Testemunha Ocular

Spotted this DVD on eBay and bought it on the cheap from someone in the UK. Watched it last night and all I can say is what a great surprise! This is a really well done political thriller in the tradition of Traffic. Daniels, Spader, de Rossi, and especially Clifton Collins do some terrific acting. The direction is tight, the story is interesting, the political angle is provocative, the Mexican sets are authentic. All in all a very good film for what was obviously a smallish budget.

Why this movie isn't on video in the US (was it ever shown in a theater?) is beyond me. Especially considering all the crap that IS on video. Does anyone know what happened to this movie?

Sometimes when diving through the DVD bargain bin, you can find a gem of a movie. Other times you can find movies that while they are not great, are all the same good enough to be worth the small cost you have to pay. "I Witness" is one example of the latter. It seems to have been a labor of love for all concerned, given the obvious low budget. Actually, the small budget does not really hurt the movie, since the majority of the movie takes place in run down Mexican locations; without a big budget to spruce things up, you can really feel the poverty and the breeding place for crime and corruption. The cast does a pretty good job, especially James Spader, who really shines despite having a somewhat limited part. Jeff Daniels is also good, though his character seems at times to be somewhat naive for someone who has made a career going to various hot spots around the globe looking for human rights violations. If there is any other flaw with the script, it's that the story unfolds at a somewhat slow pace (though the movie never gets boring.) It's a good movie that's worth seeing. One warning, though: If you are thinking of travelling to Mexico for any purpose, by the end of the movie you'll probably be cancelling your plans.

Like Bordertown, I Witness exposes another underbelly of corporate internationalism seeking windfall profits by escaping fair trade practices, fair wages and scrutiny by government agencies created to protect environmental concerns. Hiding behind Mexico's drug wars, the new gangsters of corporate thuggery use criminal means to cloak the cost of dumping toxic chemical waste upon the unsuspecting in a country where a bribe can cover any crime, no matter the number and innocence of victims. And like Bordertown, I Witness takes with fiction the excursions into truth today's mess media would dare not touch upon. Jeff Daniels and James Spader typically provide glowing performances while Clifton Collier Jr's performance places as something grand to see. Rowdy Harrington's direction is professionally able and the camera work is exceptional. Writers Colin Greene and Robert Ozn are to be commended. A film whose time is come and whose value exceeds entertainment, this should have been required viewing by Congress before passing on trade agreements that have undermined the quality of life on both sides of the border. JCH

I really like to watch thrillers, if that's a name you can put to the films which contain action, suspense, mystery, drama; everything in one package. Sometimes we just call them suspense films. I like the "thriller" designation, especially because of the arguments I'm about to deal with here.

I should say I like to watch thrillers because I'm expecting some adrenaline. I'm expecting to connect with a story, with the characters. "Seven" reached that goal in my expectations. It's an exceptional thriller. There are not much more thrillers that have captivated me. "Heat" is another one, maybe, if you can call it a thriller. So every time I sit to watch this type of film, I'm prepared. In cases of movies like "I Witness", things don't go very, or that well (referring to the other ones).

"I witness" is not a good thriller. Not because it lacks the elements, no. It has them all; but they are not managed correctly. The action scenes are constantly repeated, the suspense is not felt (and this eliminates mystery), it's hard to believe the drama. Casting has united a strong ensemble here. Maybe the ones that made a mistake were the persons in the ensemble, at the time they chose to be in it.

Some days ago I was talking about Jeff Daniels. We were discussing and I heard someone saying that he is always playing the same role. Probably. I like him as an actor, but I have got to think if he is really "choosing" his roles. He could be playing with them. He'll give you a good performance, but he is not really wanting to. He is so relaxed and disinterested; he doesn't seem to care.

Some characters have big names but little participation. Portia de Rossi; I'm talking about her. I don't like her very much. She has that cute face but never seems to be comfortable in her roles or show any talent when playing them. Then there is James Spader; he seems to be drawn. He doesn't show any emotion, not even when he's having sex with a woman. Jordi Caballero, a sort of newcomer, finds the note for the role, although he overacts it most of the time.

Then I should finish talking about the only impression the movie left on me, believe it or not. You could think I'm joking, but I was "thrilled" (not bad if a thriller causes that impression) with Clifton Collin Jr's performance. What an ability he has to create emotions at the time he has a serious look. He can be so sad and not fake it, yet make it real. I haven't seen him much, but I remember him in the little roles he played in "Tigerland" (very good movie, and one of Colin Farrell's best performances) and "The Last Castle". He was superb here.

The movie was predictable and you could sense the ending. The most disappointing thing will be; that if you don't guess the ending, you won't be surprised by the resolution the movie shows to you. It will be just another possibility, like everything. Now that's not a good sign about a thriller, is it?

In Tijuana, Mexico, near to the border with USA, James Rhodes (the excellent Jeff Daniels) is a member of the Human Rights organization, working as an observer of the election of the workers of an American company, represented by the member of U.S. Government Emily Thompson (Portia de Rossi). The local workers are supposed to decide whether they want the union in the company or not. Meanwhile, twenty-seven bodies of humble people are found buried in an abandoned tunnel, drilled in the past by the lord of the drugs Voltan. In the same day, two young American are killed while driving their motorcycles off-road, in a track in a desert area. These events apparently not related are investigated by Claudio Castillo (Clifton Collins Jr.), a honest detective from Mexican homicide department, pressed by James and his superiors. Voltan is blamed for all the deaths, and resolves to help indirectly James in his investigation. Douglas Draper (James Spader) is a cynical liaison of the American police force, working together with the corrupt Captain Madrid (Jordi Caballero). The conclusion of this realistic story is full of revelations of dirty secrets. This movie was the wonderful surprise of the year: it is an excellent thriller. There is no clichés, no special effects and the characters are very human and well developed. The screenplay is very tight, without flaws; the direction is outstanding; and the magnificent cast has a marvelous performance. The plot recalls a Costa-Gravas movie, showing corruption both in Americans and Mexicans. The resolution of the situation is not corny or commercial, and does not spare or redeem any character, what is not common in American movies. Congratulation to all the persons that contributed for such an excellent entertainment. I just do not understand why this movie has had no promotion from the specialized critics and means of communication. My vote is ten.

Title (Brazil): `Testemunha Ocular' (`Eye Witness')