Om Jai Jagadish

Anupam Kher is an Actor of great repute, and his debut directorial venture is absolutely brilliant. The Indian Media specially the imbeciles who praise Sharukh Khan and his band of morons of course will bad mouth this movie and the director since they have no class or aesthetics and if I go by their reviews I would miss seeing one of the best family movies in the recent times. The narration is heartwarming with some great acting by Anil Kapoor-I would say best of his career. Music by Anu Malik is just superb with his use of the Shehnai in the "Happy Happy" number. This is the best choreography that I have seen in the recent times which is not only classy but innately Indian. Abishek Bachchan has incredible potential if one scene (where he is accused of computer hacking ) is any indication. The problem with this particular shot is that the camera moves very fast-a minor flaw of the Debut director. The Photography is breathtaking ( Picnic). The movie in totality is a gem of a movie but the only problem is it does not appeal to the demented MTV Media reviewing Nerds who wouldn't know what to make of a movie like this.

OM JAI JAGADISH is actor Anupam Kher's directorial debut, and I enjoyed it, but it is not a great film by any measure. The editor toys with bafflingly haphazard jump cuts that are so artless and - frequently - minute, as to have virtually no effect at all. It's as if he were ordered to cut several minutes from the film, and having not a single clue how to do so, decided to randomly remove two frames here... four frames there... without any hint of reason. Similarly, the scriptwriter expects the audience to make leaps that Evel Kneivel wouldn't risk. And finally, the music, lyrics, and choreography are pleasing, but redundant. Each number briefly entertains (the first number not occurring until after the 30 minute mark), but is instantly forgotten as soon as it's over. Yet, despite the technical and artistic incompetence's, this film does somehow manage to move one before the final curtain falls.

Anil Kapoor, Fardeen Kahn, and Abhishek Bachchan play three brothers: Om, Jai, and Jagadish, respectively. Though not fully explained in the English subtitles, I gather that the names, spoken in order, replicate the beginning of a traditional Hindi prayer for family unity. In fact, the films full title is "Om Jai Jagadish: A Prayer For Togetherness".

Om is the eldest brother, an honest, responsible man who guards the family honor, while looking after his younger moral and financial well being, as best as he can afford. To Jagadish's disappointment, however, Om's financial ability appears to have been largely exhausted on sending Jai to American for a college education. This causes Jagadish's future (as a software designer) to have to sit on a back burner until Jai finishes his education and returns to India. Om's expectation is that Jai will agree to commit to a long term corporate position in India, which will earn him a large monetary advance (and apparent Indian custom), with which Om can pay back the loan he took out to finance Jai's education.

But the Americanized Jai has other ideas. He intends to pay his brother back, but he sees his options as brighter and more open in America, where committing to a long-term position could be career suicide. As such, he will not immediately be able to provide his brother with the lump sum that is needed to pay off the loan. Unbeknownst to Jai, however, this decision of his may cost Om the family home! Jagadish, in the meantime - who also does not know about the threat to the family home - spends his time hacking into the school computer in order to assist his friends with their grades and attendance records. Naturally, this lands him in great trouble, leading him to have to leave home, as he has so horribly embarrassed the family honor.

But wait a minute you say, what about Mahima Chowdhary, Urmila Matondkar, and Tara Sharma? Aren't they important to this film? Sadly, no. Chowdhary does a bit of vivacious dancing, but beyond that she is merely wallpaper. As for the stunning Matondkar (sigh!), she isn't even given a single song or dance to tantalize with! She is here merely as a symbol of the challenges that Westernization forces upon traditional Indian family values. Credit must be given to her for chutzpah, though! She must be very confident in her position within the Indian film industry in order to agree to play such an unlikable character. As for Sharma, like Chowdhary she does a bit of a dance floor tease (while wearing a super-mini fringe cowgirl skirt), but she is completely tangential to the plot.

The message of this movie, hammered in again and again, is that the strength to overcome adversity lies NOT in money, but in familial love. And before the end of the film, I'll be damned if I didn't buy it, Bolly-hook, Bolly-line, and tear-drenched Bolly-sinker!

Mr Kher is widely known all over for his acting - now he has shown us his directing ability too, and I'm happy to say he has done a very good job.

He put together a large star cast, all talented, and they have all done well. My favourite would be Waheeda Rehman, she was brilliant in OJJ. There is nice music, an average script, an entertaining story, and super cool direction.

Om Jai Jagdish may not have been commercially successful, but it is certainly decent cinema. It is a very unique film, in the sense that it has combined the style of yesteryear and maturer cinema, with the modern and glamour factor of today. I applaud Mr Kher for this, its very difficult and he has done it well.

Underrated!

Widowed Saraswati (Waheeda Rehman) has three sons: Om (Anil Kapoor), Jai (Fardeen Khan) and Jagadish (Abhishek Bachchan); the family is devoted to each other. Om, much older than his two brothers, is the wage earner and is supporting Jai and Jagadish as they go to college. The movie follows the lives, romances, and dramas of the family over the course of a few years.

While melodramatic at times, this family drama is well written, interesting, and generally entertaining. The music and dancing are average but energetic. Bachchan gave a lively, enjoyable performance. Kapoor didn't show a large range of emotions, but was mostly convincing. Khan was the least credible, in a role that gave scope for much character growth. Rehman played her role well. The three female love interests were Mahima Chaudhry, Urmila Matondkar, and Tara Sharma. Matondkar played a disagreeable character, and did it well. The other two ladies, while not outstanding, were solid. If the viewer is willing to commit to nearly 3 hours, it's worth watching.

Hit all the right notes. Good acting and storyline. Overall, nice watch.