O Mar

Reasonably well acted and written, and it had what I went to it for, namely Iceland, but otherwise it was the same old dysfunctional family melodrama I've seen 500 times before. It was occasionally interesting to note parallels to the old sagas - Icelandic writers seem to be constitutionally incapable of not referring to them, but I guess if you have a living 1000 year old literary tradition, you might as well use it.

If it was set in New York, I wouldn't have wasted my time on it though. If you've seen a lot of movies, you'll probably be thinking things like "not the freaking dinner-table meltdown scene again" as you watch it go through all the standard dysfunctional-family plot devices.

Though the setting is Icelandic, the themes of this familial drama are universal. An aging fishing mogul invites his estranged children home and all hell breaks loose as dark family secrets are revealed and the future of the family and community at large is decided. While there is something to despise in every character (except for perhaps the French girlfriend of the youngest son trapped in the fray) the viewer is left feeling sympathy for almost everyone when all the family feels in the end is apathy for each other. The director seems to be saying that may be the greatest tragedy of all. Dark humor and small glimmers of hope (some family members escape to new lives abroad and the community seems to survive the meltdown and trudges forward) keep the film from becoming too depressing. A beautiful music score and some nice cinematography highlight the often bleak Icelandic landscape. Great direction and powerhouse performances from the international cast help the film soar to operatic heights. A must see for any fan of familial dramas.

Also recommended: "Angels and Insects" and "American Beauty."

Greetings again from the darkness. No "Happy Days" here. The best compliment I can pay this movie is that I stayed interested despite the pathetic individuals and families portrayed. Very little human redeeming value in any of the characters with the possible exception of the french girlfriend and the daughters husband, Mortin, played by Sven Nordin (who was excellent in last year's "Elling"). Sad, desperate, isolated. These describe not only the characters, but Iceland as portrayed in the movie. What kind of airport is that? There is sufficient biting humor among the family that one initially believes that there might be some deeply buried love, but as the movie progresses we begin to understand why this is really not a family - just a bunch of loose cannons connected by fate. Wonderful camera work and sharp dialog make this one worth seeing, just be prepared for an emotional challenge.

There is not one performance in this film that isn't well done and captivating. The unusual rustic settings and photography are constantly engrossing. The direction is excellent and the editing keeps the film moving at a good pace.

So what's wrong? I've seen it before. The dysfunctional Scandinavian family film is a genre unto itself. You get kung fu films from China, you get Bollywood musicals from India and you get dysfunctional family films from Scandinavia.The problems in this film are unique but the whole story arc that leads to a climatic blow-up is typical of the genre.

That all said, I enjoyed the film and recommend it with the warning that you might have seen it all before.

Douglas Sirk spends a family weekend in an Icelandic outport. Tyrannical father, dissipated children, conspiracy, destruction, alcohol, incest, and as a contemporary touch some spray painting. No Rock Hudson, though.