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IMDbPro

Daniel Deronda

  • Minissérie de televisão
  • 2002
  • 53 min
AVALIAÇÃO DA IMDb
7,2/10
5,4 mil
SUA AVALIAÇÃO
Hugh Bonneville, Hugh Dancy, and Romola Garai in Daniel Deronda (2002)
DramaDrama de épocaRomance

Adicionar um enredo no seu idiomaSet in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destro... Ler tudoSet in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destroy her chance at happiness.Set in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destroy her chance at happiness.

  • Artistas
    • Jodhi May
    • Edward Fox
    • Amanda Root
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    5,4 mil
    SUA AVALIAÇÃO
    • Artistas
      • Jodhi May
      • Edward Fox
      • Amanda Root
    • 32Avaliações de usuários
    • 4Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Ganhou 3 prêmios BAFTA
      • 5 vitórias e 4 indicações no total

    Episódios4

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    PrincipaisMais avaliados1 temporada2002

    Fotos28

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    Elenco principal57

    Editar
    Jodhi May
    Jodhi May
    • Mirah Lapidoth
    • 2002
    Edward Fox
    Edward Fox
    • Sir Hugo Mallinger
    • 2002
    Amanda Root
    Amanda Root
    • Mrs. Davilow
    • 2002
    David Bamber
    David Bamber
    • Lush
    • 2002
    Celia Imrie
    Celia Imrie
    • Mrs. Meyrick
    • 2002
    Jamie Bamber
    Jamie Bamber
    • Hans Meyrick
    • 2002
    Georgie Glen
    Georgie Glen
    • Lady Mallinger
    • 2002
    Hugh Dancy
    Hugh Dancy
    • Daniel Deronda
    • 2002
    Romola Garai
    Romola Garai
    • Gwendolen Harleth
    • 2002
    Hugh Bonneville
    Hugh Bonneville
    • Henleigh Grandcourt
    • 2002
    Allan Corduner
    Allan Corduner
    • Herr Klesmer
    • 2002
    Anna Steel
    • Catherine Arrowpoint
    • 2002
    Greta Scacchi
    Greta Scacchi
    • Lydia Glasher
    • 2002
    Nicholas Day
    Nicholas Day
    • Lord Brackenshaw
    • 2002
    Michael Elwyn
    Michael Elwyn
    • Mr. Arrowpoint
    • 2002
    Delia Lindsay
    Delia Lindsay
    • Mrs. Arrowpoint
    • 2002
    Kate Maberly
    Kate Maberly
    • Kate Meyrick
    • 2002
    Lisa Jackson
    • Mab Meyrick
    • 2002
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários32

    7,25.4K
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    Avaliações em destaque

    8Nooshin_Navidi

    Excellent adaptation despite the slight departure from the book

    If you're familiar with George Eliot and have read her books, you'll most likely enjoy this adaptation.

    But if you're a George Eliot purist, you may be dismayed by the film's romanticization of Daniel & Gwendolyn's relationship. I personally was okay with it and found it a forgivable artistic liberty, as it was handled delicately and tastefully and did not detract from the heart of the story. In fact, I liked the adapted screenplay for its restraint.

    If you're a Jane Austen fan but not familiar with Eliot's work, you might find this story lacking in wit compared to Austen's stories, or just too glum. But George Eliot herself was a very different woman from Austen. The Jewish subplot--something that is also present in Eliot's more famous 'Middlemarch'--is enough to make the two authors different, but the sociopolitical depth and soberness of Eliot's work also sets them apart.

    The casting was terrific all around (including the magnificently aging Greta Scacchi), and the costumes & scenery were perfect.

    ~NN
    10KatharineFanatic

    "I don't love her any more than she loves me. That's not the point."

    Having never read George Eliot's novel, I came into the film with only what I know based on the information friends have given me. The film is utterly exquisite. The costuming alone will have Anglophiles like myself crying from sheer envy, and there's enough archery, riding, and balls to weigh out the seriousness of the film, which is essentially two plots woven into one. An utterly heartless and wretched marriage for a spoiled young Gwendolyn in the form of the evil Grandcourt, a landowner whose sole pleasure lies in torment. Be it his wife or dogs, our heartless villain never takes greater pleasure than in dangling something before them and tearing it away again, only to feed it to someone else. We see a kind of barbarism in this act, be it with the family spaniel or his impoverished, abandoned mistress.

    The second plot line, which I found slightly less interesting, was about the film's lead, Daniel Deronda, a presumed illigitimate boy who has been raised a country gentleman. One day while out boating he saves a Jewish singer from drowning herself, and sets out to discover his own true identity through finding her family. I don't know why, but I found myself itching through these scenes to get back to Gwendolyn and her pathetic plight of enslavement to her husband. A second viewing, once I knew the course of the characters, settled me a bit.

    The acting is very stellar. There's not a weak link in the cast, although I have to say seeing Barbara Hershey seemed a little out of place in this Victorian paradox. The film makes numerous contrasts between good and evil, selfishness and humility, lies and deception. It's actually quite an achievement, and I was pleased at the amount of restraint showed by the filmmakers. The sexual tension between man and wife will go over most younger viewer's heads, something for which I'm grateful. It's rare we get a wonderful Victorian bodice ripper where the bodice stays on.
    8raymond-15

    brilliant production

    The title gave me no clue to the absorbing romantic Victorian drama that was to follow. Said to be George Eliot's last great novel, it exposes in no uncertain manner the pitiful life of the Victorian woman, hardly more than an obedient slave and forced to respond to her husband's demands.

    Hugh Bonneville stands out among the excellent cast as the nasty Henleigh Grandcourt who revels in watching women squirm under his aristocratic power and Romola Garai is perfect as Gwendolen who marries him, not for love, but to save her family from economic ruin.

    Hugh Dancy in the title role of Daniel has immediate appeal with his handsome good looks touched with both shyness and sadness as he ponders over his past life and the unsolved mystery of his mother's identity.

    After Daniel saves a woman from drowning in a river, the story takes an unexpected turn and concentrates on the Jewish problem of a permanent homeland. Daniel is much attracted to the woman he has saved and through his efforts to help her some mysteries of his own life are revealed to him.

    The sets, costumes and photography capture exquisitely life in England in the Victorian era. Quite apart from the romantic drama, there is much to ponder over in this story. Thankfully to-day women have gained a degree of independence, though not entirely, and the Jews are still uncertain about the boundaries of their homeland.

    I can recommend this film which is in 4 parts. Set aside a full evening to watch the story unfold. It's quite long (205 minutes) but a brilliant production.
    9SimonJack

    Excellent production of Evans' last Victorian novel

    Mary Anne Evans finished writing "Daniel Deronda" in 1876. It was the last of several novels she wrote under the pen name, George Eliot. She was 57 at the time and would live but four more years. Among more than 40 fiction writers of the period, Eliot was one of the great chroniclers of 19th century English society (Georgian-Victorian).

    "Deronda" is also the last of Eliot's books to be scripted for a movie. This rendition by the BBC in three parts is excellent. For the fairly recent filming - 2002, the film makers were able to capture the England of the 1870s very well. The cinematography was excellent, as were the script and direction. The acting was first-rate by the entire cast. As some others have mentioned, Hugh Bonneville excelled in his role of a shrewd, mean, heartless "villain," under the guise of a calm, but indifferent gentleman. Romola Garai and Jodhi May were perfect in their roles, and Hugh Dancy was superb in his slight reserve and humility, matching the character in the book. Edward Fox was on the mark in his supporting role, and all the rest of the cast were terrific.

    My rating is down one point from a 10 only because of the slight disjointedness in the film. Others have commented on the appearance of two films together, and the difficulty of interweaving them. It wasn't a distraction, but it was noticeable - as though the script should have given us smoother connections between stories. But this is a tremendous film and most enjoyable foray into Victorian England.

    I have to give Eliot kudos for one more thing that no one else seemed to comment on. That was the dialog around the table during the Jewish meal. Mordecai said that the Jews would not reach an end to their low esteem until they had a land of their own - in the eastern Mediterranean. What great foresight by a writer 75 years before the worldwide emigration of Jews to the Holy Land after World War II, and the establishment of modern Israel in the late 1940s.

    I compliment the BBC for putting Eliot's great books on film, starting in the 1990s. Anglophiles and all of us who enjoy great movies and stories, will cherish these films for years to come. They are a great way to expose the young generation of today with some of the great literature and history of 19th century England.

    The world would indeed have loved to have more of Eliot, Charles Dickens, Charlotte Bronte, Jane Austen, Anthony Trollope and Lewis Carroll (Charles Dodgson). Most of them lived a little to a lot longer than the average age of life expectancy at the time. In 1850, that was 40 for males and 42 for females. Trollope (1815-1882) lived to be 67. Eliot (1819-1880) lived to be 61. And Carroll (1822-1898) was 66 when he died. Dickens also beat the average age of death, living to 58 from 1812-1870. But Austen (1775-1817) and Bronte (1816-1855), lived to only 42 and 39, respectively.
    7=G=

    A slice of Victorian life

    "Daniel Deronda" is a worthy knock-off of George Eliot's novel of the same name which tells of a young Englishman's search for meaning and purpose while enjoying a life of property and leisure. As with most Victorian period costume dramas out of the UK, this film is sumptuously appointed and well represented by the players and places as it meanders through the usual multiplicity of relationships from aristocrat to pauper with a Jewish thread for distinction. "Daniel Deronda" conjures a range of characters from a stoic martinet to a spoiled beauty to an attractive Jewess and beyond with love, greed, envy, guile, and death all swirling around the Deronda character as it manages to sort itself out with a coherent story arc and a more or less happy ending. A "should see" for anyone into Victorian flicks. (B)

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    Você sabia?

    Editar
    • Curiosidades
      The novel is set in the early 1860s, whereas the adaptation moves the action ahead to 1874, the year that George Eliot began writing the novel.
    • Erros de gravação
      At Ezra Cohen's store, the baby's left shoe and sock disappear then reappear.
    • Conexões
      Featured in George Eliot: A Scandalous Life (2002)
    • Trilhas sonoras
      Cavatina (from The Marriage of Figaro)
      By Wolfgang Amadeus Mozart

      Vocalist Jeni Bern

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    Perguntas frequentes

    • How many seasons does Daniel Deronda have?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 23 de novembro de 2002 (Reino Unido)
    • Países de origem
      • Reino Unido
      • Estados Unidos da América
    • Centrais de atendimento oficiais
      • BBC (United Kingdom)
      • PBS Masterpiece Theatre - production notes, Who's Who, etc
    • Idioma
      • Inglês
    • Também conhecido como
      • 丹尼爾的半生緣
    • Locações de filme
      • Edimburgo, Escócia, Reino Unido(Jewish market scenes)
    • Empresas de produção
      • British Broadcasting Corporation (BBC)
      • WGBH
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      53 minutos
    • Cor
      • Color
    • Mixagem de som
      • Stereo
    • Proporção
      • 1.33 : 1

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