O Júri

Not since Primal Fear have I seen a court room thriller that was really good. Given the actors, I suppose you can't really go wrong. Usually I can find some actor or actress that wasn't very good, bothered me in some way or was flat out horrible. This movie featured superb acting by all those involved. Even Jeremy Piven (who I can't help but picture as the Dean in Old School or his characters from PCU or Very Bad Things) delivered a respectable performance, and very different from the other movies mentioned.

Runaway Jury doesn't throw in a lot of needless plot twists and unexpected happenings just for the sake of throwing off or fooling the viewer. In fact, it pretty much goes in the direction you think it will, with only a couple of exceptions which are needed.

I'm usually the type that likes my movies to get it all done in around 90 minutes or so. Seems to me that most movies that go over 2 hours have a lot of needless "filler" material for no real reason, which, more often than not, results in slow, dragging scenes in the movie or just a boring movie altogether. This particular movie clocked in at just over 2 hours and used every minute wisely. Nothing boring and nothing seemed to drag on forever. I found the beginning with the jury selection particularly interesting. I thought the whole concept of knowing how to get exactly who you want on your jury, even before they actually show up to jury duty, was a little mind blowing. After seeing those scenes, I knew it was going to be a great movie. I highly recommend this movie, especially if you enjoyed movies like Primal Fear, although this is a completely different movie with different kinds of surprises.

Overall, Gene Hackman stole the show in this one and proves why he's been working in movies and television for over 40 years now. I give this 9 out of 10.

Well acted yet flimsy adaptation of the John Grisham novel lacks a well rounded script to carry itself but has an amazing cast that lifts this mediocre film past its problems and into respectability. The script has way too many loop holes in logic to even take what you are seeing seriously and the directing lacks a sharp narrative to get across what it's trying to say. The acting is the only major thing that this film excels on and with out it, this would have been a cable movie of the week at best. Gene Hackman is great as a jury consultant who would stop at nothing to win a case and Rachel Weisz is amazing as his adversary in and out of the courtroom. Dustin Hoffman is great as well but he is not in the movie as much as advertise and John Cusack is decent for the role he has. The biggest fault the movie does have is the fact that certain plot points disappear during the course of the film as well as characters. It's a great way to spend two hours of your time, especially with the great performances of Gene Hackman and Rachel Weisz to keep you glued to what is happening but the movie has a lot of glaring problems that makes it hard to sit though in certain parts.

Nicholas Easter (John Cusack) is desperate to get on this jury. With a high powered Gun Manufacturer, at risk of being held responsible for selling the guns that are used in crime, the question is why.

Gene Hackman is brought in for the defence as a jury consultant, who is at ease with digging up dirt and manipulating jurors, to get the results he wants.

And Rachel Weisz is an outsider, pulling Easters strings. As the stakes get higher, there is no doubt that this Jury is For Sale, but will the highest bidder win.

Hackman, Weisz and Cusack are all on top form for this one, but Hoffman's Character seemed to lack a little depth.

Basically a good thriller, that is worth watching, but don't expect too much, you might feel let down.

7/10

Decent but very flawed film that has so many points to it that it can't be categorize in simply good or bad.

The Good: Some of the performances are spectacular and deserving of a much better movie than this. Gene Hackman hasn't been this good in ages, and he's one of the few reasons that this movie is watchable. The next reason is Rachel Weisz, who is the only actor Hackman has had in quite some time that is his equal in performance and in acting prowess. She is so good in fact that she does almost steal the film from him and then some. The city of New Orleans is a fascinating setting for this film but wrong because it's not the original setting of the book.

The Bad: Dustin Hoffman is not really in the movie and is really a minor character in the whole story. Which is too bad because he's such a charismatic actor and deserves a much bigger role than what he had. The next problem is the whole spy versus spy angle that makes the whole film into a joke because no one would go that far to rig a jury, especially in a case that would have been thrown out of a real court with the facts that was presented in the film. Which leads to….

The Ugly: The script is really bad. How bad you say? It took almost four writers to outline the story, which bare in mind does not follow the book at all. The dialog is great in places and bad in others, and the whole structure of the film is paper-thin which is easily to blow holes thru. The story runs out of gas in the half way point of the film and the ideas express seems more like a bias view of what the law should be than a realistic view of what the law really is. I think the biggest offence the movie makes is changing the text of the original novel and making about guns other than big tobacco. John Grisham's original novel was hugely entertaining and down right poignant in its views about justice. This film seems like it has not idea where it's at from time to time and lacks a coherent narrative to even try to explain the stuff that is going on right in front of you.

Even with the good points, the bad does out weight the good here. It's a decent film because of the acting of Rachel Weisz and Gene Hackman but they like the viewer are let down with a script that lacks conviction for the subject it covers and a real point of view that expresses the feelings of the reality of the gun issue.

Did you ever look at an old photograph that perfectly captures the spirit of people you know, for a fact, are long gone? Did you ever wonder if the people in the photo were self-aware, and knew their best was behind them? The film industry underwent a lot changes at the turn of the century. Changes that had to do with the massive stratification of the delivery channels for product; changes in video technology; the economics of where to make films as cheaply as possible (think Canada, heck, think Cambodia); and the incredible rise of specially-made for TV series as (suddenly) a viable threat the notion that threatre quality invariably beat home TV quality..? This review penned in late 2014 and I just revisited the film. I see it as a example of the best of the best of the old school style of film making and for that reason alone it deserves your special attention.

Novel by Grisham (from an era when people actually read books). A cast to die for. The other reviewers will tell you flat out that Rachel Weisz, Gene Hackman and John Cusack carry the film on their backs, and they do not lie.

Has Gene Hackman ever given a performance that was less than brilliant? His only competition was age. His. Rachel Weisz at the peak of her astonishing career, always mesmerizing, always eye-catching, always making you care. And Cusack when he was still an A-lister, long before he ended up in B movies and his agent started to promote him as the "hardest working man in Hollywood." The film ebbs here and lags there, but it remains a remarkable piece of pure entertainment.