Mulheres Perfeitas

I wasn't expecting too much from this movie, given the reviews it got. But how bad could a movie be with this cast? As it turns out, VERY bad. But I have to think that some plot and character development was lost on the cutting room floor.

The opening credit sequence is absolutely brilliant, with witty use of vintage '50s clips of housewives in their "miracle kitchens of the future" and that sort of thing. Deliberately choppy editing and occasionally speeded up action lend the sequence a mechanical feel on top of its satirical air. Too bad nothing else in the movie measures up to it.

I did think there were a couple of decent laughs, mainly when Glenn Close was on screen. Roger Bart, playing a gay stereotype we've seen too many times in recent movies, milks it for all its worth and earns some chuckles, too. But Nicole Kidman and Matthew Broderick often seem lost. Christopher Walken, Bette Midler and Jon Lovitz are all mostly boring here, hard as it is to believe.

I haven't seen the '70s version in ages, but I remember thinking it was OK but campier than it was meant to be. Upping the camp level was not a bad idea for the remake, but I don't know what happened with the screenplay. Paul Rudnick is no genius, but he's done far better.

I get the feeling that major scenes must have been cut out for some reason, as the plot development felt awkward especially in the early scenes. It might be worth renting the DVD for the deleted scenes.

Also, as others have stated, the movie is totally inconsistent on the point of whether the women are robots or have simply had their brains altered. It's as if they figured we wouldn't really be playing close attention, so what difference did it make?

My bottom line advice -- if you get a chance to see it without paying, watch the opening credits and then change the channel.

Many of you seem to be missing the point. It's not a remake. It's a send-up, a parody of the original. It's a COMIC STRIP, OK?

We may disagree about how funny it is, but that's beside the point. I didn't think it was hilarious, but it was funny enough that I enjoyed myself. And, the cast were obviously enjoying themselves! Actually, it's as much a parody of our times as it is of the original movie.

There were enough plot twists and surprises to keep it interesting. Layer upon layer of uncertainty about who's what and what everybody's real motives were kept my attention.

And, yes, this version made the women as unlikeable as the men. To me, that's the film's best quality. Nobody is spared from the skewer!

I have read plenty of reviews where people are comparing this to 1975's, I don't think that's fair, as the interpretation of the novel is very different. The original film was very much a horror, this is a comedy with virtually no horror at all, but a definite vibe of political correctness.

It is obviously too sweet and syrupy for many, but it does have good points. It's loaded with irony, it's not laugh out loud humour, it's more tongue in cheek, with some good humour, mainly at the expense of little men. I liked the performances, Glenn Close and Bette Midler especially. It wasn't Kidman's finest hour, although she wasn't bad, just didn't get the best material to work with.

On the debit side, Matthew Broderick doesn't exactly shine, but worst of all is the lack of any horror vibe, it doesn't really have any suspenseful moments of any note.

It's a nice vanilla comedy, those looking for horror must avoid. The original movie is way better. 6/10

This movie is a perfect example of what is wrong with the state of movies today. The original was a gem, with excellent acting by Katharine Ross, Paula Prentiss, and Patrick O'Neal. It was part horror story, part feminist cautionary tale. Most of all, it was BELIEVABLE! You got the feeling these were real people, and that all this could really be happening--and with a minimum of "special effects". The dialogue was pretty intelligent, the plot twists weren't given away in the first 15 minutes, and the ending was a real shocker. You cared about the female characters in the movie--you cared about Joanna's plight, and rooted for her to escape her planned fate.

The current version could only--and was probably meant to--appeal to the lowest common denominator of movie-goer. In this film, the women are just as bad as the men--you don't give a damn what happens to them; that's how annoying the characters are. The laughs are cheap and lowbrow, vital plot elements of Ira Levin's novel are missing, and the acting is just plain bad.

You know what? I'm getting annoyed just writing about this dreck. If you have any taste, any sense, any feeling for good films, any aversion to wasting good money on bad movies--stay far away from this one!! See the original, and appreciate the stunning subtlety of a thinking person's movie, well-made and well-acted.

The original STEPFORD WIVES was a creepy movie with subtle touches of humor. That subtlety allowed the suspense and the sense of danger to build slowly, leading up to a rather disturbing finale. In this version, there is no subtlety or building up. Rather, the tone shifts are as jarring as jump cuts. It's a satire! It's a "campy" comedy! It's a suspense thriller! Look out! Here comes a happy ending! Not to mention the inconsistencies regarding the "Stepfordization" of the wives (discussed in other user comments). It's as if Frank Oz and company threw a bunch of unrelated scenes together and hoped no one would notice.

As for the cast, it's a disappointment to see such interesting actors and actresses assembled in such a weak film. Blame Paul Rudnick, whose campy-queeny- faggy humor is really wearing thin. (And I can write that because I'm gay!)

Didn't Bette Midler learn her lesson after ISN'T SHE GREAT????

I encourage everyone out there to run to the video store and rent the original.