Short sacrificed that entire viewing audience for the coarse material and it really doesn't add anything. I guess Short felt an R rating was what was needed at this point in his career.

Very little in this movie works. The boyfriend/manager character was the only one that was funny, yes he was over the top but at least he was actually somewhat funny. Glick is best when Hollywood celebrity Short shows through the character while giving a good natured ribbing to Hollywood giants like Steve Martin, Tom Hanks, and Kurt Russel (Hanks does not appear in this movie but Glick has interviewed him elsewhere to great results). The interviews that Glick does with Martin and Russel, and especially the deleted outtake footage of those interviews are the only thing that works in this movie.

The production and story were much bigger than what I expected. The plot explanation at the end is pretty good, creative, outlandish, unexpected, and funny. There's a part that was scripted. The movie has good production values, but what it needed was a script that actually contained some jokes.

I've rated this an 8 because even though it has trying sections, if you're a Glick nut like me, it's worth waiting (or on disc, fast forwarding past them) to reach the good stuff. The man Martin Short describes as a moron with power leaves his home in Butte, Montana and takes wife Dixie and two of their boys up to Toronto for the big film fest. And once there, the laughs really kick into high gear. Jiminy sleeps through a big ticket premiere, then writes a bogus rave review and, as only Glick could, lands a prized sit down television interview with it's reclusive star!

Short does double duty as Glick and director David Lynch, an uncanny imitation that holds the silly plot together with his recounting of the parallel Lana Turner / Johnny Stompanato scandal that forever changed the life of her daughter, Cheryl Crane. Elizabeth Perkins and my favourite, Linda Cardellini, star as a celebrity mother and her child who have the unfortunate lowlife producer Andre (played by the great John Michael Higgins) in their world like a sleazy time bomb waiting to go off. At least, his vulgar mouth is constantly ready for yet another wicked and disgusting remark.

Glick's "hard hitting" segments with Steve Martin and Kurt Russell are truly funny and the send ups of festival behaviour are probably closer to the truth than industry publicists would care to admit. If Short ever makes a sequel, let's hope there are flashbacks that give Higgins and Cardellini a chance to further flesh out their characters' lives and careers. I need a Glick fix!