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IMDbPro

Amor à Segunda Vista

Título original: Two Weeks Notice
  • 2002
  • Livre
  • 1 h 41 min
AVALIAÇÃO DA IMDb
6,2/10
132 mil
SUA AVALIAÇÃO
POPULARIDADE
3.769
802
Sandra Bullock and Hugh Grant in Amor à Segunda Vista (2002)
Home Video Trailer from Warner Home Video
Reproduzir trailer0:31
10 vídeos
99+ fotos
ComédiaComédia românticaRomanceRomance alegre

Uma advogada percebe que seu chefe a está usando como babá, então decide deixá-lo.Uma advogada percebe que seu chefe a está usando como babá, então decide deixá-lo.Uma advogada percebe que seu chefe a está usando como babá, então decide deixá-lo.

  • Direção
    • Marc Lawrence
  • Roteirista
    • Marc Lawrence
  • Artistas
    • Sandra Bullock
    • Hugh Grant
    • Alicia Witt
  • Veja as informações de produção no IMDbPro
  • AVALIAÇÃO DA IMDb
    6,2/10
    132 mil
    SUA AVALIAÇÃO
    POPULARIDADE
    3.769
    802
    • Direção
      • Marc Lawrence
    • Roteirista
      • Marc Lawrence
    • Artistas
      • Sandra Bullock
      • Hugh Grant
      • Alicia Witt
    • 321Avaliações de usuários
    • 95Avaliações da crítica
    • 42Metascore
  • Veja as informações de produção no IMDbPro
    • Prêmios
      • 2 vitórias e 3 indicações no total

    Vídeos10

    Two Weeks Notice
    Trailer 0:31
    Two Weeks Notice
    Two Weeks Notice Scene: Tennis Match
    Clip 1:10
    Two Weeks Notice Scene: Tennis Match
    Two Weeks Notice Scene: Tennis Match
    Clip 1:10
    Two Weeks Notice Scene: Tennis Match
    Two Weeks Notice Scene: You're A Real Good Listener
    Clip 1:19
    Two Weeks Notice Scene: You're A Real Good Listener
    Two Weeks Notice Scene: Give Me The Stapler
    Clip 1:13
    Two Weeks Notice Scene: Give Me The Stapler
    Two Weeks Notice Scene: You Couldn't Possibly Want Me
    Clip 1:02
    Two Weeks Notice Scene: You Couldn't Possibly Want Me
    Two Weeks Notice Scene: She Looks Peaceful When She Sleeps
    Clip 0:55
    Two Weeks Notice Scene: She Looks Peaceful When She Sleeps

    Fotos192

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    Elenco principal86

    Editar
    Sandra Bullock
    Sandra Bullock
    • Lucy Kelson
    Hugh Grant
    Hugh Grant
    • George Wade
    Alicia Witt
    Alicia Witt
    • June Carver
    Dana Ivey
    Dana Ivey
    • Ruth Kelson
    Robert Klein
    Robert Klein
    • Larry Kelson
    Heather Burns
    Heather Burns
    • Meryl Brooks
    David Haig
    David Haig
    • Howard Wade
    Dorian Missick
    Dorian Missick
    • Tony
    Joseph Badalucco Jr.
    • Construction Foreman
    • (as Joseph Badalucco)
    Jonathan Dokuchitz
    • Tom
    Veanne Cox
    Veanne Cox
    • Melanie Corman
    Janine LaManna
    Janine LaManna
    • Elaine Cominsky
    Iraida Polanco
    • Rosario
    Charlotte Maier
    • Helen Wade
    Katheryn Winnick
    Katheryn Winnick
    • Tiffany
    Jason Antoon
    Jason Antoon
    • Norman
    Rocco Musacchia
    • Fisherman
    Wynter Kullman
    Wynter Kullman
    • Tyler
    • Direção
      • Marc Lawrence
    • Roteirista
      • Marc Lawrence
    • Elenco e equipe completos
    • Produção, bilheteria e muito mais no IMDbPro

    Avaliações de usuários321

    6,2131.8K
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    Avaliações em destaque

    6hitchcockthelegend

    Light and effective ROM-COM.

    Lucy Kelson {Sandra Bullock} lands a job as chief counsel for a big hitting New York real estate firm that is owned by mega-rich George Wade {Hugh Grant}. He's an engaging enough boss but he's very shallow, and Lucy finds that she's practically running his life for him. So finally tiring of being treated like a Personal Assistant, she gives her two weeks notice of resignation. But can the pair do with out each other? And is there more than a working relationship bubbling under the surface? For his first feature film directing assignment, Marc Lawrence played it safe and got lucky with his lead actors. Whilst hardly setting a new benchmark in the ROM-COM genre, Two Weeks Notice is however witty and not without charm. This is due in the main to the pairing of Grant & Bullock, who play it perky and spark a chemistry so sadly lacking in many other modern day films of its ilk. By their own admission the pair got on great off screen, and that is evident as the pair feed of each other to make the lightweight script work wonders. The dominance of the pair tho leaves little room for the supporting actors to breathe, with many of them coming across as mere fillers. It's this that stops the film from being the great film that Bullock, and particularly Grant's, efforts deserved.

    Enjoyable light entertainment that could have been better if more thought had gone into the outer characters. 6.5/10
    george.schmidt

    Screwball romantic comedy isn't dead yet

    TWO WEEKS NOTICE (2002) *** Sandra Bullock, Hugh Grant, Alicia Witt, Dana Ivey, Robert Klein, Dorian Missick, Heather Burns, Jason Antoon. Charming screwball romantic comedy with Bullock as an A-type/neo-hippie cum grass-roots lawyer who finds herself employed by wealthy conglomerate merger type businessman Grant and after attempting to get him to change his ways gives her titular ultimatum only to discover – you got it – they are really meant for one another. The film may be formulaic but its stars have that special, instant and utterly natural chemistry together helped with a crackling zingerfest screenplay by its director Marc Lawrence who manages to make the creaky device work even if its last act is by rote and Witt as Bullock's replacement (in more ways than one) is a pallid shadow of `All About Eve' .
    Scaramouche2004

    An enjoyable comedy love story.

    I am sick of defending romantic comedies on this site. Every time a new one hits our screens IMDb is absolutely inundated with reviews containing the words, boring and predictable.

    Most of the time these reviews are written by people who are just annoyed that nobody was killed or nobody fired a gun or blew up a building or whatever. GROW UP.

    This is the last time I'm going to say this but romantic comedies work to a successful formula which have worked well for seventy odd years and that is why they are successful, they are not going to change them and we certainly hope they don't so everyone please stop moaning for heavens sake. Maybe your action movies are a bit "same ol' same ol'" but do we slag them off to you? NO. So CAN IT.

    Now my little rant and rave is over onto the film in question.

    Sandra Bullock is in my opinion the greatest living comedy actress alive today. She is sexy and gifted and has the perfect talent and timing to easily take over the mantle of stars like Irene Dunne, Jean Arthur, Katherine Hepburn, Doris Day and more recently Meg Ryan as a true queen of Rom-Com.

    It's my opinion that in fifty years time Sandra Bullock will be regarded as a screen great like the great actresses mentioned above. She has the ability to adapt between comedic and dramatic roles with perfect ease making us cry or laugh with equal vigour. I suppose she is almost like a female version of Cary Grant in that respect.

    In Two Weeks Notice she is given so much chance to make us laugh and she fails to miss one of them. I especially like the part when she says she can also speak German and Japanese and then turns down an offer using both, followed by one of her rye giggles....hilarious and clever.

    Hugh Grant, never really strays too far away from Hugh Grant but again as in the case of Ben Stiller and Adam Sandler this persona is what has made him a star and that is what he successfully does. It seems however that in this film he does it better than in any other film before.

    It's a love story between a radical left wing lawyer (Bullock) and a capitalist, heartless tycoon (Grant).

    He's been using her for her intellect and she has been using him and his money for her own charitable organizations, but when she decides to quit, the last two weeks sees their relationship change into something neither of them seem to want to part with.

    The script is funny and fast paced and both are handed good comedy material to sink their teeth into. Hugh Grant is surrounded by beautiful women throughout the film giving him the opportunity to work his English charm school act, and with another sexy secretary in the picture, Bullock is given her opportunity to spar in her own inimitable way. The schoolyard type fight over the stapler is a great example and gut-wrenchingly funny.

    An enjoyable film and one deserving pride of place on any DVD shelf. Incidentally check out the feature commentary between Bullock, Grant and Marc Lawrence. It's very funny and shows that the magic between them poured right off the film and leaked into real life.

    As for one of the previous reviewers who referred to Sandra Bullock as FAT, I lay my gauntlet at your feet sir and it's pistols at ten. You may like her acting or loathe her, but fat she ain't.
    Chrysanthepop

    Didn't like it much the first time but Enjoyed it a whole lot more during the second viewing

    I saw 'Two Weeks Notice' some years ago and didn't like it much. It seemed like a passable romantic comedy. I mean, the acting was overall good, the story a little old... it just felt like it lacked something. However, after having revisited it today, I actually liked it a lot more than before. Once one is passed the first half hour or so, I think he/she can really enjoy the film.

    What makes the first half hour or so annoying is it's dragging pace and Hugh Grant. His character just comes across as extremely needy and perhaps it's not Grant's fault but the actor doesn't add anything new to his role. This is the kind of role that made him a star but he seems to have forgotten that there are other genres outside romantic comedy. Perhaps he wants to stick to a safer formula but I wonder how long people will continue watching him in the same kind of films playing similar roles. Anyway, after this initial half hour, he does decent in the acting department as he shows George's growth. We see his He shares a good chemistry with Sandra Bullock.

    'Two Weeks Notice' belongs to Sandra Bullock and I think it is her acting and her character that make this film more likable. The woman is naturally beautiful and her comic timing is impeccable and it is no surprise that she's known as one of the finest comedy actresses (and she's great in other roles too). she has some of the best lines and she delivers them with complete ease.

    I also loved the dialogues. There are some hilarious one-liners such as the barking chilli dog and the bobcat pretzel. After the dragging initial reel, the story moves at a good enough pace and gets funnier. Lawrence's screenplay and direction are good as the end result looks polished but some editing could have helped to tighten it up.

    Overall, I think this funny film deserves a second chance as I liked it a lot more during the second viewing. I'm glad that I chose to watch it again.
    6secondtake

    Great interactions between two great natural comic actors...and a usable plot

    Two Weeks Notice (2002)

    Hugh Grant is funny. Sandra Bullock is funny. "Two Weeks Notice" takes full advantage of both, and for a warm, if someone canned, romantic comedy, it's enjoyable.

    The premise is two-fold. First is the idea that Bullock makes herself indispensable as an assistant to an unbelievably demanding boss (an precursor of the more recent "The Devil Wears Prada" though in this case Grant is also a bit incompetent). Then she has to give notice she is quitting. This makes Grant desperate, which is always fun to watch.

    The other premise is the feel-good part where a community center with history needs to be saved, somehow (an echo, perhaps, of "You've Got Mail"). Bullock is a do-gooder and a smart one, and she finds working with Grant has threatened her idealism. In fact, this is the deeper part of the movie, if still treated with typical easy going slightness. I mean, this is no serious commentary for sure, any more than "My Man Godfrey" will really change our views about unemployment in the depression. But it helps to have a cause to root for.

    Most of all I came to love Bullock for her natural on-screen personality. She's so likable in her own offbeat way you come to support her view of the world automatically. And in this case that's a good thing, even if you also understand how Grant's character is both a jerk and a lovable misguided rich man. Grant of course is his own kind of natural, and the two are rather good on screen. They might not have chemistry, the way you'd want the screen to steam up, but they have energy or synergy together, more like the other Grant (Cary) and some of his counterparts did in the old days.

    I'm tilting this review toward a feeling that this is a screwball comedy as in the the late 30s and early 40s, and in a way it is, though not nutty enough perhaps to really qualify. It does have the standard romantic comedy problem of two leads who would be great together if only a million things weren't standing in the way.

    This movie gets weak reviews overall, but I liked it, and don't hesitate to recommend it as a thin but enjoyable comedy.

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    Enredo

    Editar

    Você sabia?

    Editar
    • Curiosidades
      Hugh Grant said that Sandra Bullock was his favorite person to work with throughout his career.
    • Erros de gravação
      When Lucy and George are arguing at the children's benefit, it is alternately raining/not raining between shots. Similarly, George's tux jacket is wet/dry.
    • Citações

      George Wade: Before you came into my life I could make all kinds of decisions, now I can't, I'm addicted, I have to know what you think!

      [holds up cufflinks]

      George Wade: What do you think?

      Lucy Kelson: George, I think you are the most selfish human being on the planet.

      George Wade: Well that's just silly. Have you met everybody on the planet?

      Lucy Kelson: Goodbye George.

      [she leaves]

    • Cenas durante ou pós-créditos
      The beginning of the credits shows pictures of Sandra Bullock and Hugh Grant as children growing up.
    • Conexões
      Featured in Siskel & Ebert & the Movies: The Lord of the Rings: The Two Towers/Chicago/Two Weeks Notice/The Wild Thornberrys Movie (2002)
    • Trilhas sonoras
      Baby (You've Got What It Takes)
      (TWO WEEKS NOTICE Remix)

      Written by Clyde Otis and Murray Stein

      Performed by Dinah Washington and Brook Benton

      Courtesy of The Verve Music Group

      Under license from Universal Music Enterprises

      Harmonica accompaniment by Marc Lawrence (as Blind Lemon Lipschitz)

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    Perguntas frequentes20

    • How long is Two Weeks Notice?Fornecido pela Alexa

    Detalhes

    Editar
    • Data de lançamento
      • 7 de março de 2003 (Brasil)
    • Países de origem
      • Estados Unidos da América
      • Austrália
    • Central de atendimento oficial
      • Warner Bros.
    • Idioma
      • Inglês
    • Também conhecido como
      • Amor con preaviso
    • Locações de filme
      • Shea Stadium - 12301 Roosevelt Avenue, Flushing Meadows Park, Queens, Nova Iorque, Nova Iorque, EUA
    • Empresas de produção
      • Castle Rock Entertainment
      • Village Roadshow Pictures
      • NPV Entertainment
    • Consulte mais créditos da empresa na IMDbPro

    Bilheteria

    Editar
    • Orçamento
      • US$ 60.000.000 (estimativa)
    • Faturamento bruto nos EUA e Canadá
      • US$ 93.354.851
    • Fim de semana de estreia nos EUA e Canadá
      • US$ 14.328.494
      • 22 de dez. de 2002
    • Faturamento bruto mundial
      • US$ 199.043.471
    Veja informações detalhadas da bilheteria no IMDbPro

    Especificações técnicas

    Editar
    • Tempo de duração
      • 1 h 41 min(101 min)
    • Cor
      • Color
    • Mixagem de som
      • DTS
      • Dolby Digital
      • SDDS
    • Proporção
      • 1.85 : 1

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