O Inferno de São Judas

Saw this at Tribeca Film Festival and was genuinely moved by the power and passion of the story, the acting and above all the directing. The filmmakers took care to show each person as a combination of good and bad.The casting of the kids was outright fabulous. Aidan Quinn was born to play this part and brings to his acting a deepfelt conviction of righting certain wrongs with tremendous power and feeling.

After reading the other review that totally thrashed this excellent piece of film i felt i just had to write one.

This is really an excellent piece of film. Easily one of the best films of 2003.

It's about a group of boys in an Irish Reformatory School in 1939 who one days gets a new teacher who opposes the violent and harsh ways the "brothers" use to dicipline the boys.

The performances are more than excellent, and the young characters are played out so well by the boys.

If you haven't seen this wonderful film, do so right now! It has recently been released on DVD in Scandinavia. So there's no excuse now.

This Irish/Spanish/Danish/British production, along others like The Magdalen Sisters (2002) or Philomena (2013), tells us of the horrible events, along the 40's to 70's, that were happening within the walls of schools, convents and churches all over Ireland against defenseless children of both sexes and the impunity of those perpetrators. The acting is very good, although the characters are too much in a black and white presentation. Also the direction and editing leave some scenes with more context to explain and some exaggerations of the physical cruelty and less of the continuing brainwashing by the part of priests, brothers, teachers, authorities and media of the time. Some inconsistencies also apply: no kids were allowed in the private rooms of their teachers and in most boarding schools the daily Mass and Holy Rosary were mandatory. It lacks a more presence of Irish Republican symbols like the flag, the 1916 Rising Proclamation, portraits of Irish heroes or at least of the president at that time, Douglas Hyde, that were everywhere present in schools. The Republican State and the Catholic Church were close allies in that period of time, as opposed to the British Crown and the Anglican Church that were dominant up to 1922. That alliance made the clerical, political and policial authorities work together to grant impunity to those criminals, in order not to tarnish the public image of that religious institution that was helping to reinforce the Irishness of the Republic. Do I recommend watching this film? Yes, but don't expect much more than topics and good acting.

I'd been skirting past this one in the video shop for ages wondering whether it was gonna be too depressing and harrowingly sad to sit through.

And before continuing I have to say I love the Irish characters that Aidan Quinn has created from Playboys, thru This is My father and Harry Boland in Michael Collins - all characters you can empathize with and truly feel their pain, largely, it must be said, because of the projection of Quinns acting.

The only Irish "reform school" I've ever visited is the building that used to house Letterfrack Industrial School in Co Galway, now (somewhat ironically considering some of the scenes in SFaRB) a fine arts furniture college. But to say that the building is still haunted by the ghosts of the boys and the pain and abuse inflicted there is an understatement. It literally oozes and sweats from the very walls of the former institution, defying every admirable attempt by the current education guardians to drag it into the present and positively project its glorious current use.

And so, whilst what is effectively a "year in the life" of this particular unidentified industrial school, does manage to capture in a nutshell much of this pain, and instill in the audience a huge anger at what was perpetuated in these places in both the name of reform and religion, somewhere in the back of ones mind there is a discomfort that it's all being just a bit too neatly packaged, summarized and concluded for the benefit of Hollywood and the happy ending with a massive nod to Dead Poets Society when in reality, as still continues to be daily documented in the Irish courts and tribunals of Inquiry and media reports into such abuse, this was not and sadly never would be something that one brave and progressive teacher might have hope to take on and buck the system - As the tragic caption at the end points out, this system of education and authority with all it's abuses persisted in Ireland right up to 1984 and along it way produced such brilliant and brave people Don Baker, Paddy Doyle (The God Squad), Colm O'Gorman and Mannix Flynn but equally claimed as victims such brilliant and capable people as Noel Browne, and probably most tragically, the graveyard and unmarked graves behind Letterfrack college bears testament to the many many young boys that shed their very lives to these institutions - So to try to imply (for whatever feel good factor and positive connotations it gains) that one man may have successfully stood up to this system during the first year of the "Emergency" in 1939/40 and everything was hunky Dorey after that and the authorities and the church sat up and took notice, is just too syrupy of a picture and a quick fix solution when one is sadly aware that the tragic reality is far removed and some 50 odd years away from that - and whilst it was admittedly a very good picture, this simplistic portrayal of a huge and continuing Irish problem, served to tarnish rather than endow the film as a whole.

A great film made brilliant by the sheer power of acting. I have never experienced anything quite like it. We have here a film, a story, so convincingly told that something inside me wishes it were not true and that the abuse of authority that this film exposes does not still exist in the political and religious leaders of toady. The story is that of Franklin, a teacher in an Irish reformatory school who takes up the cause of the ill treated and neglected children being brutalised by Brother John, a rising star in the catholic church hierarchy, with the tacit approval of the other brothers, each labouring over their own guilty secrets. Of course the story is a harrowing one, and does not spare the viewers feelings, at times I wondered why I was putting myself through this gruelling history lesson, but than I knew, that guiding me through the film, like a guardian angel, is the consumate acting of absoutly all the cast. I knew they would see me through. Aidan Quinn and Iain Glen are magnificently convincing both giving the best perfprmances of their careers to date. The young boys are all wonderful in their roles. Their acting is pure realism, such mature performances from young teenagers are a glowing tribute to the directing of Aisling Walsh