Os Espiões

The BBC has once again shown that they can still create top quality drama. While there may be some historical issues with the script, one has to admire the fact that the characters are portrayed accurately and convincingly. Having just seen the last of the four-part series, I can comment that for entertainment value it is top notch.

Sure, some may argue the historical facts are inaccurate, or that the light spun upon the situation is somewhat different to how it was at the time, but much information about the infamous Cambridge spies is uncertain at best - in particular Kim Philby (Toby Stephens) is somewhat a mystery even today. Do not be fooled into thinking that this series is a documentary, it isn't. However, you will be forgiven for thinking that you are watching the actual events, with the locations, pieces and acting all first class.

Watch it with an open mind, as if it is fictional. You will be greatly rewarded, excited and even humoured at how four masterminds underplayed the archaic MI6 for their principals. I'd certainly recommend it.

Overall: 9/10 - Losing the ultimate 1 mark for seeming rushed in parts and sometimes making it hard to understand the relationships between the very complex characters - particularly at the start of the series.

High production values and a great story drive this excellent show along at just the right pace. Never rushed or drawn-out. A few oddities with the script - some things don't seem to flow right but minor. Perhaps the editor put a few bits of film in the wrong place! David Higgs' photography is a joy to watch - it would almost be worth watching without any sound! Aspiring DPs (directors of photography)should look at his lighting, framing and camera movement. Lovely use of long lenses to separate the characters from the background. Older DPs should start to worry!

I had heard and read about Kim Philby, of course, but not of the other ones, plus I was not aware of their past and story of formation. Realistic atmosphere, motives well explained and logical, vices and virtues of the protagonists, etc. - everything depicted in a skilful manner. And, of course, the performances, particularly Tom Hollander as Guy Burgess, but also the others - convincing, stylish, but also showing dangers of "elite" and closed communities where depravities are so easy to emerge and develop.

In retrospect, one may ponder on and over how the British authorities were so naive, but, on the other hand, it was an era without much technology and funding to deal with "the own"...

Well made and acted but I'm afraid it didn't have the guts to show the reality of the result of their treason. Why did we not see the suffering and death of the agents whom the Cambridge spies betrayed? Why did they never confront the hypocrisy of helping a regime which sides with Hitler, imprisons its' population and regularly executes their KGB contact agents? It tries to be sympathetic to men who put their loyalty to their friends above their loyalty to their country, their colleagues and those they're supposed to be protecting. What's more even that is incredibly flawed, Blunt abandons the rest of the group to their fate, Philby sleeps with McClean's wife and sends Burgess to accompany him into exile behind the Iron Curtain unaware that he's never coming back to the UK (and will quickly drink himself to death in Moscow).

What's more it only seems to tell half the story, concentrating disproportionately on the recruitment process and the influence of the Spanish civil war on the group. We get none of the fallout from the defection which was a revelation in Britain at the time or Philby's infamous press conference which is still cited today as a classic example of how to lie, we never get Philby's flight from Beruit or McClean and Caincross' plea bargain. Perhaps the most sympathetic character in the whole story is James Jesus Angleton who appears to be the lone voice in the wilderness.

So all told a great series but do some research first.

While not unhistorical, this is a very garbled and misleading presentation of the spies in question. Presumably, historical truth is sacrificed for dramatic reasons. But Cambridge Spies doesn't manage to rise to the level of drama. It's melodrama. There are moments when, if you turn off the sound, you'd swear you were watching a not very good silent movie: sentimental and over-wrought. The Guernica scene is a case in point; Guy Burgess, emoting in the rain, lamenting the death of Julian Bell is another. Rather a waste of acting talent. The main characters in this effort have each done other work that displays their talents to much better effect.