Mambo Italiano

I watched this film at the cinema last year, and I found it very funny. As an Italian-born male, sentences like " Italians move out either when they marry or when they die" made me really laugh, because this is partly true! Nevertheless, I think there's something which needs making clear. The characters and situations portrayed in the film are credible and hilarious insofar as they're set in the Italian communities of Canada, USA or Australia. I worked for 4 years in the export department of a company making Italian espresso coffee, thus getting in touch with lots of Italians who had settled in faraway countries many years ago. What I noticed is that most of them retain a picture of Italy and a system of values which were real in the country they left behind years ago, but look old-fashioned and rather over-the-top in today's Italy. I think it's undeniable that ethnic communities abroad are more conservative and traditional than the countries they came from, as they cling to values that, though being "frozen" for them, have evolved in the meantime. So some characters and situations of the film appear exaggerated if compared with Italians of 2005, but are really amusing if set in the context of the life of Italian immigrants, who represent what we used to be a few decades ago. A light comedy, to be enjoyed without taking ourselves too seriously.

Unlike some other commentators, I knew nothing about this film except it's a comedy about gay men. So I didn't expect much, but got all the more! First of all, I was glad to see that the main character was neither the classic handsome Hollywood macho, nor a feminine gay man but just an average-looking young guy. The other guy does look more cliché, but then he's the one who ends up in the closet, feeling guilty about being gay. The acting is superb throughout the film.

Someone commented that it's not all that funny. Well, it's true - coming out and breaking up with family or your lover are always painful, and I don't like films which ignore this side of the story. If you're deeply touched by Angelo's story, then it has performed the task such films, I think, are supposed to do: to make the audience more sensitive to gay people's issues. At the same time, though, it's pretty funny - just like your own coming out is often funny looking back. The confession scene is hilarious, and I laughed my heart out at the gay helpline scene - working for a GLBT helpline myself, I can assure you: this is just as distorted as the image of the Italian community. (We could use that scene for training purposes, though: what not to do...)

This film is about a second generation Italian immigrant having to come to terms with the drastic consequences of coming out of the closet.

This film is unlike any other film I have seen. It is very fast paced, each subplot don't last for more than 1 minute. There is a lot of self narrative. It also shows intersecting events and scenes of relevant characters, which is unusual for a comedy.

The sets are visually rich and appealing, and are always colourful and carefully constructed. The character development is great, and we care about the characters in the film. The script is excellent. The neurotic sister is hilarious. The arguments of the parents are very lively and funny, and are entertaining to watch. The costumes are nice and trendy, but not over the top.

In summary, this film is a lot of fun, very entertaining, humorous, visually appealing, and there is something for everyone! The only gay scene is a half a second kiss, which certainly will not hinder its crossover appeal to the mainstream. This film deserves more recognition than it gets!

This very clever and fun little film has had more off-base reviews written about it than any film in history. Way too many reviewers react with horror at - gasp - stereotypical representations of Italians. They neglect the fact that in actual fact the Italian-ness is 100% of the charm and beauty of the film, and that not one of the Italians are not people we have all seen in real life. They also neglect the fact that Italian culture and tradition has seldom looked so good or as real as it does in "Mambo Italiano." The Italian sister is heroic in her actions, and the Italian parents who come around in he end are just like parents of ANY nationality. I really fail to see what all the squawking about "negative stereotypes" is all about.

As a Southerner and as a gay man I know something about stereotyping. All groups get stereotyped. This is not necessarily a bad thing, unless it is the ONLY representation of a group that society ever sees. We all need to see the true diversity of any group. I think we have all seen plenty of other Italians and gay persons now, so we don't have to worry that a viewer will see this movie and assume that all Italians and gay men are like the folks in "Mambo Italiano." But frankly, if they did, I think they would have rather positive images of Italians. Unfortunately they would leave the theater thinking that half of all gay men get married to women in order to hide the fact that they are gay. Luckily I suspect most folks know this is not the case, though it certainly does happen, since society still makes it impossible for some of us to stay in certain professions and be gay at the same time (cops, firemen, coaches, soldiers in the U.S., pro athletes...).

"Mambo Italiano" is hilarious and light-hearted. It is a big mistake to try to read too much into it. Just sit back, relax, and laugh. It is one heck of a clever, funny little film, with a surprise ending. Betcha can't guess how it ends!

Maybe it's because I come from Italian heritage that I find this film so funny. I honestly think I laughed out loud during this film one of the highest amounts I've ever belly-laughed during a movie. And you know how you laugh later on in a movie when nothing funny is going on because the thought of something hilarious that happened earlier is still stuck with you? Well that happened plenty of times to me here. I believe that it's because the Southern Italian and Sicilian in me both find fat Italian men to be perhaps the funniest group of people in the world. They are not simply funny because they know how to tell a joke, or they know how to pull off a good pratfall, but more because all you have to do is look at them, and they can make you burst out laughing. There is a scene where Paul Sorvino and Ginette Reno, whom I believe plays his wife, sit close together on a small bench in a cemetery facing the camera, and I suddenly started laughing. They look funny. They don't look weird. They just look like the first thing they say or do is going to make me laugh like a hyena.

Every scene for the first half of the film, literally every single one, contains something explosively funny to me, and they are mostly consisting of native Italians speaking rough English with thick Italian accents and fulfilling stereotypes of ardent cultural traditions. Hands down, the scenes that made me cackle so hard I thought my friend watching it with me was going to slap me for the unreasonable sound that can cause me to make were the scenes that depict what Italian families are like when the son moves out.

Mambo Italiano is also a surprise, because really it doesn't look that good. On the cover of the DVD case, you see a bunch of characters in some comical motion lined up across the cover, and you feel like you could pretty much guess completely what their service to the story is. Well, you'll be vaguely right, but if it wouldn't surprise you too much for me to say this at this point, it's a very poignant film about growing up as a homosexual surrounded by conflicting influences and pressure. The film will actually make you angry at society and the reality of what friends and family can end up doing to you in your life. But it's riotous fun.