O Milagre de Berna

I just watched "Das Wunder von Bern" and I must admit it is really a good film, not only for football fans (for you Americans: we Europeans say football for soccer). The film is not just a sports drama but deals more with the atmosphere in post war Germany and with the problems and aspirations the people had during that period and what the winning of the world championship by the German national football team meant for the regular people.

Actually this atmosphere is covered excellently. The film shows that the people were still recovering from WW2. There are heaps of debris in the streets from houses destroyed during air raids and many men are still kept as POWs so that the women have to take care for the family. The children play football with a makeshift ball, and most people don't seem to have much money. Everything is shown in subdued colors which really contribute to this mood. Although the story is set in Essen, a city in the main industrial and mining region of Germany, it could have happened everywhere in Germany.

The colors only change during the scenes in Switzerland, where the world championship took place. In fact those scenes are shot in bright and friendly colors. And also the settings are quite different from those in Essen: whereas the location in Essen consists of small apartment buildings, narrow streets and those aforementioned subdued colors, everything in Switzerland seems to be posh and spacious.

Even though the actors are not exactly great names in German cinema, they are quite good. As far as I know the actors who play the members of the German national football team were cast not only for their acting skills but also for their ability to play football. Thanks to that aspect the football scenes are quite convincing (although the spectators in the football stadium in Bern look really fake).

What I really liked though was the fact that the filmmakers used the original radio commentary from reporter Herbert Zimmermann, which is legendary. Every German football fan knows the important parts of his commentary by heart.

All in all a good and entertaining film, although I didn't really like the ending.

German director Sönke Wortmann manages to recreate an atmosphere that kept the young German nation after WW2: Depression, fear, no perspectives for many people that are still suffering from the mayhem of the war. But he also shows that society is developing under the influence of the allied forces. It is perfectly chosen to follow the main plot on the side of young Matthias Lubanski (Louis Klamroth delivers an overwhelming performance! As the rest of the cast as well!). He only knows about the aftermath of the war, not all the evil that it brought before, and he has to deal with all what is surrounding him. He needs to have something to believe in, and when his father returns after 12 years of russian captivity his world turns upside down, but not for the better. During the movie both, he and his father, have to learn hard lessons of life, but for each its a necessary development to find its place in life. So when father and son travel to Switzerland, the colours of the movie change from the dark and grey Ruhrpott to the green and blue of the Alps. The second plot is woven into this one: The progress of the German National-Soccer-Team at the World Cup in Switzerland. Different players from different teams have to become one team, each fighting for each other. One for all and all for one. This is transferable to the German nation itself, on the verge to a new democratic future where at the beginning everything is linked to each other.

The movie is heart-warming and shows, by the way, how fantastic soccer (or any other team-sport) can be. How it can carry away the audience.

When the German team beat the former unbeatable (for almost 4 years!) Hungarian team 3-2 - something nobody every dared dreaming of - the whole German nation felt as one and knew that there is a new future!

Just one thing that felt rather negatively. Why was it not possible to create a more exciting and realistic atmoshpere in the stadium of Bern? The spectators, all too apparently created via blue-screen, looked too artificial. There was no depth. You never felt really appealed by that audience, because it looked not real. I think Wortmann should have been more perfect with that. Regarding the fact that so many special effects professionals from Germany work in Hollywood (e.g. for Roland Emmerich) the result could have been much, much better!

But nevertheless, this is one of the best German movies in a decade!

It's easy to appreciate how much of a morale boost to a country sporting victories are in international competition, particularly when that sport is almost the national religion as soccer is throughout Europe. But you don't need to be a soccer fan or a German to appreciate this wonderful film, where the pathos of a bittersweet family reunion when the father comes home from a Soviet work camp after 11 years is as much the centerpiece as the quiet optimism leading to the football win and the joy following it. Obviously Germany in 1954 was a country still rebuilding from its recently shattered past and that feeling is conveyed superbly. The end is charming, in fact the nicest closing scene I can remember.

In a very moving and unsentimental Drama, Sönke Wortmann brings us the amazing story of the German National Soccer Team, who unexpectedly defeated the Hungarians in the final of the World Cup 1954 in Switzerland.

After being a prisoner of war for 9 years, Richard Lubanski comes home to his family, only to find himself in a world, strange and unknown to him. His oldest son Bruno is a communist, who plays Jazz music for a living, his daughter Ingrid helps her mother at the family's bar, and his youngest son Matthias is a soccer fan and a good friend of Helmut Rahn, a player of the German national team. Richard in his embitterment and desperation drives his family apart, and for a long time fails to realize that he's the one responsible for it. In the second plot line, the journalist Paul Ackermann gets the honorable assignment of reporting for the "Süddeutsche Zeitung" in Switzerland during the World Cup, news not to well received by his wife Annette, who was already planning their honeymoon. She insists on coming with him and during her stay in Switzerland she learns quite a bit about soccer and in the end knows more about it than her husband. The German National team, under Coach Sepp Herberger, is confronted with very difficult opponents and after an embarrassing defeat against the Hungarians, many Germans already see the team's chances gone of entering the next round. Rahn, who got drunk after the loss against Hungary, but learned from his mistakes, and Fritz Walter, the captain of the team, though, both very ambitious players, try to motivate the whole team and eventually they play in the final, once again against the Hungarians.

Whether you are a soccer fan or not is of little importance when watching this movie, as it is more about family, friendship and teamwork than about the sport itself. At times moving, at others funny, "Das Wunder von Bern" is a wonderful portrait of Germany after World War II, a desperate nation in desire of a miracle. The young Louis Klamroth gives an extremely good performance, as do Peter Franke, Sascha Göpel and especially Peter Lohmeyer as Richard Lubanski. All in all, an excellent piece of German history. (9.5/10)

As a football fan, this movie appeals to me indeed. It is true-to-history, honestly depicted, filled with genuine and sophisticated acting performances and based on a historical background. The entire plot centers around the boy, Matthias, and tells the story of the 1954 World Cup through his eyes mainly. He makes this movie special and revives the era of the 50s in Germany, a time when this nation was just recovering from the devastation and the scars of WWII. The story is solid and very sincere. The acting is wonderful and the depiction of the contemporary setting is superbly staged. I can just recommend this movie to all football fans and anyone who enjoys pervasive stories that provide first class entertainment.