Chhal

I kept thinking this movie will go down from next twist or turn but it didnt. It went till the end with good execution, important scenes got enough screen time, actors did good job, making it an emotinal ,blood pumped crime drama.

It is a must watch for KK menon fans. Prashant narayan was even better than him here. Sad he didnt het much chances in bollywood.

Story is good and not predictable, acting is top notch, direction is good but camera work is little shaky owing to the time of 2002, guess due to experiement work.

Main actress was also good but didnt see her any other role. This is one of the most underrated movie of bollywood.

"Chhal" is no "Company", but it's a good Bollywood gangster movie. It tells the "Donnie Brasco"-inspired story of undercover cop Karan (Kay Kay) who is assigned to bring down the mighty gangster Shastri and his right hand man, the uncontrollable Girish (Prashant Narayanan).

The interesting twist is that Karan gets problems with his loyalty. The gangsters are not shown as sympathetic, but they give Karan more support than he gets from his colleagues of the law enforcement.

The main actors are rather fresh faces and give solid performances. The director wants to add to the freshness with a hip style. That's only partially successful. All the jump cuts, the fast cutting and the alternations of color draw a little bit too attention to themselves. But it's far from being a distraction.

While not being inventive, revolutionary or perfect, "Chhal" tells an interesting story with good, fresh actors and an involving directorial style. That's enough for a solid

7/10.

Chhal is a writer's dream come true. For the simple reason that it has been directed just as it was intended to, with passion and loyalty to the script. Mehta showed signs of technical brilliance and most importantly originality of thought and treatment with Dil Pe Mat Le Yaar. He showed signs of bubbling energy and intelligence with his first venture. The one thing that DPMLY lacked was a cohesive script and proper incorporation of the tracks. Chhal goes all the way in that regards. Suparn Verma has written the film superbly and Mehta has translated the energy of Verma's words onto the screen as if the two are in telepathy with each other. The acting by relative unknowns such as Kay Kay (as far as acting is concerned he is a newcomer), Prashant Narayanan and Jaya Seal is simply remarkable to say the least. The hrithiks, deols, rais and kareenas need to learn something about the tradeoff between ego gratification versus character portrayal. Viju Shah just adds a great dimension with his tracks as well as the background score. Alongwith Parinda, Satya and Company, I would rate this as the best film in the genre of gangster films. A most definite 10/10.