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IMDbPro

Daniel Deronda

  • Minissérie de televisão
  • 2002
  • 53 min
AVALIAÇÃO DA IMDb
7,2/10
5,4 mil
SUA AVALIAÇÃO
Hugh Bonneville, Hugh Dancy, and Romola Garai in Daniel Deronda (2002)
Drama de épocaDramaRomance

Adicionar um enredo no seu idiomaSet in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destro... Ler tudoSet in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destroy her chance at happiness.Set in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destroy her chance at happiness.

  • Artistas
    • Jodhi May
    • Edward Fox
    • Amanda Root
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    5,4 mil
    SUA AVALIAÇÃO
    • Artistas
      • Jodhi May
      • Edward Fox
      • Amanda Root
    • 32Avaliações de usuários
    • 4Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Ganhou 3 prêmios BAFTA
      • 5 vitórias e 4 indicações no total

    Episódios4

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    PrincipaisMais avaliados1 temporada2002

    Fotos28

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    Elenco principal57

    Editar
    Jodhi May
    Jodhi May
    • Mirah Lapidoth
    • 2002
    Edward Fox
    Edward Fox
    • Sir Hugo Mallinger
    • 2002
    Amanda Root
    Amanda Root
    • Mrs. Davilow
    • 2002
    David Bamber
    David Bamber
    • Lush
    • 2002
    Celia Imrie
    Celia Imrie
    • Mrs. Meyrick
    • 2002
    Jamie Bamber
    Jamie Bamber
    • Hans Meyrick
    • 2002
    Georgie Glen
    Georgie Glen
    • Lady Mallinger
    • 2002
    Hugh Dancy
    Hugh Dancy
    • Daniel Deronda
    • 2002
    Romola Garai
    Romola Garai
    • Gwendolen Harleth
    • 2002
    Hugh Bonneville
    Hugh Bonneville
    • Henleigh Grandcourt
    • 2002
    Allan Corduner
    Allan Corduner
    • Herr Klesmer
    • 2002
    Anna Steel
    • Catherine Arrowpoint
    • 2002
    Greta Scacchi
    Greta Scacchi
    • Lydia Glasher
    • 2002
    Nicholas Day
    Nicholas Day
    • Lord Brackenshaw
    • 2002
    Michael Elwyn
    Michael Elwyn
    • Mr. Arrowpoint
    • 2002
    Delia Lindsay
    Delia Lindsay
    • Mrs. Arrowpoint
    • 2002
    Kate Maberly
    Kate Maberly
    • Kate Meyrick
    • 2002
    Lisa Jackson
    • Mab Meyrick
    • 2002
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários32

    7,25.4K
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    Avaliações em destaque

    ingemann2000

    Villainy pays off

    I'm watching the British series Daniel Deronda every week on Swedish tv, and I will recommned it to everyone who fancies quality literary adaptations. The production values are impeccable, and the acting list very impressive. The one to catch your attention, though, is without a doubt Hugh Bonneville as the supervillain Grandcourt. He's everything a good oldfashioned villain from the 19.th century ought to be: suave, cool, arrogant, manipulative, morally corrupt, and with a razor sharp wit. In fact, he totally overshadows the meek and handsome, but oh so noble and earnest hero, poor Daniel Deronda! Hugh Dancy does his best, but it's hard work to make Deronda as interesting as Grandcourt! Likewise with the heroine. Romola Garai is beautiful to look at, but it's difficult to really care about Gwendolyn. She's such a silly, whiny, and cold person who would rather marry a man she dislikes than stoop to be a governess! It made me long to give her a good whipping! All in all, I think she and Deronda deserve each other, for being so awfully colourless and boring. I'd much rather spend the time watching the villain smirk, or wonder about miss Lapidoth's strange fate, among the Jews. As usual, being the villain pays off! Hugh Bonneville and David Bamber as Lush are the characters you remember! They really are perfectly selfish and dastardly mean!
    8raymond-15

    brilliant production

    The title gave me no clue to the absorbing romantic Victorian drama that was to follow. Said to be George Eliot's last great novel, it exposes in no uncertain manner the pitiful life of the Victorian woman, hardly more than an obedient slave and forced to respond to her husband's demands.

    Hugh Bonneville stands out among the excellent cast as the nasty Henleigh Grandcourt who revels in watching women squirm under his aristocratic power and Romola Garai is perfect as Gwendolen who marries him, not for love, but to save her family from economic ruin.

    Hugh Dancy in the title role of Daniel has immediate appeal with his handsome good looks touched with both shyness and sadness as he ponders over his past life and the unsolved mystery of his mother's identity.

    After Daniel saves a woman from drowning in a river, the story takes an unexpected turn and concentrates on the Jewish problem of a permanent homeland. Daniel is much attracted to the woman he has saved and through his efforts to help her some mysteries of his own life are revealed to him.

    The sets, costumes and photography capture exquisitely life in England in the Victorian era. Quite apart from the romantic drama, there is much to ponder over in this story. Thankfully to-day women have gained a degree of independence, though not entirely, and the Jews are still uncertain about the boundaries of their homeland.

    I can recommend this film which is in 4 parts. Set aside a full evening to watch the story unfold. It's quite long (205 minutes) but a brilliant production.
    Philby-3

    Lush adapation of a lesser Eliot novel

    The usual lush mini-series adapation from that reliable team, Andrew Davies and the BBC, of a literary property, this time George Eliot's almost forgotten last novel.

    Daniel (Hugh Dancy) is the gorgeous if slightly wet boy of mysterious parentage adopted by wealthy amiable old buffer Sir Hugo (Edward Fox). He falls in love with the wrong woman, the beautiful but self-absorbed Gwendolen (Romola Garai). She however is propelled into marriage with ace bounder (and Sir Hugo's heir) Henleigh Grandcourt (Hugh Bonneville). Daniel then becomes interested in Mirah (Johdi May), a promising singer of Jewish background, and through her ailing brother Mordecai (Daniel Evans) the Zionist cause (yes, hotting up as far back as the 1870s). Grandcourt meets a bounder's fate and Gwendolen is now free to marry Daniel, but guess what…?

    The costumes are great, the acting impeccable, the photography luminous but the story lacks punch. It is didactic rather than romantic, with metaphorical posters all over the place for women's rights and a homeland for the Jewish people. Hugh Dancy looks right for the part but Daniel is too much of a prig to be very likeable (though he has my sympathy when he discovers that Barbara Hershey, resplendent in a Venetian Palazzo is his mother – Greta Scacchi would not have been so bad).

    The most engaging characters are Grandcourt the bounder and his sidekick Lush (David Bamber – Mr Collins in `Pride and Prejudice') and yet we are meant to despise them both. Gwendolen is sympathetic to the extent she marries Grandcourt to provide financial security for her mother and sisters, but she is a real dork otherwise. Generally the characters lack the panache of say, Trollope's characters in `The Way We Live Now', or Eliot's own in `Middlemarch'. Perhaps Ms Eliot should have quit while she was ahead.

    The critics at the time (including Henry James) were baffled by the `Jewish' aspect of the story. It certainly was an outsider's view, yet it rings true today; here Ms Eliot was being prophetic, or was at least aware of the combination of repression, deprivation and myth that could give rise to a successful social movement. In 1876, the year the novel was published, it seemed most unlikely that Palestine would ever become a significant Jewish settlement. Daniel, desperate to find out about his background, finds a cause bigger than himself and eagerly throws himself into it. One has the feeling that Mirah, musically talented though she is, is going to be playing second fiddle.

    Anyway, I enjoyed Hugh Bonneville's Grandcourt, a terrific bounder, and David Bamber's Lush (Mr Collins turns bad). And of course, this is Sunday evening stuff, so one mustn't be too picky about the crummy plot and the unsympathetic principals. I usually find myself at this point thinking `I must read the book' (if I haven't already), but this time I don't think I'll bother.
    10hfk

    Don't Judge "Deronda" Based on the First 15 Minutes

    The first time 'round, when PBS initially offered up "Deronda", I watched the first 15 minutes or so and was so disgusted with Gwendolynn that I changed channels and didn't think twice. Second time 'round, based on reviews here at IMDB, I gave it a bit more time and I'm certainly glad that I did. "Deronda" is a powerfull, beautiful, bit of television. I'm a conservative by nature and, on a regular basis, I'm sickened by the politically correct preaching that's often pushed by PBS and Network television. Daniel Deronda like, say "Prime Suspect", is story-telling with a liberal slant that is both legitimate and thought-provoking. I thoroughly enjoyed the story, and the lush production. I'm surprised by the nit-picking about "wooden" acting: I found the acting excellent, particularly compared to the endless trash television that's pumped into the idiot box these days. perhaps this is trite, but "Deronda" actually inspired me, uplifted me and, at least as far as I'm concerned, that's one of the most significant hallmarks of great art. Don't miss it.
    7=G=

    A slice of Victorian life

    "Daniel Deronda" is a worthy knock-off of George Eliot's novel of the same name which tells of a young Englishman's search for meaning and purpose while enjoying a life of property and leisure. As with most Victorian period costume dramas out of the UK, this film is sumptuously appointed and well represented by the players and places as it meanders through the usual multiplicity of relationships from aristocrat to pauper with a Jewish thread for distinction. "Daniel Deronda" conjures a range of characters from a stoic martinet to a spoiled beauty to an attractive Jewess and beyond with love, greed, envy, guile, and death all swirling around the Deronda character as it manages to sort itself out with a coherent story arc and a more or less happy ending. A "should see" for anyone into Victorian flicks. (B)

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    Você sabia?

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    • Curiosidades
      The novel is set in the early 1860s, whereas the adaptation moves the action ahead to 1874, the year that George Eliot began writing the novel.
    • Erros de gravação
      At Ezra Cohen's store, the baby's left shoe and sock disappear then reappear.
    • Conexões
      Featured in George Eliot: A Scandalous Life (2002)
    • Trilhas sonoras
      Cavatina (from The Marriage of Figaro)
      By Wolfgang Amadeus Mozart

      Vocalist Jeni Bern

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    Perguntas frequentes17

    • How many seasons does Daniel Deronda have?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 23 de novembro de 2002 (Reino Unido)
    • Países de origem
      • Reino Unido
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • BBC (United Kingdom)
      • PBS Masterpiece Theatre - production notes, Who's Who, etc
    • Idioma
      • Inglês
    • Também conhecido como
      • 丹尼爾的半生緣
    • Locações de filme
      • Edimburgo, Escócia, Reino Unido(Jewish market scenes)
    • Empresas de produção
      • British Broadcasting Corporation (BBC)
      • WGBH
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 53 min
    • Cor
      • Color
    • Mixagem de som
      • Stereo
    • Proporção
      • 1.33 : 1

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