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IMDbPro

The 75th Annual Academy Awards

  • Especial de TV
  • 2003
  • 3 h 30 min
AVALIAÇÃO DA IMDb
6,5/10
1,1 mil
SUA AVALIAÇÃO
The 75th Annual Academy Awards (2003)
Notícias

Adicionar um enredo no seu idiomaAward of the American academy of cinematographic arts and sciences, from 1940th known as "Oscar", - American film award created in 1929 and traditionally handed to the figures of cinematogra... Ler tudoAward of the American academy of cinematographic arts and sciences, from 1940th known as "Oscar", - American film award created in 1929 and traditionally handed to the figures of cinematographic art for their contribution to creation of movies.Award of the American academy of cinematographic arts and sciences, from 1940th known as "Oscar", - American film award created in 1929 and traditionally handed to the figures of cinematographic art for their contribution to creation of movies.

  • Direção
    • Louis J. Horvitz
    • Penelope Spheeris
  • Roteiristas
    • Hal Kanter
    • Rita Cash
    • Buz Kohan
  • Artistas
    • Steve Martin
    • Ben Affleck
    • John Agar
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,5/10
    1,1 mil
    SUA AVALIAÇÃO
    • Direção
      • Louis J. Horvitz
      • Penelope Spheeris
    • Roteiristas
      • Hal Kanter
      • Rita Cash
      • Buz Kohan
    • Artistas
      • Steve Martin
      • Ben Affleck
      • John Agar
    • 18Avaliações de usuários
    • 6Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Ganhou 3 Primetime Emmys
      • 6 vitórias e 7 indicações no total

    Fotos52

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    Elenco principal99+

    Editar
    Steve Martin
    Steve Martin
    • Self - Host
    Ben Affleck
    Ben Affleck
    • Self - Presenter
    John Agar
    John Agar
    • Self - Memorial Tribute
    • (cenas de arquivo)
    Wayne Allwine
    Wayne Allwine
    • Mickey Mouse - Presenter
    • (narração)
    Agustín Almodóvar
    Agustín Almodóvar
    • Self - Audience Member
    Pedro Almodóvar
    Pedro Almodóvar
    • Self - Winner
    Mie Andreasen
    • Self - Winner
    Julie Andrews
    Julie Andrews
    • Self - Presenter & Past Winner
    Royce D. Applegate
    Royce D. Applegate
    • Self - Memorial Tribute
    • (cenas de arquivo)
    Eric Armstrong
    Eric Armstrong
    • Self - Winner
    Colleen Atwood
    Colleen Atwood
    • Self - Winner
    Anne Bancroft
    Anne Bancroft
    • Annie Sullivan
    • (cenas de arquivo)
    Kathy Bates
    Kathy Bates
    • Self - Nominee…
    Philippe Bergeron
    Philippe Bergeron
    • French interpreter
    Milton Berle
    Milton Berle
    • Self - Memorial Tribute
    • (cenas de arquivo)
    Halle Berry
    Halle Berry
    • Self - Presenter & Past Winner
    Paul Bettany
    Paul Bettany
    • Audience Member
    Margaret Booth
    Margaret Booth
    • Self - Memorial Tribute
    • (cenas de arquivo)
    • Direção
      • Louis J. Horvitz
      • Penelope Spheeris
    • Roteiristas
      • Hal Kanter
      • Rita Cash
      • Buz Kohan
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários18

    6,51K
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    Avaliações em destaque

    6Theo Robertson

    Don`t Mention The War

    Like a great number of other people I had mixed feelings whether the Oscars should be going ahead or not , it`s almost impossible to justify an extravaganza like the academy awards while there`s a war going on , but to their credit the producers kept it fairly low key with no massive self congratulation that we often see . And credit where it`s deserved to Chris Cooper and Adrien Brody for their dignified speeches . Brody especially won my respect as he mentioned his friend out in the Gulf . But of course there`s always someone who doesn`t know when to keep their mouth shut . Whatever the rights and wrongs of the Gulf war Michael Moore shouldn`t have been allowed to go on a political rant and should have been cut off long before he was , Jane Fonda didn`t bring heartfelt opinions to the Oscars so someone who`s not fit to lace Miss Fonda`s boots shouldn`t either . I did enjoy Steve Martin`s wisecrack about teamsters helping Michael Moore into the boot of his limo

    And speaking of Martin I thought he was the best host the event has ever had. Barbed comments about red carpets , and France and Germany had me grinning , but I laughed out loud as he said that it doesn`t matter if you`re straight ( Camera cuts to Harrison Ford ) or Gay ( Camera cuts to Jack Nicholson ) . Martin then said he wasn`t going to mention the people he slept with ( Camera cuts to Nicole Kidman , Julie Andrews etc ) but the best line was about the gay mafia: " I don`t want to mention them in case I wake up with a poodle`s head in my bed " Here`s hoping Martin is the host for many years to come

    As for the awards themselves THE TWO TOWERS was the only picture I saw last year that was nominated for Best Film so I can`t really comment if the awards were justified or not but I thought there was something fundementally wrong with the choice for best director . Obviously having sex with a minor and jumping bail isn`t a bad career move and it was nice to see some members sat in their seats shaking their heads when the winner was announced . You`ve also got to feel sorry for Martin Scorsese since the rumour mill has been whispering that GANGS OF NEW YORK was his last chance to pick up the award for best director . I was also shocked that the film didn`t pick up any awards on the night as Daniel Day Lewis was the hot tip for best actor . CHICAGO won best film which surprised me as it picked up a row of Oscars for technical achivements but then lost out to THE PIANIST for all the major awards

    So a night of surprises and controversy . Let`s hope next year we`ll see Steve Martin hosting Oscar night where RETURN OF THE KING sweeps the board
    7MovieAddict2016

    "Chicago" Makes Good - But the Best Thing About This is Martin!

    Steve Martin's insults made this presentation! In light of the recent war in Iraq, many celebrities dressed down and even did not show up. But Steve Martin made us all forget when he started randomly insulting actors and actresses in the audience.

    Some of his lines made the actors in the audience literally gasp in astonishment. Here are some of quotes from his hosting performance:

    "Movie stars can be straight (camera on Harrison Ford), or gay (camera on Jack Nicholson)." "He got to go in a hot tub with Kathy Bates - but who hasn't?" "And Queen Latifah - or as I like to call her, 'sequel money'!"

    Martin was the best thing about this otherwise out-of-place Oscars that just seemed too watered down. I think it's important to respect those fighting for America and England, but as they say, "The show must go on," and this show BARELY went on.
    dbracco86

    A generally better year

    In terms of the results happened more the way I wanted. Here's my take on the major categories:

    Best Picture: Chicago deserved to win. Great movie (although NOT as good as Moulin Rouge). However, I think the top 5 should have been: Adaptation, Chicago, Far From Heaven, Frida, and The Hours. I think my favorite is Heaven, but Chicago should have won anyway.

    Best Actor: NICOLAS CAGE SHOULD HAVE ONE!!! He did the most amazing, challenging performance I have EVER seen an actor do (except Ewan McGregor in M.R....I'm a fanatic). He was totally robbed, but then again I didn't expect him to win.

    Best Actress: Victory for Nicole! Well-deserved-she was incredible in the Hours. Yet, my favorite was Julianne Moore for Heaven. Such an underrated movie in the academy's eyes, and she was unbelievable. But I'm really happy Nicole finally has an Oscar.

    Supporting Actor: What can I say? Dennis Quaid is the winner hands down. But since he wasn't NOMINATED, Chris Cooper will have to do...actually he was really really good.

    Supporting Actress: MERYL!! I LOVE YOU! I met her and she was incredibly sweet. Oh yeah, she did an amazing job in Adaptation. Catherine did extremely well too, though--just not quite the same.

    PS~Steve Martin was hilarious, as usual. He was the same two years ago. It should just be all him, and maybe Billy Crystal too.
    Victor Field

    Every year I say I won't watch... and every year I do. There are worse traps to be in.

    As far back as I can remember, I wanted to be a GoodFella... sorry, I'll start again.

    As far back as I can remember, I've been tuning into the Oscars; first the edited highlights while living in Barbados and stuck with CBC Channel 8, then the coverage on CNN (when they still carried showbiz stuff), and then when I returned to England, it was time to sit up late or get up early and watch them live. The Academy Awards, like them or not, still have a glitz and pull no other award show on Earth can match; the BAFTAs and the Golden Globes can try all they want, but no matter whether they come before or after, they'll always be mere appetizers to the main event.

    This year's, back on BBC1 (who incidentally pretended that losing them to Sky didn't matter... okay, but why did they make such a fuss when they got them BACK?), was amazing not so much for the results - "Chicago" won Best Picture? Who didn't see that coming? - as for the fact that it only overran by about four minutes. Keep up the tight reins, folks (or maybe ensure that not all the nominated songs get performed again). The segments in between the awards with Jonathan Ross interviewing various Americans and Brits are always a cue for me to change the channel or mute it, but the rest of the show...

    Five Bad Things:

    1. The failure of Eminem to turn up and accept an Oscar for Barbra Streisand (E&B would have been a team for the ages).

    2. The snubbing, for the most part, of "The Lord Of The Rings: The Two Towers."

    3. The continuing prejudice of the producers (apparently if you're winning a major acting prize you can talk as long as you want).

    4. Steve Martin's joke about Mickey Mouse being one of "America's leading black actors."

    5. Jennifer Garner appearing alongside the aforementioned actor of colour (it must have been a Disney/ABC thing).

    Five Good Things:

    1. Jennifer Garner appearing and a) maintaining her dignity and b) being one of the best-looking women there (if she, Salma Hayek or Halle Berry are reading this...). No wonder she was nominated for an Emmy for "Alias."

    2. Most of Steve Martin's other jokes (not least the one about Hollywood willing to work with actors of any age - "Young...[picture of Haley Joel Osment]... middle-aged... [picture of Natalie Portman]... or old [picture of Reese Witherspoon]").

    3. Adrien Brody, for delivering the best acceptance speech of the night (sorry Michael Moore, but political statements do not count), and for not letting the opportunity to snog Halle Berry go by.

    4. The fact that "Chicago" didn't win all the Oscars it was up for, sparing us from hearing "All That Jazz" 11 times.

    5. The Oscars giving the Animated Feature award to the only non-American feature nominated (though non-Disney fans note "Spirited Away" was released there by... guess).

    And I'll be watching again next year...
    8Quinoa1984

    One of the more bitter-sweet (emphasis on the bitter) award shows in recent memory

    This year's Academy Awards showed how politics are always in the mix, and I don't mean with America's current situation with Iraq. What I mean is that there seems to be an (unintentional?) fix with two particular movies of the evening- Chicago and Gangs of New York. Chicago went away with six, SIX Oscars, for being merely an over-rated re-tread of dumb, glitzy, Hollywood (Hollwood the key word) musicals, where there are occasionally catchy scenes- terribly brought down by the need for Richard Gere and John C. Reilly to try for big performances and can barely manage mediocre. Gangs of New York, on the other hand (a personal favorite from last year), which was the film with the second most amount of nominations (Chicago had 13, Gangs with 10), walked away with none, NONE. This isn't the first time this sort of syndrome has happened to a great movie (The Insider in 99, Psycho in 60, Clockwork Orange in 71), but this was a tad ridiculous.

    Does the Academy feel a certain dis-affection towards the man, Martin Scorsese, and his little gem of a history lesson? I can respect that Roman Polanski got the Oscar for The Pianist, as it did deserve it in many respects (certainly the best European direction, and as the Palme D'Or at Cannes last year it was a clear choice over the numb flamboyancy of Rob Marshall's Chicago); however in all honesty, why give the Oscar to someone who isn't allowed in the country to receive it personally, when the guy who deserved it for best AMERICAN direction, anyway, looses? Is there a curse upon Scorsese that any year he makes a picture worthy of at least ONE Oscar, even outside of direction (i.e. Dante Ferreti's production design is some of the finest and most original ever, loosing to Chicago, which won basically for an adaptation of a design from the musical!). Only time will tell...

    Having said that, I did enjoy some parts of the show when it wasn't filled with the usual fodder of montage-adulation, and the song in the background as the winner walking up being "all that jazz". Steve Martin did a respectable, pretty funny job, not to the absolute caliber of the first job, but with some fresh jabs at the industry (the two best being with Nicholson and Borgnine). Michael Moore getting a definitely deserved Oscar, said things in his speech that made some "boo", but really, it made a sense in its audacity. Claps go to Almodovar, Kidman, Cooper, Eminem (what was with the guy who presented, gold chains and all?), the late Conrad L. Hall, Brody (Nicholson and Day-Lewis were equally worthy), and for ol' Peter O'Toole...

    And yet, outside of that, I felt a little uneasy watching the awards ceremony, as I probably do watching past ones. With this one though, I just got the feeling that there was a very slight rig in the works throughout. Of course I realize this is the name of the game on such a night, but the fact that most of the films that won for the headline factor of the film instead of the films themselves is eerie...then I remember that in the overall scheme of things in th e industry the Oscars count for very little. For example, years from now, or even now, how many people remember specific images and emotions and scenes in Ordinary People? Not too many, I can guess. But Raging Bull, "that's entertainment"!

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    • Curiosidades
      The Best Original Song winner, "Lose Yourself" from 8 Mile: Rua das Ilusões (2002), was not performed at the ceremony. Reportedly, ABC asked Eminem to perform an edited version of the rap, but he refused (and did not attend the ceremony nor pick his Oscar up). It was the first time since the Awards were first telecast that the Best Original Song winner was not performed.
    • Citações

      Olivia de Havilland: [Presenting the "Oscars family tree" past-winners segment, 53 years to the day after winning her second Academy Award for Best Actress] This night is a memorable one for me. And so was that night fifty-three years ago! Much has changed in our world since then. But what *hasn't* changed is our love of the movies, and their ability to inspire us and to help us through troubled times. Tonight we are celebrating Oscar's seventy-fifth birthday, and the great artists who have over the years added so much to our lives through their work. Here are fifty-nine of them!

    • Conexões
      Featured in The 55th Annual Primetime Emmy Awards (2003)
    • Trilhas sonoras
      Lose Yourself
      Written by Eminem, Jeff Bass and Luis Resto

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    Detalhes

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    • Data de lançamento
      • 23 de março de 2003 (Estados Unidos da América)
    • País de origem
      • Estados Unidos da América
    • Central de atendimento oficial
      • Academy of Motion Picture Arts & Sciences (United States)
    • Idioma
      • Inglês
    • Também conhecido como
      • 75-а церемонія вручення премії «Оскар»
    • Locações de filme
      • Kodak Theatre - 6801 Hollywood Boulevard, Hollywood & Highland Center, Hollywood, Los Angeles, Califórnia, EUA
    • Empresas de produção
      • Academy of Motion Picture Arts and Sciences (AMPAS)
      • Imaginary Forces
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 3 h 30 min(210 min)
    • Cor
      • Color
    • Mixagem de som
      • Stereo
    • Proporção
      • 1.33 : 1

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