O Milagre de Berna

German director Sönke Wortmann manages to recreate an atmosphere that kept the young German nation after WW2: Depression, fear, no perspectives for many people that are still suffering from the mayhem of the war. But he also shows that society is developing under the influence of the allied forces. It is perfectly chosen to follow the main plot on the side of young Matthias Lubanski (Louis Klamroth delivers an overwhelming performance! As the rest of the cast as well!). He only knows about the aftermath of the war, not all the evil that it brought before, and he has to deal with all what is surrounding him. He needs to have something to believe in, and when his father returns after 12 years of russian captivity his world turns upside down, but not for the better. During the movie both, he and his father, have to learn hard lessons of life, but for each its a necessary development to find its place in life. So when father and son travel to Switzerland, the colours of the movie change from the dark and grey Ruhrpott to the green and blue of the Alps. The second plot is woven into this one: The progress of the German National-Soccer-Team at the World Cup in Switzerland. Different players from different teams have to become one team, each fighting for each other. One for all and all for one. This is transferable to the German nation itself, on the verge to a new democratic future where at the beginning everything is linked to each other.

The movie is heart-warming and shows, by the way, how fantastic soccer (or any other team-sport) can be. How it can carry away the audience.

When the German team beat the former unbeatable (for almost 4 years!) Hungarian team 3-2 - something nobody every dared dreaming of - the whole German nation felt as one and knew that there is a new future!

Just one thing that felt rather negatively. Why was it not possible to create a more exciting and realistic atmoshpere in the stadium of Bern? The spectators, all too apparently created via blue-screen, looked too artificial. There was no depth. You never felt really appealed by that audience, because it looked not real. I think Wortmann should have been more perfect with that. Regarding the fact that so many special effects professionals from Germany work in Hollywood (e.g. for Roland Emmerich) the result could have been much, much better!

But nevertheless, this is one of the best German movies in a decade!

Even though or rather because it has more of a family drama than of a thrilling sports movie, it achieves to entertain as well as touch the spectators for two solid hours. Actually, the family story is perfectly integrated in the circumstances of 1954's football world-cup and shows in a very sensitive way the changes that this game, especially the finals with their victory over Hungary, have on the focused family in special and on whole Germany - which is still depressed by the misery caused by the second world war - in general. Becoming - for the very first time - football's world champion gives the country back its hopes for the future and people's joy in life. Matthis' father, and with him the whole family finally finds back to themselves. This movie perfectly holds the balance between sad and joyful scenes which, together with a decent sense of humor, never lets the story drift to one side. The spectators can truly feel with the well played characters of the family members and their progress throughout the events. Finally, the movie leads into a satisfying end without getting trashy.

It's easy to appreciate how much of a morale boost to a country sporting victories are in international competition, particularly when that sport is almost the national religion as soccer is throughout Europe. But you don't need to be a soccer fan or a German to appreciate this wonderful film, where the pathos of a bittersweet family reunion when the father comes home from a Soviet work camp after 11 years is as much the centerpiece as the quiet optimism leading to the football win and the joy following it. Obviously Germany in 1954 was a country still rebuilding from its recently shattered past and that feeling is conveyed superbly. The end is charming, in fact the nicest closing scene I can remember.

This movie is clearly en par with "Die Feuerzangenbowle" or "Der blaue Engel"

In the background it describes the post war Germany, the desperation, the aggression, the losses, the private and public devastation. Fantastic the scene when the train arrives in Essen and all the women anxiously hope that their husband or son will be on that train (many many of them were actually disappointed). Amazing how Soenke shows the game against Austria where he lets children play the actual game scenes on some muddy grass pitch, with the original radio comment running.

In the foreground it tells the story about those 90 minutes which many consider as the turning point for Germany in the 20th century. I was not existent yet but my mother and many others that I know of her generation can still tell what they did during these 90 minutes in 1954. The movie is brilliantly made, with real soccer players as actors (that shows at times, see "The school of rock"). The goals in the final actually happened the way they are shown in the movie. The American movie goers may not understand many of the little details (all the Herberger Phrases are there, Helmut Rahn actually had a severe alcohol problem later in life). They also may not realize the importance of soccer in all the rest of the world ;) which cannot be overestimated.

I had initially expected to find mainly German comments and felt positively surprised that a lot people commented positively also on the things around culminating in positive reviews about Worldcup in Germany 2006. Why do i like the movie ? Whenever you ask older people about what defined "West Germany" after the lost war, there are basically three things mentioned: The Currency Reform to "Deutschmark", the Return of the 10.000 POW from Russia and the Miracle of Bern as the leading one. And the movie, as good as i can imagine it, captured it very well if you hear comments from the same people watching. Yes, there are no mountains between Essen and Bern and quite sure no Car Transport Trains between Suisse and Germany in 54, but who cares ? But they did poke some fun about women's equal (baby naming) rights and the real copyrights for the German National Coaches high quality punch lines and they had the final about right. I can always enjoy it !