Rios Vermelhos 2: Anjos do Apocalipse

I loved Les Rivieres Pourpres. I thought it was atmospheric, dark and a bit sinister. But then how can you go wrong with Kassovitz as the director? Well, this sequel is just as atmospheric, but the story is complete crap. It has to do with an ancient order of monks, a member of the German ministry (Christopher Lee speaking flawless French), and a lot of running around. Benoit Magimel is great to watch. He has a lot of pent up hunky angst, which makes for great cinema, and man can he run! Jean Reno is fabulous - as always. The problem with this film is it is so obtuse. It's as if the writer - Luc Besson, need I say more - thought "hmmm I'll add in some ritual killings, some religious references, some fight sequences but leave out logic and any semblance of meaning." I finished watching the film and just scratched my head. WHAT THE F***? The first film makes you scratch your head in a GOOD way. This one just defies purpose. It's as if a chunk of the script was left out. Watch it if you like pseudo-religious thrillers - there's a lot to choose from these days - but if you really need something deeper; something Oh I don't know sensible, forget this stinker. It looks good. It just doesn't make a lot of sense.

...like in the first part. Only the location is different. Like the basic "Les rivieres pourpres", unconvincing story, too much in different forms. As virtues - presence of Magimel and Christopher Lee. As weak part- the less performances, the not the most inspired explanations and plot. The unrealism in too huge doses. And the childish simplicity of details. Not the worst movie, but one who you see only for the effort of actors to save a bad script.

In Lorraine, close to the border of Germany, the Chief Inspector Pierre Niemans (Jean Reno) is investigating the death of a man behind of a wall of an isolated abbey. Meanwhile, the efficient detective Reda (Benoît Magimel) is investigating the attempt of murder of a man called Jesus. They come to the same point along their investigations, join forces with the detective Marie (Camille Natta), a specialist in religious matter, and fight against Heinrich von Garten (Chritopher Lee), a German Minister of Culture and Religion, and a group of powerful monks.

What a mess is this "Les Rivières Pourpres II - Les Anges de l'Apocalypse"! Using the same character of Niemans from the good "Rivières Pourpres", this movie has some good moments, such as the dark atmosphere and Reda pursuing a monk through roofs, houses, sheds and streets. But the plot is totally confused and quite silly, wasting what could be a good movie. I expected much more, and in the end I was completely disappointed with this movie. My vote is six.

Title (Brazil): "Rio Vermelhos 2 – Anjos do Apocalipse" ("Red Rivers 2 – Apocalypse Angels")

I've noticed that in French films the "enemies" are too often the Germans. Enough with them! Find someone else. The whole film was unrealistic. Whatever drugs those soldiers might have taken a bullet remains a bullet, not to mention the jump from that height. The climax is reached in the ending though. How the hell did they manage to survive??? They had one chance in a million.

Whatever... I wanted to say I really liked the first one, it was much more intriguing and both Niemans and the other supporting detective were more committed to the case.

I guess it's not easy to make a good acting performance when the plot doesn't inspire you, so i'm not commenting on them.

CRIMSON RIVERS II: ANGELS OF THE APOCALYPSE (Les Rivières Pourpres II: Les Anges de l'Apocalypse)

Aspect ratio: 2.39:1

Sound formats: Dolby Digital / DTS

Whilst investigating a bizarre murder inside an ancient monastery, two detectives (Jean Reno and Benoît Magimel) stumble on a series of killings related to a mysterious cult and its charismatic leader (Christopher Lee).

Olivier Dahan's stylish sequel sacrifices the original film's emotional content for a series of intense set-pieces, which mutes the intended effect. The visceral impact is formidable, and the Gothic visuals are a treat, but it fails to work on anything but the most superficial level, and Reno seems to be coasting on auto-pilot. Magimot is one of France's sexiest and most talented young actors, and he steals the film from his high-profile co-stars, though Lee is given little to do, and his presence fails to ignite the expected sparks. Excellent makeup and visual effects.

(French dialogue)