AVALIAÇÃO DA IMDb
6,2/10
18 mil
SUA AVALIAÇÃO
Baseado na história verdadeira de Michael Alig, um organizador de festas, cuja vida desmoronou quando ele se gabou na TV de ter matado seu traficante e companheiro de quarto.Baseado na história verdadeira de Michael Alig, um organizador de festas, cuja vida desmoronou quando ele se gabou na TV de ter matado seu traficante e companheiro de quarto.Baseado na história verdadeira de Michael Alig, um organizador de festas, cuja vida desmoronou quando ele se gabou na TV de ter matado seu traficante e companheiro de quarto.
- Direção
- Roteiristas
- Artistas
- Prêmios
- 4 indicações no total
John Henry Summerour
- Rodney
- (as John Summerour)
- Direção
- Roteiristas
- Elenco e equipe completos
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Avaliações em destaque
Party Monster is based on the true story of 80s club kid and promoter, Michael Alig, infamous for his bizarre New York parties and, later, for the brutal murder of a drug dealer.
It's adapted from Alig's friend James St James' book Disco Bloodbath by filmmakers Fenton Bailey and Randy Barbato, whose earlier documentary about Alig actually inspired St James to write the book. After a nine-year absence, Macauley Culkin returns to film as cherubic bisexual Alig, who persuades James St James (a camp Seth Green) to teach him the art of infamy.
Famous for doing nothing long before reality TV, Alig becomes a manufacturer of celebrity and a promoter, serving up some wild parties, including a Halloween bloodbath, truck rave and kinky hospital party. The costumes, by Richie Rich and Michael Wilkinson, are spectacular and capture the excesses of the era. These kids affix fake spiders and cobwebs to their faces, wrap themselves in blood-soaked bandages,wear full body costumes and never look less than fabulous.
Considering the low budget and appalling production values, the high profile supporting cast is a surprise. Dylan McDermot plays Galien, club owner and Alig's mentor, with Mia Kirshner as his wife, Chloe Sevigny as Alig's girlfriend, plus Natasha Lyonne, Marilyn Manson and John Stamos. Wilson Cruz is enigmatic as wannabe and drug dealer Angel, and Wilmer Valderra is suitably objectified as Alig's beloved beefcake, DJ Keoki.
Party Monster suffers from uneven performances and poor direction but despite this, it's fascinating. It captures the disposability of party drug culture convincingly and will most likely become a cult classic. ***/***** stars.
It's adapted from Alig's friend James St James' book Disco Bloodbath by filmmakers Fenton Bailey and Randy Barbato, whose earlier documentary about Alig actually inspired St James to write the book. After a nine-year absence, Macauley Culkin returns to film as cherubic bisexual Alig, who persuades James St James (a camp Seth Green) to teach him the art of infamy.
Famous for doing nothing long before reality TV, Alig becomes a manufacturer of celebrity and a promoter, serving up some wild parties, including a Halloween bloodbath, truck rave and kinky hospital party. The costumes, by Richie Rich and Michael Wilkinson, are spectacular and capture the excesses of the era. These kids affix fake spiders and cobwebs to their faces, wrap themselves in blood-soaked bandages,wear full body costumes and never look less than fabulous.
Considering the low budget and appalling production values, the high profile supporting cast is a surprise. Dylan McDermot plays Galien, club owner and Alig's mentor, with Mia Kirshner as his wife, Chloe Sevigny as Alig's girlfriend, plus Natasha Lyonne, Marilyn Manson and John Stamos. Wilson Cruz is enigmatic as wannabe and drug dealer Angel, and Wilmer Valderra is suitably objectified as Alig's beloved beefcake, DJ Keoki.
Party Monster suffers from uneven performances and poor direction but despite this, it's fascinating. It captures the disposability of party drug culture convincingly and will most likely become a cult classic. ***/***** stars.
When I started to watch this movie I wasn't at all aware what it was about. I just saw that MaCaulay Culkin and Seth Green were in it and thought, "Cool! Maybe this'll be good." A lot of people say this movie was bad, that it was horribly acted, but I think they just couldn't get past Culkin's shortcomings. I don't believe he was a bad actor, I simply believe he got stuck on the idea of how he had to humanize his character, and that was his ultimate downfall (in the special features he explained this was something he wanted to bring to the character).
Seth Green, as always, is adorable and can completely immerse himself into a character and really bring him to light. Marilyn Manson played Christina wonderfully, if only for a short time. Wilmer Valderrama was terrific as Keoki and it was a disappointment to see he was only in such a little portion of the film.
All in all, this movie was great. It had a great cast and a great script. The movie was meant to poke fun, not to make you think about any hidden meanings or to wonder why they were acting so strange. Club Kids were all about glamour, mocking celebrities, and, in the end, drugs. They didn't want to grow up, and they certainly didn't want to live a normal life.
Culkin had his moments where he pulled Alig off well, and in others, you could tell he was trying to stretch the character into places he wasn't meant to go. And if he was, Culkin certainly wasn't the actor to do it.
All in all, a "fabulous" film. Highly recommended if you're interested in how some of the 80's really played out.
Seth Green, as always, is adorable and can completely immerse himself into a character and really bring him to light. Marilyn Manson played Christina wonderfully, if only for a short time. Wilmer Valderrama was terrific as Keoki and it was a disappointment to see he was only in such a little portion of the film.
All in all, this movie was great. It had a great cast and a great script. The movie was meant to poke fun, not to make you think about any hidden meanings or to wonder why they were acting so strange. Club Kids were all about glamour, mocking celebrities, and, in the end, drugs. They didn't want to grow up, and they certainly didn't want to live a normal life.
Culkin had his moments where he pulled Alig off well, and in others, you could tell he was trying to stretch the character into places he wasn't meant to go. And if he was, Culkin certainly wasn't the actor to do it.
All in all, a "fabulous" film. Highly recommended if you're interested in how some of the 80's really played out.
Living in the UK means you very rarely get to see some amazing films. Having read the book I heard about the film and as you do, immediately ordered it to be shipped over, not expecting to find it anywhere near as good as the book. Boy, was I wrong.
Macaulay Culkin as Alig is annoying and my one pet peeve of the film. He just didn't make Michael real to me. His entire performance seemed to scream "I was a child star, now I'm playing a gay addict! Look at me!". The role was also written for him and I got the impression that because of this he felt he didn't have to act too hard to be brilliant. He never, despite his attempts, gave Alig another level. The accent didn't add anything to the character and by the end I was left wondering why everybody had loved Michael Alig.
Seth Green on the other hand stole the film from right under Culkin's nose. His performance as James St James was one of the best I have ever seen in my life. He transformed himself until you didn't even realise it was the guy from Buffy you were watching. His mannerisms were spot on and really did St James justice. His voice was not as whiny or non descript as Culkin's, it was simply a prop used by him. His character managed to appear human throughout the entire film and his habit of touching his hair at least once a scene was fabulous. Green deserves an award for such an amazingly real, yet flamboyant performance.
The supporting cast were also fantastic and each and every person added to the story. The removal of Mavis from the film did annoy me slightly but after a while you forget she was ever there. The costumes, and behaviour of every single Club Kid in this film were fantastic. You really felt as though you were actually watching this happening. Marilyn Manson as Alig's first Superstar Christina was perfect, adding to a character not mentioned a lot in the book.
All in all an absolutely fabulous film that deserves far far more credit than was given to it. Seth Green really held the film together, showing rare glimpses of humanity amongst all the glitter. Green was perfectly cast and deserves at least some recognition for a fantastic performance. The only downside was Macaulay Culkin, who simply did not shine. He stood back and let the supporting cast, and especially Green turn this into their movie, not his.
Macaulay Culkin as Alig is annoying and my one pet peeve of the film. He just didn't make Michael real to me. His entire performance seemed to scream "I was a child star, now I'm playing a gay addict! Look at me!". The role was also written for him and I got the impression that because of this he felt he didn't have to act too hard to be brilliant. He never, despite his attempts, gave Alig another level. The accent didn't add anything to the character and by the end I was left wondering why everybody had loved Michael Alig.
Seth Green on the other hand stole the film from right under Culkin's nose. His performance as James St James was one of the best I have ever seen in my life. He transformed himself until you didn't even realise it was the guy from Buffy you were watching. His mannerisms were spot on and really did St James justice. His voice was not as whiny or non descript as Culkin's, it was simply a prop used by him. His character managed to appear human throughout the entire film and his habit of touching his hair at least once a scene was fabulous. Green deserves an award for such an amazingly real, yet flamboyant performance.
The supporting cast were also fantastic and each and every person added to the story. The removal of Mavis from the film did annoy me slightly but after a while you forget she was ever there. The costumes, and behaviour of every single Club Kid in this film were fantastic. You really felt as though you were actually watching this happening. Marilyn Manson as Alig's first Superstar Christina was perfect, adding to a character not mentioned a lot in the book.
All in all an absolutely fabulous film that deserves far far more credit than was given to it. Seth Green really held the film together, showing rare glimpses of humanity amongst all the glitter. Green was perfectly cast and deserves at least some recognition for a fantastic performance. The only downside was Macaulay Culkin, who simply did not shine. He stood back and let the supporting cast, and especially Green turn this into their movie, not his.
The material here (covered in a similarly named documentary) is fascinating. The 90s New York club kid scene was a distinctive period with many crazy sights and scenes. Unfortunately, this film is poorly made on just about every level.
Most of the acting is not just bad, but some of the worst you'll ever see in a mainstream film. This is exacerbated by poor directing. The dramatic scenes don't feel dramatic (I yawned as one character nearly died). The costumes are very good, about on par with the actual club kids. So the film looks good at least.
Another issue: they changed so much for this movie from the actual story! If you research the actual murder and such after watching this you'll just be confused as to why they made all those arbitrary changes. I certainly wasn't to make a great film. Many people like this film, but I suspect deep down they want to live in the 90s club kid scene, and aren't objectively judging the film for its merits.
Most of the acting is not just bad, but some of the worst you'll ever see in a mainstream film. This is exacerbated by poor directing. The dramatic scenes don't feel dramatic (I yawned as one character nearly died). The costumes are very good, about on par with the actual club kids. So the film looks good at least.
Another issue: they changed so much for this movie from the actual story! If you research the actual murder and such after watching this you'll just be confused as to why they made all those arbitrary changes. I certainly wasn't to make a great film. Many people like this film, but I suspect deep down they want to live in the 90s club kid scene, and aren't objectively judging the film for its merits.
I often wondered why U.S. American movies involving young people who are into drugs are either pathetic (f.e. Drugstore Cowboy) or even downright ridiculous in their conservative portrayal of the dangers of drug use (f.e. Traffic, The Movie). Party Monster is very different. It's easy to see that the people who made this movie really informed themselves about what they tried to show. By doing this they achieved one of the best movies about adolescence i've seen in a long time. It's has a very sad and tender tone and though some scenes seem a little bit too stagy, the performances of the two leading actors are pure magic. It's pure joy just to watch them and as you got to see a lot of them there is plenty of fun. Nevertheless the movie leaves you with a very intense and ambivalent feeling towards it's characters who were indeed something very special. I even dreamed about this picture after seeing it! Thanks for the strange dream!
Você sabia?
- CuriosidadesMuch of the drug use in the movie was toned down from Michael Alig and James St. James's actual habits for fear it would seem unbelievable.
- Erros de gravaçãoMichael Alig was arrested while in the company of his male lover, not his female lover. Gitsie was a secretary, not a girlfriend. Alig has never been romantically interested in any woman.
- ConexõesFeatured in 20/20: Party Monster/Party Monster and Murderer (2003)
- Trilhas sonorasTake Me to the Club
Written by Bruno Coviello
Performed by Mannequin
Courtesy of Peace Bisquit
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- How long is Party Monster?Fornecido pela Alexa
Detalhes
- Data de lançamento
- País de origem
- Idioma
- Também conhecido como
- Клубная мания
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 5.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 742.898
- Fim de semana de estreia nos EUA e Canadá
- US$ 15.163
- 31 de ago. de 2003
- Faturamento bruto mundial
- US$ 782.606
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By what name was Party Monster (2003) officially released in India in English?
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