Behind the Camera: The Unauthorized Story of 'Three's Company'
- Filme para televisão
- 2003
- 2 h
AVALIAÇÃO DA IMDb
6,4/10
458
SUA AVALIAÇÃO
Adicionar um enredo no seu idiomaAn insider's look at the unfunny side of comedic success on network television.An insider's look at the unfunny side of comedic success on network television.An insider's look at the unfunny side of comedic success on network television.
- Direção
- Roteirista
- Artistas
Melanie Paxson
- Joyce DeWitt
- (as Melanie Deanne Moore)
David James Lewis
- Ira Denmark
- (as David Lewis)
Avaliações em destaque
It is sobering to see that a show that exemplified the mindless, 70s sex revolution with it's, at the time, envelope pushing innuendo and double entendres, was fraught with deception, greed and betrayal behind the scenes.
The actors chosen to portray the various performers of "Three's Company" are very good, most notably the ones chosen to portray John Ritter/Jack Tripper and Joyce DeWitt/Janet Wood. The actress who played Suzanne Sommers/Chrissy Snow did a wonderful job playing the conflicted yet easily swayed by her husband star who ends up becoming a pariah of the set of the show after unreasonable contractual demands and skipping out on tapings. The performances of the network brass, show's producers, and Sommer's husband, Alan Hamel are excellent also. The supporting cast, the Roepers, Mr. Furley and Cyndi Snow, are also represented. Priscilla Barnes/Teri is merely an extra with no lines and Larry is nowhere to be found. It would be interesting to see how the rest of the cast and crew were affected by the contractual warfare that became very personal between Sommers and the producers. Joyce DeWitt took on a role as a producer of this film and narrates the film. Although this was not necessary, I suppose it lent a bit of authority since DeWitt was obviously there when all of these things were happening. But one wonders if this also could mean that the movie is slanted by representing DeWitt as the Saint who is just doing her job who gets wronged by Sommers, the Producers and Ritter who keeps plans of him getting a spinoff that doesn't include Janet from her. But the facts speak for themselves and one can see that this could all be very well true.
One can say that Sommers is painted in a bad light but it does evoke sympathy for her when she begins to wonder if she has gone too far and is killing her career but is easily sold on the idea by her slick talking husband who is an unsuccessful actor who's claim to fame are local supermarket commercials. Sommers quickness to believe this man is revealed when she talks about humiliating herself early in her career to help pay her son's hospital costs by dressing as a squirrel and passing out nuts and when she says that she wanted to become the next Farrah not Liberace in one of the films funnier (unintentionally lines). Ritter is portrayed as a nice guy who loses patience with Sommers antics but also as a passive, milquetoast who gives in too easily to the producers' offer of his own spinoff at the expense of the other cast members.
The bottom line is that what energy or magic the series had early on in it's run, was spoiled by the lack of appreciation for the actors by the producers, avarice of Sommers and "her people," Alan Hamel and the constant tinkering that was designed to spite Sommers. In the end, everyone seemed to lose and seems embittered by the whole experience. Ritter and Sommers did not seem to want part of this project and DeWitt seems to be gritting her teeth to this day in the segments where she narrates the goings on.
All in all, this is one of the more interesting, well made TV movies about a TV show because it deals with what made the show work and ultimately what ruined it, the best and worst of human nature.
The actors chosen to portray the various performers of "Three's Company" are very good, most notably the ones chosen to portray John Ritter/Jack Tripper and Joyce DeWitt/Janet Wood. The actress who played Suzanne Sommers/Chrissy Snow did a wonderful job playing the conflicted yet easily swayed by her husband star who ends up becoming a pariah of the set of the show after unreasonable contractual demands and skipping out on tapings. The performances of the network brass, show's producers, and Sommer's husband, Alan Hamel are excellent also. The supporting cast, the Roepers, Mr. Furley and Cyndi Snow, are also represented. Priscilla Barnes/Teri is merely an extra with no lines and Larry is nowhere to be found. It would be interesting to see how the rest of the cast and crew were affected by the contractual warfare that became very personal between Sommers and the producers. Joyce DeWitt took on a role as a producer of this film and narrates the film. Although this was not necessary, I suppose it lent a bit of authority since DeWitt was obviously there when all of these things were happening. But one wonders if this also could mean that the movie is slanted by representing DeWitt as the Saint who is just doing her job who gets wronged by Sommers, the Producers and Ritter who keeps plans of him getting a spinoff that doesn't include Janet from her. But the facts speak for themselves and one can see that this could all be very well true.
One can say that Sommers is painted in a bad light but it does evoke sympathy for her when she begins to wonder if she has gone too far and is killing her career but is easily sold on the idea by her slick talking husband who is an unsuccessful actor who's claim to fame are local supermarket commercials. Sommers quickness to believe this man is revealed when she talks about humiliating herself early in her career to help pay her son's hospital costs by dressing as a squirrel and passing out nuts and when she says that she wanted to become the next Farrah not Liberace in one of the films funnier (unintentionally lines). Ritter is portrayed as a nice guy who loses patience with Sommers antics but also as a passive, milquetoast who gives in too easily to the producers' offer of his own spinoff at the expense of the other cast members.
The bottom line is that what energy or magic the series had early on in it's run, was spoiled by the lack of appreciation for the actors by the producers, avarice of Sommers and "her people," Alan Hamel and the constant tinkering that was designed to spite Sommers. In the end, everyone seemed to lose and seems embittered by the whole experience. Ritter and Sommers did not seem to want part of this project and DeWitt seems to be gritting her teeth to this day in the segments where she narrates the goings on.
All in all, this is one of the more interesting, well made TV movies about a TV show because it deals with what made the show work and ultimately what ruined it, the best and worst of human nature.
I thought this TV movie was very well done. It was well directed, well written and the actors all did a great job. The story itself was pretty straightforward and predictable, but it was executed very well.
The emphasis of the story was obviously based around Suzanne Somers' contract disputes, but the story never focused on one area for too long. It was a well-balanced and enjoyable TV movie. Well cast and well shot, it was a truly enjoyable watch.
All the actors did a great job. Bret Anthony did a good job with John Ritter, even if he does look uncannily like a Kennedy. Melanie Moore was great as DeWitt, even if the voice wasn't quite there. Judy Tylor is one fine looking Somers, but she also showed great range in her performance. Gregg Brinkley seemed a little too young to play Don Knotts but he pulled off the voice and mannerisms perfectly. Brian Dennehy was great as usual in his "I appear in everything" character-actor role.
All in all, a surprisingly solid TV movie. Definately worth a viewing during the VH1 reruns.
7/10
The only problems (minor):
Suzanne Somers didn't start promoting the Thighmaster until the late 80's, this movie has you believe she started in the early 80's.
The clothing was pretty accurate for the main characters, but the network brass all wore suits that were nowhere near in-style during the 1970's. No crazy collars, no big, wide ties, no plaid, etc...
The sets weren't all that accurate when compared to the original show.
As everyone has said, no Larry.
The emphasis of the story was obviously based around Suzanne Somers' contract disputes, but the story never focused on one area for too long. It was a well-balanced and enjoyable TV movie. Well cast and well shot, it was a truly enjoyable watch.
All the actors did a great job. Bret Anthony did a good job with John Ritter, even if he does look uncannily like a Kennedy. Melanie Moore was great as DeWitt, even if the voice wasn't quite there. Judy Tylor is one fine looking Somers, but she also showed great range in her performance. Gregg Brinkley seemed a little too young to play Don Knotts but he pulled off the voice and mannerisms perfectly. Brian Dennehy was great as usual in his "I appear in everything" character-actor role.
All in all, a surprisingly solid TV movie. Definately worth a viewing during the VH1 reruns.
7/10
The only problems (minor):
Suzanne Somers didn't start promoting the Thighmaster until the late 80's, this movie has you believe she started in the early 80's.
The clothing was pretty accurate for the main characters, but the network brass all wore suits that were nowhere near in-style during the 1970's. No crazy collars, no big, wide ties, no plaid, etc...
The sets weren't all that accurate when compared to the original show.
As everyone has said, no Larry.
"Three's company" was on my favorite shows as a young kid ,although now I think that so many misunderstandings make the situations unbelievable and grotesque. Also, over the years I had the chance to watch the much better and much subtle original - "Man about the house" Any how, this film presents the behind-the-scenes happenings on the "Three's company" set, from what I believe to be a Joyce DeWitt point of view. True, Suzanne Somers was hired for her looks and not her talent/brains (not to say that she doesn't have one or the other or both), and it seems as though she did manage to drive everyone crazy, but lets face it - she only did what many other TV stars do - take advantage of their success while it is still there (and TV success usually lasts only a few years). Actually, I believe the one member of the cast without whom there would have been no show is John Ritter. Both girls could have been easily replaced by other actress'. This film shows to little of Ritters' talent.
I always enjoyed the TV series "Three's Company" and was familiar with some of the behind the scenes controversy about it and decided that I had to watch this TV movie when I heard it was coming out. Overall, I was not disappointed.
I don't think anyone could watch this movie without being astonished by the performances of Bret Anthony, Melanie Deanne Moore and Judy Tyler as John Ritter, Joyce DeWitt and Suzanne Somers. They were completely convincing and believable in these parts. You could almost reshoot the series with these three and it would take a while to realize that it wasn't Ritter, DeWitt and Somers. Even the supporting cast (Gregg Brinkley, Barbara Gordon and Terence Kelly as Don Knotts, Audra Lindley and Norman Fell) slipped perfectly into their roles. The account of how the show fell apart as Somers and particularly her husband Alan Hamel decided to push the rest of the cast aside to make way for her stardom felt real, and there were even moments of sympathy for Somers as the definite impression is given that she never intended things to go this far - it was "her people" and her husband and not her. It's very entertaining.
Not perfect, mind you. I thought the whole thing had too much of a pro-Joyce DeWitt feel to it. She was always the innocent one getting hurt - first by Somers, then by Ritter as he hides the fact that the show is about to be cancelled and his character spun off. It would be interesting to see the story from Suzanne Somers' point of view. I also thought the movie jumped far too quickly through the first few years of the show for the sake of concentrating on the Somers controversy. Joyce DeWitt's (the real one) narrative was also completely unnecessary and added nothing of value, in my view.
But even with those criticisms I thought this was great entertainment for a Monday night couchfest. 8/10
I don't think anyone could watch this movie without being astonished by the performances of Bret Anthony, Melanie Deanne Moore and Judy Tyler as John Ritter, Joyce DeWitt and Suzanne Somers. They were completely convincing and believable in these parts. You could almost reshoot the series with these three and it would take a while to realize that it wasn't Ritter, DeWitt and Somers. Even the supporting cast (Gregg Brinkley, Barbara Gordon and Terence Kelly as Don Knotts, Audra Lindley and Norman Fell) slipped perfectly into their roles. The account of how the show fell apart as Somers and particularly her husband Alan Hamel decided to push the rest of the cast aside to make way for her stardom felt real, and there were even moments of sympathy for Somers as the definite impression is given that she never intended things to go this far - it was "her people" and her husband and not her. It's very entertaining.
Not perfect, mind you. I thought the whole thing had too much of a pro-Joyce DeWitt feel to it. She was always the innocent one getting hurt - first by Somers, then by Ritter as he hides the fact that the show is about to be cancelled and his character spun off. It would be interesting to see the story from Suzanne Somers' point of view. I also thought the movie jumped far too quickly through the first few years of the show for the sake of concentrating on the Somers controversy. Joyce DeWitt's (the real one) narrative was also completely unnecessary and added nothing of value, in my view.
But even with those criticisms I thought this was great entertainment for a Monday night couchfest. 8/10
TV movies about the making of old TV shows have become a cottage industry in Hollywood. Producers have pulled back the curtain on several classic TV shows including "The Brady Bunch","Star Trek","Happy Days","Batman", "Gilligan's Island","The Partridge Family",and now "Three's Company".
And this goes to show that Hollywood has ran out of original ideas,but instead we get a behind the scenes movie that is based on the classic TV series of the mid-1970's and early-1980's. Isn't this enough don't you think? I really am a huge fan of the original series(which ran on ABC-TV from 1976-1984),but I believe that the producers who thought of this concept decided at the last minute to do a story based on a TV show that centers around the following elements:arrogance,greed,jealously and envy,not to mention total backstabbing and complete bitchery within the original cast members. They didn't think for a second that Suzanne Sommers was the star of the original show,but she sure was the star of the movie about the original show in which just "to see how stupid Sommers was" here since she was always typecasted as a goofy blonde. And here in this TV-movie it shows why Sommers blew it due to her alterego on the set after her success on the show,which to reasons why she left the series at the height of her fame.
I'm surprised that Suzanne Sommers herself hasn't seen this! If she did there would be a huge lawsuit against the producers who thought of this! The TV-Movie that is based on her classic 70's show.
As for the rest of it,was very good especially in the casting of the actors who played John Ritter and Joyce DeWitt,not to mention the casting of the other actors who portrayed Don Knotts,Norman Fell,and Audra Lindley. In all,it was excellent. This isn't over as of yet,there are more behind the scenes movies to come including "Laverne and Shirley", "Family Matters","Saved By The Bell","The Love Boat","Good Times", "Charlie's Angels","Gimme A Break",and another Suzanne Sommers classic "She's The Sheriff",not to mention "Step By Step",and the bickerings behind the set between her and co-star Patrick Duffy.
And this goes to show that Hollywood has ran out of original ideas,but instead we get a behind the scenes movie that is based on the classic TV series of the mid-1970's and early-1980's. Isn't this enough don't you think? I really am a huge fan of the original series(which ran on ABC-TV from 1976-1984),but I believe that the producers who thought of this concept decided at the last minute to do a story based on a TV show that centers around the following elements:arrogance,greed,jealously and envy,not to mention total backstabbing and complete bitchery within the original cast members. They didn't think for a second that Suzanne Sommers was the star of the original show,but she sure was the star of the movie about the original show in which just "to see how stupid Sommers was" here since she was always typecasted as a goofy blonde. And here in this TV-movie it shows why Sommers blew it due to her alterego on the set after her success on the show,which to reasons why she left the series at the height of her fame.
I'm surprised that Suzanne Sommers herself hasn't seen this! If she did there would be a huge lawsuit against the producers who thought of this! The TV-Movie that is based on her classic 70's show.
As for the rest of it,was very good especially in the casting of the actors who played John Ritter and Joyce DeWitt,not to mention the casting of the other actors who portrayed Don Knotts,Norman Fell,and Audra Lindley. In all,it was excellent. This isn't over as of yet,there are more behind the scenes movies to come including "Laverne and Shirley", "Family Matters","Saved By The Bell","The Love Boat","Good Times", "Charlie's Angels","Gimme A Break",and another Suzanne Sommers classic "She's The Sheriff",not to mention "Step By Step",and the bickerings behind the set between her and co-star Patrick Duffy.
Você sabia?
- CuriosidadesThe character of Lana Shields (Ann Wedgeworth) is completely omitted.
- Erros de gravaçãoWhen the producers introduce the idea of the Ropers being spun-off Norman Fell is hesitant but he agrees to it in less than two minutes, in real life Fell didn't agree to it until six months later.
- Citações
Jay Bernstein: You wanna smoke me, give it your best shot.
- ConexõesFeatures Man About the House (1973)
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- Behind the Camera the in Authorized Story of Threes Company
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