Galera do Mal

This film exceeded my already high expectations. The director and screenwriter have delivered an amazingly acute study of high school dialogue and interaction, while simultaneously exploring the polarizing landscape of evangelical Christianity in America and still delivering consistent laughs from start to finish.

The acting is superb. Martin Donovan (who routinely shines in Hal Hartley's films) here nimbly deconstruct his familiar grim sociopath persona to depict one of the most nuanced anti-heroes ever seen in a teen film. Jena Malone continues and deepens her fine work from Donnie Darko, creating one of the most moving teen heroines in memory. Eva Amurri is an inspired bit of casting as the multi-faceted school rebel who's full of surprises. And... it's true, Macaulay Culkin can act-- and even carries more than one scene with his understated comic timing

The storyline itself often leans on contrivance, but the situations presented ring true with an emotional depth rarely granted to pre-adult characters, and none of the events will seem off the wall to anyone familiar with modern adolescence or this particular religious subculture.

The film is blisteringly funny, unusually sharp in its look at different types of people and their individual frailties, and sweet-- possibly even, despite what else you may have read elsewhere, too sweet. The ending is the softest spot in the movie, but draws effectively on the hard-won empathy for each character to float to a graceful (ahem, pun intended) stop.

To be perfectly honest, as a reviewer who grew up in a very similar environment, I have to say that if the filmmakers could be accused of any distortion of the truth, it is in making their 'villains' *too* sympathetic, too keenly aware of their own flaws, and, in the end, too readily aware of a larger world around them to accurately reflect the worst elements of this belief system. All of the less-sympathetic characters in this film could be drawn from a documentary (yes, even Hilary Faye!)... if, that is, the documentary chose to edit out their least savory moments.

Of course, there are many good-hearted, well-meaning evangelicals in the world, and they are ably represented by characters such as Mary's mother, who makes mistakes, but who thinks more with her heart than her dogma. But the indignant critics who are so intent on finding a mote in the director's eye, because he dares to show how twisted some of their fellow believers might be, might stop for a minute to wave a hand in front of their own face, or their neighbor's, where they may just find a log they've been trying to ignore.

I saw the trailers for this movie a looooong time ago and was very interested to see it, though I never got around to it. Now I've finally watched it and I'm happy that I did. In my view, this is essentially a movie about some of the issues with fundamentalism - it's not a complete panning of the Christian faith at all, let's get that straight!

I think everyone in the movie filled their roles particularly well, especially Mandy Moore as the obsessive Hilary Faye. Jena Malone grows on me more and more every time I see her, and this time was no exception. She was good in her small role in Contact, which I have to say I liked a bit more. Macaulay Culkin was also surprisingly good in his role - I didn't see "The Guy that was Kevin", but rather I saw is character. Some of the stuff he did and said was very funny too, like much of this movie.

My issue would be that the film pansies out a little at the end. To get me, you'd really have to watch it yourself. Just when you think the film might be going a certain direction, it turns back on itself to cover it's own behind.

Overall, entertaining and funny with good performances overall. More Jena Malone please.

Despite losing its punch in the latter stages, "Saved!" remains an enjoyable and viciously funny satire. Poking fun of judgmental fundamentalists really isn't that tough a task or groundbreaking. They tend to spoof themselves. But what writers Brian Dannelly (who also directed) and Michael Urban do is not ridicule the fundamentalists' beliefs but their awful behavior. And that definitely deserves to be satirized.

The first 50 minutes are sensational, brimming with pointed dialogue, terrific humor and sharp observations about the preposterous idea of "degayification," the real reason people are sent to deprogramming centers and these teens obviously missing the true meaning of Christ's message.

But the film falters in the third act when it veers from clever satire to preaching about intolerance. It's a noble idea, but the punchy writing gets forsaken for the message. And the film concludes with a tired denouement. Surely, there are more original ways to conclude a high school film than one seen many times before.

Some of the characters, I suppose, could be seen as stereotypes. Then again, speaking from personal experience, the Hillary Fayes of this world exist and they're every bit as judgmental and nasty as she is. Unfortunately, Mandy Moore goes over-the-top a bit, often turning Hillary Faye into a broad caricature. That's a shame. Reining Moore in would have done wonders, because the other performances are uniformly good.

Macaulay Culkin turns in a fine performance as Roland. He finally might have shed his "Home Alone" image, proving he's capable of perfectly delivering sharp, well-written dialogue. The other revelation is young Eva Amurri, who has all the attitude, spunk (and I hope much of the talent) of her mother. She gives Cassandra a delightfully anarchic spirit; the film soars whenever she's on screen.

One peeve: Why does the radiant and sexy Mary-Louise Parker dress down so much in this film?

People who are judgmental about gays, teen pregnancy, other religions, and see life's myriad issues in purely black and white terms likely will be offended by this film - they might see themselves manifested as Hillary Faye. But if you appreciate life's gray areas and take delight in biting satire, you're bound to enjoy this film.

"Saved!" is by no means an attack on Christianity. Quite the contrary. It shows the importance of stressing in our lives the true side of Christianity - one that's about compassion, love and tolerance, and not the biased, judgmental approach that seeks to take control and bastardize religion, whatever it may be.

Although "Saved!" deals primarily with Christianity, it proves we'd all be better off adopting Mahatma Gandhi's ideals – that each and every one of us is a Hindu, Christian, Muslim, Sikh, Buddhist and Jew.

I recall the controversy surrounding Saved when it came out earlier this year, especially from the evangelical church, conservatives and fundamentalists. I wanted to judge for myself its merits, or lack there of, since I've been an evangelical for 30+ years. I felt the movie did exactly what it intended to do; bring to light the hypocrisy of the church. I don't see how anybody, Christian or non-Christian could miss the message. I thought the selection of actors and actresses for the cast was right on, with each doing a very good job of portraying the personality of their characters well. I'm sure the movie was particularly biting to many evangelicals, as it should be--it even 'stung' me in a few places. I could see how evangelicals and conservatives would be outraged. However, the one thing I was especially struck by was the fact that this movie was written by non-Christians. As I watched all the 'digs' on Christians and the points of the evident hypocrisy within the church and Christianity, I came to a conclusion; if this movie was written by a non-Christian, then obviously there is a significant segment of our culture who believe the 'church' really is like this. If anything should move we evangelicals to start living lives of authenticity that reflect the love and grace of Jesus, this movie was it!

I saw this at a local indie cinema, hoping it would be one of those fairly funny American high school films - plenty of silly gags and good one-liners.

Sadly, I think "Saved!" is the worst film I've ever seen.

The plot had room for good jokes (especially with the potentially sensitive subject matter), but they were all missed or mis-fired.

Disabled kid is cool and rebellious; pretty girl is shallow and insecure; punk girl is tough but with a heart of gold; plain girl is strong and gets the guy; guy incongruously admires plain girl.

It's another one of those "Hey! Alternative is OK" films that can't decide whether to be funny or preachy (no pun intended). Yawn.