O Preço de uma Verdade

As the film opens we meet Stephen Glass, a rising star at "The New Republic" magazine. He's sensitive, friendly and unfailingly polite. And, oh yeah, did I mention he was on everybody's hot list? He was being wooed by everyone from "George Magazine" to "Harper's" to the "New York Times." Unfortunately, behind the Glass juggernaut was a compulsive liar who took everyone for a downhill ride. You see, Glass fabricated over 20 stories, inventing sources, locations, times, dates, and companies.

Hayden Christensen was fabulous as the ingratiating/creepy Glass. As a CNN.com reviewer pointed out, this movie proves he can act.

Christensen's Glass is the ultimate likeable co-worker, who remembers everyone's birthday, knows how everyone takes their coffee and is so self-deprecatingly sweet that when things start unraveling you feel sorry for him. Despite his audacious lies and deceits, you like him and wonder why everyone is being so mean. Christensen walks the fine line between good and evil so well, you watch in amazement. You feel sorry for him, you're repulsed by him, you're embarrassed for him...

At times I turned to my friend and said "Man! Is this hard to watch." And it was.

Peter Sarsgaard, who plays Glass' editor, Chuck Lane, is wonderfully understated as the misunderstood editor. (For those at home who care, he's also really cute in that nerdy handsome way.)

The movie incisively exposes the world of journalism -- with it's big egos, pedantic copy editors, and ultra-competitive writers. I could see many of my co-workers (current and former) in the archetypes portrayed on screen (the braggart, the attention getter, the know-it-all, the guy who will split the most microscopic of hairs just for the heck of it).

It also brings home the incredible responsibility on the shoulders of journalists. It's easy to forget this responsibility in pursuit of personal glory or attention, but it's the reader who gets hurt. Everyone in the business of journalism should see this movie. But with its twists and turns and shocking (yet true!) events, it's a movie for anyone who enjoys a good thriller.

The public-at-large loves a good scandal, and in 1998, the scandal involving Stephen Glass was a pretty darn good one. It turned out that Glass, a young prodigy who was writing for several magazines, but primarily for the prestigious 'New Republic' ('the in-flight magazine of Air Force One') had fabricated some or all of 21 of his 41 well-received stories; a scandal that rocked the journalism world and was picked up by the general public and was later repeated with Jayson Blair.

'Shattered Glass', co-written and directed by Billy Ray examines this true-life story, with Hayden Christensen playing Glass and Peter Sarsgaard as his editor, Chuck Lane. I have never seen Christensen's work in anything else until this point, and I was impressed by his acting chops. He was able to handily express Glass's desperate need for acceptance and his compulsive and repulsively cunning nature so well that the viewer, when faced with the dilemma of how to feel about this man, can only watch numbly as the train wreck that becomes his life careens further out of control. Sarsgaard, as usual, is fantastic as the fair and decent-minded Lane, the editor who first tries to help and protect Glass, but then, after digging deeper, finds that there is a lot more to the man than sloppy journalism.

It is actually surprising to me that 'Shattered Glass' became a film. I remember reading a Vanity Fair piece on Glass back when the scandal broke, and that, and the myriad other articles seemed to be sufficient exposure. The fact that 'Shattered Glass' was released five years after the scandal settled down, and that it is a compelling screenplay and film is a testimony to Ray's (a first time director) talent. 'Shattered Glass' is gut-wrenching in that it is difficult to watch because the viewer knows how deep Glass digs himself, and it's not necessarily fun to watch. 'Shattered Glass' is an intelligent, well-done film and I would definitely recommend it to anyone who appreciates that a film doesn't have to be showy in order to make an impact.

--Shel

A young D.C. journalist (new "Star Wars" trilogy star Hayden Christensen) for The New Republic political magazine falsifies data and produces fraudulent stories. Slowly but surely his would-be meteoric rise turns into a dizzying downfall. "Boys Don't Cry" alums Peter Saarsgard and Chloe Sevigny are out of this world as Christensen's editor and supportive co-worker. Based on a true story, the picture has a tense documentary feel to it that makes it highly engrossing and fascinating early. The production does begin to tire late though as Christensen's crazed personality starts to come shining through with dementedly over-the-top results. Still a well-paced and intelligent take on American journalism and the pressures associated with the field. Worth a legitimate chance. 4 stars out of 5.

After reading the synopsis, I thought it would be a TV movie type detective-like drama where they Glass's case is investigated. Also the fact that Hayden Christensen was playing the title role was a discouraging factor as I didn't like him in any of his other films that I have so far seen (especially of the Star Wars franchise). But, 'Shattered Glass', based on an article written by Buzz Bissinger, springs quite a surprise. Through Billy Ray's solid writing, he tells an engaging story of a young reporter, Stephen Glass who was recognized as a top reporter until his 'fall from grace'. 'Shattered Glass' can be seen as a character study or a psychological thriller. Perhaps it could have been an interesting perspective to see what mental conflicts Glass was going through while 'fibbing'. However, here we mostly see him as an outsider and as an outsider we discover that Glass is both insecure (and vulnerable) but at the same time very confident and manipulative. But this also leaves us questioning who Glass really is and that's what helps build up the tension. Is he really, as Chloë Sevigny's Caitlin initially says, an exhausted young reporter or a pathological liar? Christensen is a pleasant surprise as he does a brilliant job in bringing out the layers of Glass's personality. One knows what he did is despicable but yet manages to sympathize after seeing his weakness. The supporting cast that includes a scene-stealing Peter Sarsgaard, a vibrant Chloë Sevigny, an exceptional Hank Azaria and an excellent Steve Zahn. While 'Shattered Glass' raises a lot questions and issues, it eventually reminds the viewer of something very relevant, especially in today's world, that a life with dignity is always preferable to a lie based on lies. An outstanding and brutally honest movie.

I had been recommended Shattered Glass a half-dozen times by a friend. He said, after watching it - it's not a great movie, but it is really, really good. I'll disagree. Shattered Glass is a great movie.

It's not a great film (aye, there's the rub), but it is a great movie. It's entertainment, pure and simple, but it's also entertainment with depth. In that respect, it's a little like Spider Man 2.

In Shattered Glass, you'll find steady direction, sure-handed editing, an interestingly designed narrative, characters that are drawn well-enough but not so well that they overpower the story's forward movement, etc. You'll also find excellent performances.

Peter Sarsgaard, Chloe Sevigny, Steve Zahn, Rosario Dawson - they're all excellent (which they've all proved in other movies as well). Hayden Christensen, though, who was so wooden in Star Wars Episode 2, is amazing. His portrayal of Glass, though not perfect, is revelatory; he can actually act. Given time and the aid of excellent directors, Christensen will really blossom. Shattered Glass is, simply put, a solidly made movie about a journalist without the requisite integrity.

But why isn't this a great film and only top-notch entertainment? Well, it really comes down to the simple fact that Shattered Glass only scratches a surface that, in light of Jayson Blair and those of that ilk, deserves a little more attention. Of course, though, this is a film about a single event. It's not about compulsive lying or, really, lack of journalistic integrity. It touches on those subjects without delving into them. That is my only complaint. As a movie about a lying journalist, though, it's fast-paced, thrilling, and entertaining, and I think everyone will enjoy it.