[go: up one dir, main page]

    Calendário de lançamento250 filmes mais bem avaliadosFilmes mais popularesPesquisar filmes por gêneroBilheteria de sucessoHorários de exibição e ingressosNotícias de filmesDestaque do cinema indiano
    O que está passando na TV e no streamingAs 250 séries mais bem avaliadasProgramas de TV mais popularesPesquisar séries por gêneroNotícias de TV
    O que assistirTrailers mais recentesOriginais do IMDbEscolhas do IMDbDestaque da IMDbGuia de entretenimento para a famíliaPodcasts do IMDb
    OscarsEmmysSan Diego Comic-ConSummer Watch GuideToronto Int'l Film FestivalPrêmios STARMeterCentral de prêmiosCentral de festivaisTodos os eventos
    Criado hojeCelebridades mais popularesNotícias de celebridades
    Central de ajudaZona do colaboradorEnquetes
Para profissionais do setor
  • Idioma
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Lista de favoritos
Fazer login
  • Totalmente suportado
  • English (United States)
    Parcialmente suportado
  • Français (Canada)
  • Français (France)
  • Deutsch (Deutschland)
  • हिंदी (भारत)
  • Italiano (Italia)
  • Português (Brasil)
  • Español (España)
  • Español (México)
Usar o app
  • Elenco e equipe
  • Avaliações de usuários
  • Curiosidades
IMDbPro

Twelfth Night, or What You Will

  • Filme para televisão
  • 1988
  • 2 h 35 min
AVALIAÇÃO DA IMDb
7,0/10
219
SUA AVALIAÇÃO
Richard Briers and Caroline Langrishe in Twelfth Night, or What You Will (1988)
ComédiaDramaRomance

Adicionar um enredo no seu idiomaA noblewoman disguises herself as a young man and falls for her employer, a lovesick count. Unfortunately, the count's beloved falls for the disguised noblewoman and a comedy of unrequited l... Ler tudoA noblewoman disguises herself as a young man and falls for her employer, a lovesick count. Unfortunately, the count's beloved falls for the disguised noblewoman and a comedy of unrequited love and mistaken identities ensues.A noblewoman disguises herself as a young man and falls for her employer, a lovesick count. Unfortunately, the count's beloved falls for the disguised noblewoman and a comedy of unrequited love and mistaken identities ensues.

  • Direção
    • Paul Kafno
  • Roteirista
    • William Shakespeare
  • Artistas
    • Frances Barber
    • Christopher Hollis
    • Julian Gartside
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    7,0/10
    219
    SUA AVALIAÇÃO
    • Direção
      • Paul Kafno
    • Roteirista
      • William Shakespeare
    • Artistas
      • Frances Barber
      • Christopher Hollis
      • Julian Gartside
    • 14Avaliações de usuários
    • 4Avaliações da crítica
  • Veja as informações de produção no IMDbPro
  • Veja as informações de produção no IMDbPro
  • Fotos2

    Ver pôster
    Ver pôster

    Elenco principal12

    Editar
    Frances Barber
    Frances Barber
    • Viola…
    Christopher Hollis
    • Sebastian…
    Julian Gartside
    • Valentine
    Tim Barker
    Tim Barker
    • Antonio…
    Richard Briers
    Richard Briers
    • Malvolio
    Caroline Langrishe
    Caroline Langrishe
    • Olivia
    Anton Lesser
    Anton Lesser
    • Feste
    Abigail McKern
    • Maria
    Shaun Prendergast
    Shaun Prendergast
    • Fabian
    Christopher Ravenscroft
    Christopher Ravenscroft
    • Orsino
    James Saxon
    James Saxon
    • Sir Toby Belch
    James Simmons
    James Simmons
    • Sir Andrew Aguecheek
    • Direção
      • Paul Kafno
    • Roteirista
      • William Shakespeare
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários14

    7,0219
    1
    2
    3
    4
    5
    6
    7
    8
    9
    10

    Avaliações em destaque

    10EAK537

    Highly recommended, but hard to find on video...

    I've been a Shakespeare fan since I can remember, and this is one of the Bard's all time best. Anton Lesser is stunning as Feste (and he sings throughout, a wonderful tenor!) Well directed by Ken Branagh, though when I first put the tape in, I was expecting him to be onscreen, too. (Pout, pout...) Incredible performances by everyone involved, especially liked Caroline Langrishe (Olivia); perfectly cast, as well as Frances Barber (Viola). Great onscreen chemistry. So far I haven't found it for sale, only available to rent through the local library.
    adman118

    What? This wasn't good!

    How nice are you people? This was an awful version of the play. There was absolutely no connection between any of the in love pairs, i.e. Olivia and Viola. Olivia had no underlining character whatsoever, she just acted snooty the whole time. It would have been OK if she would have shown any other emotions, but no. The Sebastian-Antonio pair was weak, especially with Antonio. Sevastian and Viola didn't even look alike. Gosh, the Christmas tree had electric lights on it! The music, the characters, and the whole feelings of the play were drab and dull, and even though Maria was exceptionally good, her performance didn't help enough to save this drowning play. Two thumbs down, sorry!
    8sarastro7

    A thorough, pensive Twelfth

    Personally, I like this Branagh-directed version very much (well, this movie was directed for TV by Paul Kafno, but it's based on a Branagh staging, and this is what the actors are performing). Granted, it cannot compete with the 1996 Trevor Nunn film, which is excellently colorful and comedic, and had a much bigger production budget.

    The Branagh production is set in a TV studio in which has been built the ruins of a formerly rich but now dilapidated estate (Olivia's), and almost all the action takes place there, except for the scenes at Orsino's estate, which are covered in an atmospheric blue sheen that I found very effective at conveying the melancholy of the play (and Orsino's character in particular).

    It's true that this production isn't very funny (although I was quite amused by the bit with the Christmas tree). I think this is deliberate. Branagh does not treat this as a comedy, but prefers to delve into the melancholy depth of the text. Thus, he does not provide a folk comedy, but a study in literary profundity. This is to the benefit of those, like myself, who like a philosophically heavy Shakespeare. Note that this version is 2 hours and 35 minutes long, and actually includes all the original text (although I thought Orsino's scenes were rather few and far between), which is always a big plus in my book.

    I think all the actors of this production are excellent (and with great enunciation!), but it's true they lack the charisma of better-known faces like those of the Trevor Nunn movie. However, the one element that I find superior in the Branagh version compared to the Nunn version is Malvolio. Now, personally, I think, sacrilegiously, that Malvolio is generally the most boring thing about Twelfth Night. He's sort of like an artificially included comedy element which isn't that funny. I like the rest of the action much better. In Trevor Nunn's excellent movie, Malvolio is the one thing that, to my mind, does not work. Hawthorne acts the part too dramatically, and with too much self-pity. True, Malvolio does exhibit extreme self-pity in the original text, but I think this is supposed to be played for laughs and not to make audiences feel sorry for him (which, based on Hawthorne's histrionics, we never really did anyway). So I thought Richard Brier's Malvolio in the Branagh version was significantly better; still a sad and pathetic character, but in a way that gels with the rest of the mood of the play. He was more downbeat, and never distracted us from the rest of the action. So, overall, I enjoyed this production a lot, and will recommend it to those who prefer both a pensive and a complete text as basis for performance.

    8 out of 10.
    10TheLittleSongbird

    Ties with the 1980 BBC production as the best Twelfth Night...

    I always did consider Branagh's Twelfth Night the best version of Shakespeare's play(my favourite actually as of now of his plays, mainly because it was one of my first ones along with Macbeth). Then just today I saw the 1980 BBC version, which ties with this version also. Trevor Nunn's film is also good, very well made with a great cast, and the 1987 Australia version is good if very hard to find. In terms of production values, I may just prefer the 1980 version and the autumnal feel of Nunn's film, but the melancholic atmosphere added a whole new dimension to the play that in my opinion Nunn's lacked. Branagh's version also captures the sexual and social themes of Twelfth Night better than the Nunn film(not bringing that film down, just explaining why I prefer Branagh's account). Despite the realistic-looking production values and melancholic atmosphere, the comedy and wit of the play is still there with little if anything left wanting, and while harsh at first the music does calm down and fits well overall. The cast are wonderful, with the standouts being Anton Lesser's scene-stealing Feste and Richard Briers' indignant and not too self-pitying Malvolio, the butt of the clownery. James Saxon and James Simmons are very amusing also as Sirs Toby and Andrew, and Abigail McKern's Maria is very good also. Christopher Hollis is a dashing Sebastian, as Viola Frances Barber, apart from in the Inspector Morse episode she starred in, has rarely looked more radiant and Caroline Langrische is innocent, moving and intellectual as Olivia. Christopher Ravenscroft impresses as Orsino, not resorting too much to buffoonery and I agree he does make us believe he knows that Cesario is female and brings a lot of dimension to that scene. There are a couple of anachronistic things, like with the Christmas Tree, but I for me really enjoyed that particular scene and am willing to overlook any discrepancies. A wonderful Twelfth Night indeed. 10/10 Bethany Cox
    8MissSimonetta

    A melancholy take on a classic comedy

    Twelfth Night is one of Shakespeare's most accessible and enjoyable comedies for modern audiences. The most popular film production of the play is the 1996 Trevor Nunn version, which is awash is summery color and broad humor.

    This modest 1988 film could not be more different from the Nunn film. Instead of emphasizing the comedy, the underlying melancholy stemming from the play's theme about the pain which comes from love dominates the entire story. Instead of vivid colors, we get a wintry setting and costumes dominated by blues, grays, and blacks. It gives the movie an almost desolate feel with little slapstick at all.

    It's an interesting approach to the material and the characters pull it off well. Even though this is merely a filmed stage production, it is engaging enough and the unique focus of the production makes it worth a single view.

    Mais itens semelhantes

    Noite de Reis
    7,1
    Noite de Reis
    Twelfth Night
    7,7
    Twelfth Night
    Twelfth Night, or What You Will
    7,9
    Twelfth Night, or What You Will
    Twelfth Night
    8,9
    Twelfth Night
    Twelfth Night
    7,0
    Twelfth Night
    Twelfth Night
    5,8
    Twelfth Night
    Eros Perversion
    4,4
    Eros Perversion
    Twelfth Night
    5,6
    Twelfth Night
    Twelfth Night
    7,6
    Twelfth Night
    National Theatre Live: Twelfth Night
    7,9
    National Theatre Live: Twelfth Night
    RSC Live: Twelfth Night
    7,5
    RSC Live: Twelfth Night
    Twelfth Night
    Twelfth Night

    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      The Shakespearean ballad performed by Feste - "Come Away Death" - borrows an adapted melody from Paul McCartney's song "Once Upon A Long Ago". McCartney graciously donated the melody of his song for Kenneth Branagh's original stage production of Twelfth Night, performed by the Renaissance Theatre Company, and allowed the melody to be used in the film version.
    • Conexões
      Featured in Shakespeare Uncovered: The Comedies with Joely Richardson (2012)

    Principais escolhas

    Faça login para avaliar e ver a lista de recomendações personalizadas
    Fazer login

    Detalhes

    Editar
    • País de origem
      • Reino Unido
    • Central de atendimento oficial
      • arabuloku.com
    • Idioma
      • Inglês
    • Também conhecido como
      • A douasprezecea noapte
    • Empresas de produção
      • Renaissance Theatre Company
      • Thames Television
    • Consulte mais créditos da empresa na IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 2 h 35 min(155 min)
    • Cor
      • Color

    Contribua para esta página

    Sugerir uma alteração ou adicionar conteúdo ausente
    • Saiba mais sobre como contribuir
    Editar página

    Explore mais

    Vistos recentemente

    Ative os cookies do navegador para usar este recurso. Saiba mais.
    Obtenha o aplicativo IMDb
    Faça login para obter mais acessoFaça login para obter mais acesso
    Siga o IMDb nas redes sociais
    Obtenha o aplicativo IMDb
    Para Android e iOS
    Obtenha o aplicativo IMDb
    • Ajuda
    • Índice do site
    • IMDbPro
    • Box Office Mojo
    • Dados da licença do IMDb
    • Sala de imprensa
    • Anúncios
    • Empregos
    • Condições de uso
    • Política de privacidade
    • Your Ads Privacy Choices
    IMDb, uma empresa da Amazon

    © 1990-2025 by IMDb.com, Inc.