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This turned out to be a surprisingly effective comedy. Okay, sure, you can say that a movie that pokes fun at conjoined twins is in poor taste, but there's nothing malicious about it -- it feels, if you can believe it, genuine.

You really get a sense of the tenderness and the bond that has developed between the two brothers. Of course, as you'd expect from the Farrelly brothers, it's laugh-out-loud funny. As you might not expect, there's not really any gross-out humor: it's more "Hal" than "Mary". If you can't tell, I was pleasantly surprised by this movie.

Some gag highlights: Cher with her boyfriends, Matt Damon's stage fright, Greg Kinnear in a animal costume.

I went into the cinema with friends and said: "It's a Farrelly Brothers film; you can guess the level of humour." There's Something About Mary I love, but let's face it -- the humour is quite crass, even if the movie does have some heart. So I expected another movie with jokes in bad taste, and lots of humour at the expense of conjoined twins. At least this is how the film has marketed it. However, it couldn't be further from the truth. What has been marketed is quite different to what the film is about.

Whilst the film does have humour -- some movements hilariously funny -- this film is at heart a light drama. And this is by certainly no means a bad thing. When I expected low-IQ humour, what I got was just a really engrossing tale of two brothers who just happen to be conjoined. The chemistry between Damon and Kinnear is just perfect, and the relationship between the brothers (no doubt written from experience by the Farrelly Brothers) was wonderful.

Fox's marketing treatment of the film is appalling. In the trailer, Matt Damon's character says: "We're not Siamese, we're American," and the trailer plays it like he is stupid. Whereas in fact, when watching the film, the context is very different -- he's reacting with indignation, and in defence of their conjoined nature. This is indicative of the entire film. Never is their conjoined-nature used for humour in a bad way.

Throw away what you've seen in the trailers, or what you think the film is about. Go and see this movie that has its heart so very much in the right place -- a great antidote to so many Hollywood films that have the soul of a stone. I don't normally get sentimental with films. I'm the type of viewer that laughs when Jack dies at the end of Titanic. But I went away from Stuck On You knowing I'd seen a very special film indeed. Highly recommended.

This was one of my top films for 2003. In general I am not a fan of the Farelly brothers, but I had enjoyed Shallow Hal, and Stuck on You got good reviews from our local paper, which is rare. One thing that had impressed me about Shallow Hal is that the things that you would think were completely illogical were addressed reasonably. The most obvious thought with the casting was that Matt Damon and Greg Kinnear are not even that close in age. Sure enough, early in the film they explain that Matt's character has most of the liver, so Greg's character is aging faster. I don't know if it is scientifically sound, but it works in the context of the film. That is one thing that is nice about the movie. The film has plenty of sight gags and easy humor, but there are also obscure references and delightful surprises that remind you that the film has a brain. It also has a heart, and Damon and Kinnear have a nice brotherly rapport.

Of the supporting cast, Eva Mendes is easily the most fun, and gets the best lines. There are also enjoyable turns with Meryl Streep, Griffin Dunne, and Cher starts out as her own worst caricature, but ends up showing a heart as well. Many other familiar faces pop up, including people you have seen as bit parts in the directors' other films.

Finally, I have to say I was really impressed with the connection between the two bodies. Very realistic looking make-up job.

I was worried with the 5.6 rating this was going to be average at best but it's so well acted and delivered I can't understand who didn't like it. It avoids cheap jokes at the expense of the brother's conjoined condition yet delivers laugh after laugh in a good-natured and fun way. Damon and Kinnear deliver high quality character depth with warmth and charm, well above midnight double feature level and the star cast nods are icing on the cake. The film is just good fun all the way through. Well worth the time to watch it and it seems it is a somewhat overlooked classy film.

Bob (Matt Damon) and Walt (Greg Kinnear) are conjoined twins (joined at their lower trunks--they share a liver) from Massachusetts. They own a burger joint named "Quickie Burger" and Walt has a love of acting. Walt decides to move to California to try his luck at the big time, and although Bob is initially reluctant, he also has a beautiful "Internet pal" in California who he's been talking to for more than three years.

Compared to some of directors Bobby and Peter Farrelly's other films, such as Dumb and Dumber, There's Something About Mary, and Me, Myself And Irene, we could say that the humor in Stuck On You is much more subtle. That fact may be off-putting to viewers who come to Stuck On You primarily as fans of the Farrelly Brothers' previous work. There are still outrageous gags here, but they tend to be funnier if you exercise your intellect a bit, and believe it or not they are more rooted in reality than some other Farrelly Brothers films. If you are familiar with Daisy and Violet Hilton's story, for example--they were infamous sideshow performers who were conjoined twins--you'll note similarities, such as how they approached relationships with persons of the opposite sex.

Like much of the Farrelly Brothers other work, however, Stuck On You is as heartwarming as funny, and on one level, it's primarily a very odd romance film. It also seems that perhaps this is the most personal of their films so far, and it may very well be a depiction of their love for each other as brothers. That also gives Stuck On You a slightly more serious edge, but one that works very well. This is a quality drama in addition to being a comedy leaning towards absurdism. That may sound like a strange combination, but it flowed smoothly for me as a viewer.

The performances by Damon and Kinnear are on target, and their love interests, May (Wen Yann Shih) and April (Eva Mendes) are intriguing and not at all clichéd. The extended cameos by Cher and Meryl Streep, as themselves, are very entertaining, and the supporting cast is excellent.