Smala Sussie

I stopped watching "Slim Susie" after about 10 minutes in order to get my boyfriend to watch it with me. The first 10 minutes I was laughing continuously and couldn't stop. I have heard about "Slim Susie", but the last few years of Swedish comedy has been kind of boring. The kind of movies where you almost fall asleep because they are all the same and have similar endings, but "Slim Susie" is not. Quite many of the actors are new faces to me. But in this case I think that was more positive than negative. I can't think of a better movie to watch when it's raining outside and you need some fun. This is it, you have found the right movie! Really, I have not seen anything this funny since 1980s. And the best is that Bengt Alsterlind from (Hajk) has a part in "Slim Susie". This movie really shows the Swedish small town humor and when the acting seems bad, remember: I think it was meant that way. I am happy to say that "Slim Susie" is now among my DVD-collection!

I don't know where to start. Acting? Dialogue? Characters? Great dead-pan acting. Excellent fast-and-funny-as-hell dialogue. Superb misfit-crazy-characters. This film's got it all. That it's spoken in the Swedish accent of Värmländska just makes a great film even better. In fact, don't waste your time reading this. Go down to your local rental and get it. Pronto!

Hint: you might like this movie a lot better if you're something of a movie buff. Tons of reference humor. The good sort. ;-)

In the cinema world, there aren't many more irritating things than a film pretending to be bursting with energy. Why am I saying this here, you ask. Well, I answer, halfway through one (read: me) grows a bit numb of all this trickery. And before you draw any faulty conclusions: I like this film.

On the bright side, the look is a breath of fresh air for a Nordic film. Kjell Bergqvist is good, and expectedly so, I gather from his history. The humour works often, the deadpan parts especially. ("The ending of Pulp..." Clever in an incidental way, and in an intentional one too, I presume. Funny in any case.)

But there are the flashback-often-within-flashback structure, characters that are, like, so cuhrayzeee (including the "film buff" of whom I shan't say a word though was going to), the would-be edgy restlessness and in-your-face movie references that are bound to annoy some and be of excellence to some. It almost ceases to interest "one" during the final half, or, in other words already said, me grows a bit numb of it.

Those who think "Chain of Fools" is brilliant (and golly, there are those) will probably find this very appealing. Nevertheless (notice the tone), this works quite sufficiently, and any non-realistic Nordic film is of course always welcome. And just to clarify things: I like this.

Alienation from close people, frequent search for something big and different, worship of money, and downgrade of townships are common issues in everyday life in the Western world. Slim Susie shows those and similar topics via "fun-house mirror" and odd personalities capable of commit felonies, if necessary. Village and small town types are often funny for outsiders as their world of thinking is totally different plus they often stick to their "pleasant" past. The director and co-writer Ulf Malmros has depicted the phenomena in a skillful manner, and his selection of character actors (e.g. Tuva Novotny, Lotta Tejle, Michael Nyqvist, Lena Dahlman) provides the film with additional value. Perhaps the course of action is not always smooth and some scenes seem arid, but the overall script is wittily constructed - with some patterns from independent British and US films.

The film is definitely for you if you like crazy crime comedies with stylish types and background.

This film has a nervous energy that springs from the opening moment and doesn't stop until somewhere in the last third. Dazzling narrative technique, nearly always confusing you at the start of a scene, but somehow moving the story forward at the same time. The characters in the small village are wonderfully flexible - it's almost as if they change as the film's frenetic comedy and absurd plot demand. There is a sombre undertone as well, and it's that that makes some of the moments of resolution in the film somewhat awkward, as if the seriousness were being shoehorned into a farce. This will either infuriate or drive you into gales of exhausting laughter.