Karpuz Kabugundan Gemiler Yapmak

Boats Out of Watermelon Rinds (Karpuz Kabugundan Gemiler Yapmak) is a most charming film out of Turkey. It follows a teenage boy, Recep, working as an apprentice for the local Happy Watermelon Man. His mother is evil (involved in some unexplained human-ear baking ring), but a nearby woman wants to take him under his wing. "Auntie" as he calls her, is somewhat flirtatious and very much weird. Recep has a crush on her eldest daughter, who resents him.

The youngest daughter is infatuated with Recep, who doesn't take her seriously.

On the side, Recep is also trying to build his own movie theatre with two friends. They've got the film, the wooden projector box, a light and lens. Now all they need is to find a way to manually move the film at 24 frames a second.

Boats is witty, wonderful and at times, weird. It's a what Cinema Paradiso would be if David Lynch directed it. It is not perfect. There is a lull about 2/3rds into the movie that is hard to ignore. But this is one of those rare smart films for the whole family.

An semi professional tray but whats is come out one of the best movie in Turkish cinema history. Just think about it ? Main actor's fist and last movies has 8+ in imdb i dont believe there is an other example you can find on wold " of course if actors is not die". The boy who play as an headliner he didt shot any other movie in his life and now he drive buss in his village. So very good camera very good and pure story i really love this movie.

Boats Out of Watermelon Rinds (Karpuz Kabugundan Gemiler Yapmak) is so naive a film that it resembles to no other film. People who call it another Cinema Paradiso just for the reason that its two principal adolescent characters love cinema, don't make justice towards Watermelon Rinds. Cinema Paradiso is a professionally produced and acted Italian film in which one of the two principal parts is acted by a French star (Philippe Noiret) whereas Watermelon Rinds in which all parts are acted by real townspeople takes all its mesmerizing power from its sheer amateur (natural and warm) quality in everything, especially, in acting.

The way people talk (the agreeable local accent they use) is one of the most valuable assets of Watermelon Rinds. The touching quality of warmth and sincerity of this film makes one think if a really good movie can be done only without professionals (especially without professional actors). You may experience the same feeling when you watch a certain Italian film which is named not Cinema Paradiso but Ladri Di Biciclette. In this respect (and only in "this" respect) you may better try to find similarity between Ahmet Uluçay's "Karpuz Kabugundan Gemiler Yapmak" and Vittorio De Sica's "Ladri Di Biciclette".

Because of the rumors about Watermelon Rinds being just a sort of Cinema Paradiso, I had resented the film and not watched it till now. And now I have realized that the rumors had made justice n'either to the film nor to me.

Boats Out of Watermelon Rinds is in no way a sort of Cinema Paradiso. In fact it resembles nothing but itself. Congratulations, Mr Uluçay!

COSKUN BUKTEL

First this movie shows that money is not very important to create a movie. The story and the thriller takes you from the beginning to the end. The stories powerful characters are two kids this makes the intention powerful. Both kids are very shy and kindhearted. The story consists of determination, money, love, friendship and the family.

I live in Ankara capital city of the Turkey and I also went to Kutahya before. The point of view is very very good. The life in the villages is like that. These are for real I heard a lot of stories like that. This movie is describes for my grandfather's generation very much. All the persons who are in my age know a lot of stories like that for our parents childhoods. For example my father gives this movie may be 9 out of 10 :) The cinemas takes his attention very much I think.

Not much more to say about movie. Watch it pretty good. I like it very much I think every one will...

The actual nice things in the movie are small details like the secret eating of the walnut by the elder sister,like the scene of epilepsy attack of Deli Omer...- In the beginning of the movie,there was a scene o a cat moving around a man crying which is shot totally incidentally,is making you feel good ,happy but not...and immediately after the dead man comes alive and you feel peculiar... During all the time,during all that childish love stories you actually expect the explanation of that coming back to life scene and it is explained actually in the end when Recep promises Deli Omer to bring alive his dead wife.