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IMDbPro

Herança

Título original: Arven
  • 2003
  • Unrated
  • 1 h 55 min
AVALIAÇÃO DA IMDb
7,2/10
5 mil
SUA AVALIAÇÃO
Herança (2003)
Drama

Adicionar um enredo no seu idiomaA young man is torn between his individual hopes and his sense of duty when his father dies and he is expected to take over the family industry.A young man is torn between his individual hopes and his sense of duty when his father dies and he is expected to take over the family industry.A young man is torn between his individual hopes and his sense of duty when his father dies and he is expected to take over the family industry.

  • Direção
    • Per Fly
  • Roteiristas
    • Per Fly
    • Kim Leona
    • Mogens Rukov
  • Artistas
    • Ulrich Thomsen
    • Lisa Werlinder
    • Ghita Nørby
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,2/10
    5 mil
    SUA AVALIAÇÃO
    • Direção
      • Per Fly
    • Roteiristas
      • Per Fly
      • Kim Leona
      • Mogens Rukov
    • Artistas
      • Ulrich Thomsen
      • Lisa Werlinder
      • Ghita Nørby
    • 29Avaliações de usuários
    • 35Avaliações da crítica
    • 68Metascore
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 17 vitórias e 7 indicações no total

    Fotos38

    Ver pôster
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    + 33
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    Elenco principal36

    Editar
    Ulrich Thomsen
    Ulrich Thomsen
    • Christoffer
    Lisa Werlinder
    Lisa Werlinder
    • Maria
    Ghita Nørby
    Ghita Nørby
    • Annelise
    Karina Skands
    • Benedikte
    Lars Brygmann
    Lars Brygmann
    • Ulrik
    Peter Steen
    • Niels
    Diana Axelsen
    • Annika
    Jesper Christensen
    Jesper Christensen
    • Holger Andersen
    Ulf Pilgaard
    • Aksel
    Dick Kaysø
    • Jens Mønsted
    Sarah Juel Werner
    Sarah Juel Werner
    • Marie-Louise
    Linda Myrberg
    • Ung skuespillerinde (Young actress)
    Lucy Andoraison Hansen
    • Mira
    Eric Viala
    • Frederic Rousseau
    Valerie Quent
    • Frederic Rousseaus kone (Frederic Rousseau's wife)
    Pascal Steffan
    • Philippe Salliot
    Francoise Brustis
    • Philippe Salliots kone (Philippe Salliot's wife)
    Gille Charrier
    • Patrice
    • Direção
      • Per Fly
    • Roteiristas
      • Per Fly
      • Kim Leona
      • Mogens Rukov
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários29

    7,24.9K
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    Avaliações em destaque

    WilliamCKH

    very good, sad film.

    I once asked myself that if I were able to work a hard 60 hour week, every week for five years straight, and be paid over $200,000.00 per year, but be able to leave after those 5 years a millionaire and be free do do the things I really wanted to do, would I do it? The proposition sounds enticing, but I soon began to realize that after 5 years, I will have been a changed person, stressed, unhappy, and the things that I really wanted to do at the beginning would no longer have any hold on me at the end of those 5 years.

    This movie made me think of that. When Christopher takes over his father's business, he was a happy man, with the best of intentions. But as the years pass, work, prestige, money blinded him from being a good husband, father, brother, friend,...etc.. and his story is told very well by the filmmaker, very simple and straightforward, and the dramatic scenes with his wife, are very realistic and not written and acted merely for dramatic effect.

    I give Christopher the "dope of the year" award for treating his wife Maria the way he did. She was a beautiful, loyal, passionate, and very understanding wife. How could he not see that? and you tell yourself it's only a movie, but then in real life, you see guys like that all the time, throwing away gems while searching for rocks.
    8MikeF-6

    Worth a look

    A Danish modern that seems spare and bare bones when compared to other slick art house fare that is out there like "Vanity Fair" and "Bright Young Things." But it is just that lack of gloss that gives it its strength. The semi-Dogma style fits the story of a young man living in Sweden with his beautiful actress wife who gets called back to Denmark to run the family steel mill after his father's suicide. When he had been younger, he had almost died from the stress of working in the business. Now, with his relations and the workers depending on him, he slowly starts to shut down all of his systems in order to deal with the tough decisions he has to make. This is not a new theme, but Fly gives it new life with his astringent approach.
    heidikvistgaard

    Dierctor Per Fly once again makes a brilliant movie of despair and ambitions.

    I absolutely disagree that Arven should be boring. From the very beginning we feel the dilemma of Ulrick Thomsen and is thorn apart the deeper we go in the story, as we feel his pain and his obligations. Per Fly is an exellent director who forces his actors to do their vey best and it shines through the whole movie. The acting is deep and sensitive. It's exellent. Director Per Fly also understood to make us feel all swallowed up in the story. It's an exellent movie. Intellegent, sensitive and it really makes you think about how to live your life.
    9paul2001sw-1

    A medium-sized family business

    To start with the negative, I have two criticisms to make of Per Fly's film 'Inheritance'. Firstly, there's an "everything is beautiful" sheen to the world he depicts, manifested in the mock-idyll of the semi-aristocratic environment of its protagonists, the deep bond that connects the family business and the workers they employ, and the actors playing the characters themselves, especially the illuminating Lisa Werlinder. I appreciate that this is in part a stylistic choice, for the story is one of trouble beneath a superficially perfect surface, but real life is rarely that perfect, even when viewed superficially. Secondly, the tale of a young businessman worn down by executive responsibility and a dominant mother is fairly predicable. The latter fault is a special shame; because it threatens to mask what is a superbly directed movie, whose cast all give perfectly judged, understated performances. The opening sequences are utterly, though quietly, gripping, but once the basic scenario has been laid out, the story ceases to surprise and one can almost overlook the quality of the film-making: it takes the power of an unexpected scene (the attempted rape) to remind one just how skilfully Fly has managed to convince us of the reality of his world, excessive beauty notwithstanding. In some ways, and in spite of the more affluent setting, the story feels like something that would have been at home in Kiesolowski's 'Dekalog'; but in that work, each story took only an hour: at the same length, this could have been a knock-out. As it is, 'Inheritance' can't quite reach those heights; but it's still a compelling portrait of the way that people change.
    noralee

    Shakespearean Tragedy Updated to the Family Business

    "The Inheritance (Arven)" is the best look since "The Godfather" at the corrosive impact of family business where there's no boundaries between family and business.

    The starting premise is strikingly similar to another Scandinavian drama, the Icelandic "The Storm (Hafið)," as in both we start off with a prodigal son happily and romantically involved abroad but forced back to deal with the patriarch's dramatic decision that has ever widening ramifications.

    But whereas the first went off in psycho-sexual directions from a fishery, this Danish film stays realistically in the board room of a steel plant as much as the bed room.

    Here, his wife is a Shakespearean actress and the Shakespearean references I caught are played up beyond "King Lear,"as the matriarch, a scarily formidable Ghita Nørby, whose role could be taken by Judi Dench or Glenn Close in an American remake, is a Lady MacBeth, and he's baited by a CFO with a pronounced Iago modus operandi, while the wife, the very moving Lisa Werlinder, is left to plead like Portia in "Julius Caeser."

    Un-Hamlet-like, Ulrich Thomsen's manipulatable Christoffer plunges into decisions that succeed at high psychological prices for him and those around him, reminding me of the classic closing line of the adaptation of Henry James, "The Heiress": "I've learned from masters."

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      This movie is the second of a trilogy, consisting of "Bænken", "Arven" and "Drabet", dealing with Danish lower-, upper- and middle class respectively.
    • Erros de gravação
      In some scenes you can clearly spot that they have been filmed in Malmö, and not in Stockholm where they supposedly take place. For instance are the public transport buses not in "Stockholm" colours and in another scene there is a phone number visible on a shop window, which has the Malmö prefix.
    • Conexões
      Featured in Det store lærred: Arven (2003)

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    Perguntas frequentes19

    • How long is The Inheritance?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 21 de fevereiro de 2003 (Dinamarca)
    • Países de origem
      • Dinamarca
      • Suécia
      • Noruega
      • Reino Unido
    • Centrais de atendimento oficiais
      • Official site
      • Official site (Spain)
    • Idiomas
      • Dinamarquês
      • Sueco
      • Francês
      • Norueguês
    • Também conhecido como
      • The Inheritance
    • Empresas de produção
      • Zentropa Entertainments
      • Spillefilmkompaniet 4 1/2
      • Memfis Film & Television
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Faturamento bruto nos EUA e Canadá
      • US$ 68.215
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 3.270
      • 11 de jul. de 2004
    • Faturamento bruto mundial
      • US$ 1.219.595
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 55 min(115 min)
    • Cor
      • Color
    • Mixagem de som
      • Dolby Digital
    • Proporção
      • 2.35 : 1

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